EP43: Plants, enchantment and wild words

Show Notes

Embark on a captivating journey in this episode of the Eatweeds Podcast as host Robin Harford welcomes Zoe Gilbert, a talented fiction author and folklore expert. Immerse yourself in an enchanting conversation about plants, enchantment, and folklore that will inspire your imagination and deepen your appreciation for nature.

In Episode 43, “Plants, Enchantment and Wild Words,” Robin and Zoe delve into the enthralling world of plant lore and explore how enchantment and folklore have shaped our connection with the natural world. Zoe shares her unique insights into the role of plants in mythology and how anthropomorphism and gender have influenced our understanding and stories of the plant world.

This episode also uncovers the magic of wordsmithing and the art of storytelling, revealing how the power of language can evoke a sense of wonderment and help us foster a closer bond with nature. Robin and Zoe discuss the significance of writing as a form of ritual and ceremony, demonstrating how creative expression can lead to a more profound connection with the earth and its stories.

Highlights:

  • Uncover the mesmerizing world of plant lore, enchantment, and folklore.
  • Delve into the role of anthropomorphism and gender in our understanding of plants.
  • Learn about the magic of wordsmithing and storytelling as a way to connect with the natural world.
  • Discover writing as a form of ritual and ceremony.

Join Robin Harford and Zoe Gilbert in Episode 43 of the Eatweeds Podcast, and let them guide you through a fascinating exploration of plants, enchantment, and wild words. Ignite your imagination and enhance your relationship with nature through the transformative power of storytelling and creative expression.

About Zoe Gilbert

Zoe’s first novel, Folk (Bloomsbury), was shortlisted for the International Dylan Thomas Prize and adapted for BBC Radio (read by the brilliant Samantha Spiro). She has just finished turning some of the chapters from Folk into a libretto, for a song cycle that will have its world premiere in 2023.

Her second novel, Mischief Acts (Bloomsbury), is released in March 2022, and is inspired by the past and future of the Great North Wood, which used to cover a large swathe of South London.

Since completing Mischief Acts, Zoe has moved from London to the Kent coast, which is (not surprisingly) influencing her third novel. It turns out that place – alongside folklore, nature and social history – is a starting point for her writing.

Besides novels, Zoe has been writing short stories for most of her adult life. You can find a few of them in anthologies by Comma Press, and they have also appeared in books and journals worldwide including The Stinging Fly, Mechanics’ Institute Review, and the British Fantasy Society Journal. Some of her stories have won prizes, including the Costa Short Story Award.

Zoe is co-founder of London Lit Lab with Lily Dunn, where she teaches creative writing, and the co-editor with Lily of A Wild and Precious Life (Unbound 2021), an anthology of writers in recovery.

EP42: Medicinal forest gardens

In this episode, I talk with herbalist Anne Stobart, who set up the Medicinal Forest Garden Trust, about why we need to grow medicinal and food trees instead of just ornamental trees and shrubs.

Show Notes

About Anne Stobart

Anne Stobart is a medical herbalist, herb grower and historical researcher. Previously, she directed the professional programme for clinical herbal practitioners at Middlesex University, UK.

Her research interests span domestic medicine in the early modern period to present-day sustainable herbal medicine supplies.

She is a member of the advisory board for the Journal of Herbal Medicine and is an Honorary Research Associate at the University of Exeter, UK.

Her publications include Household Medicine in Seventeenth-Century England (Bloomsbury Academic, 2016) and The Medicinal Forest Garden Handbook (Permanent Publications, 2020).

Anne co-founded the Holt Wood Herbs project in Devon based on permaculture design principles, transforming a redundant conifer plantation into a thriving medicinal forest garden.

Currently, she is developing the Medicinal Forest Garden Trust and working with several groups on medicinal forest garden projects.

Her latest online course is on Medicinal Trees and Their Healing Properties.

EP40: Plants and colour

In this episode, I talk with natural plant dye artist, Flora Arbuthnott. We discuss her fascination with using wild plants to create beautiful art and how the practice of gathering nurtures creativity and wellbeing.

Show notes

About Flora Arbuthnott

Flora Arbuthnott. Flora came to this practice through a desire to connect with the land. Working with plants such as camellia and buddleia flowers, oak galls, and dock roots, or growing dye plants in her garden such as madder, woad, and coreopsis. Creating drawings, paintings, and prints as one-off explorations of plant-based surface application bringing together natural dyeing, ink and paint making, and printmaking.

Growing up in the countryside in Gloucestershire, Flora was taught to paint and print by her mother as a child. Following a degree in product design at Glasgow School of Art, she sought to reconnect with her family roots in textiles and printmaking, as well as with the natural raw elements of where materials come from. She was drawn to Devon to study permaculture (Earth Activist Training), horticulture (Schumacher College), and wild plants (Ffyona Campbell & Rhizome). 

Flora’s interest in plants and fungi go beyond colour. She is committed to living and working in rhythm with the seasons, the foraging and growing food, dyes, and medicines.

EP39: What’s that plant

Mark Duffell is one of Britain’s foremost botanists and ecologists. In this episode we talk about:

  • The best way for beginners to learn plant identification.
  • Why the ecology of a plant is important to know before harvesting.
  • Forager or pillager? Which one are you?
  • How to overcome your fear of botany and science jargon.
  • Why learning plant families is important.
  • Sustainability and commercial wild food harvesting. Is there a problem?
  • How ecology can guide us to live harmoniously with the Earth.

Show notes

About Mark Duffell

Mark Duffell is an experienced botanist with a lifetime’s interest in plants. Originally trained a horticulturist he went on to win the Chartered Institute of Horticulture’s ‘Young Horticulturist of the Year’ in 2001.

He currently splits his time between running Arvensis Ecology (conducting botanical surveys and teaching botanical identification to undergraduate and postgraduate University students, consultants, and environmental organisations) and working as a Lecturer with MMU on their MSc in ‘Biological Recording and Ecological Monitoring’.

EP38: Let’s talk trespass

In this episode of the Eatweeds podcast I discuss with Nick Hayes author of the ‘Book of Trespass‘ discusses the many reasons why Right to Roam is so important to the nation’s mental health and wellbeing.

How access to the countryside helps people deepen their connection to nature so they become better stewards of the planet.

We discuss the concerns landowners have over littering and damage to their property including fences, gates, livestock etc.

Also covered is the criminalising of trespass and its potential impact on already marginalised communities, as well as the rest of the general public. How will it impact your life and liberty?

Show notes

About Nick Hayes

Illustrator and writer.

EP37: Sound walks

At the end of last year I interviewed Emma Welton. A musician who lives locally to me. She discusses listening as a nature connection practice.

Active listening can help us develop a deep empathic relationship with the natural world.

Discover how to identify trees by sound, why we need to create botanical sound walks and more.

If you have followed my work for any length of time, you will know that I teach sensory engagement with plants, yet the practices I teach can be applied to the whole of the natural world.

Show notes

About Emma Welton

Emma Welton studied music at Manchester and York Universities. She performs on violin with Lavolta ensemble, Exeter Contemporary Sounds, Icebreaker and in other groups and on all sorts of platforms. She co-curates with Tony Whitehead A Quiet Night In, creating performances of quiet contemporary music otherwise neither performed nor widely-known in Devon and providing a context for the exploration of the creative possibilities in quiet/silence.

She is a Bournemouth Symphony Orchestra musician, touring the south west with BSO chamber groups, and co-leading with Hugh Nankivell BSO’s Exeter Family Orchestra. She is an activist composer whose practice is driven by the climate emergency and our place in it, combining recordings, live instruments and tools/objects, and sometimes eliciting audience participation. In 2019 she created new pieces for Scare the Horses, the Agatha Christie International Festival,
music for the film Ouroboros Dumnonii and a living musical sculpture for Torbay’s Eyeview festival.

Since all her live musical work was suspended in March 2020 she has been developing a practice derived from listening to her habitat. This has led to two strands of work: Music in the Garden and Exeter Sound Walks. Exeter Sound Walks have been shortlisted for a ‘Sound Walk September 2020’ award, a project of Walk. Listen. Create.

EP36: Nettle eater

Tom Hirons is a poet and storyteller. He lives with his partner on the edge of Dartmoor in the UK. In this interview we discuss his work and how as creative humans we can all express our inherent wildness through creative and magical acts.

Show notes

About Tom Hirons

Tom was born and raised on the Suffolk-Norfolk border in East Anglia,
but lived in Scotland for almost twenty years before gravitating to
Dartmoor in the Southwest of England. Tom has been storytelling publicly
for over 15 years, writing for much longer and now teaches storytelling
for Hedgespoken travelling storytelling theatre, of which he is co-founder.

Tom’s work has appeared all over the place. ‘Sometimes a Wild God’ is
fast becoming a subcultural passport or token of recognition, passing
from hand to hand and mouth to ear all about the world. ‘Nettle-Eater’
is making its own green path in the hearts of readers, and Tom is also
author of ‘Falconer’s Joy · Five Poems.’ All are published by
Hedgespoken Press.

Tom is currently working on three new collections of poetry, two of
which should be coming out in 2020 – ‘The Queen of Heaven’ and
‘Three-Legged Crow’.

Essentially a cheerful fellow driven to apoplexy and grief by the
madness of our times, Tom is calmed most effectively by walking on
Dartmoor, by sleeping in the deep greenwood and by the sound of true
words spoken.

Tom hopes his work provokes you into a deeper relationship with this
marvellous world, or sings a remembering song to you, or inspires some
kind of cathartic fit that takes you home via the stars… There’s much to
lament and grieve, and much to be angry about and take action against,
but to be alive is an incredible thing.

EP34: Prison plants

In this episode I talk with Nicole Rose from Solidarity Apothecary. Nicole did a three and half year prison sentence aged 21 amidst a decade of state repression against the campaign to close down Europe’s largest animal testing company.

In this interview we discuss her plant journey from prison to now supporting revolutionary struggles and communities with plant medicines.

There is a full transcript of the interview below.

Show Notes

About Nicole Rose

Nicole Rose (she/her) is an anarchist organiser and grassroots herbalist and living in England who has been active in struggles for human, animal and earth liberation for over 20 years.

Nicole did a 3.5-year prison sentence aged 21 amidst a decade of state repression against the campaign to close down Europe’s largest animal testing company. She’s been supporting loved ones in prison for over 15 years and founded the Solidarity Apothecary, a project supplying free plant medicines to people experiencing and recovering from state violence and repression.

The mission of the Solidarity Apothecary is to materially support revolutionary struggles and communities with plant medicines to strengthen collective autonomy, self-defence and resilience to climate change, capitalism and state violence.

Nicole is the author of The Prisoner’s Herbal and Overcoming Burnout. She also helped start the Prisoners Herbalism Collective which is supporting prisoners to learn about plant medicines inside.

Transcript

Robin Harford: [00:00:00] Welcome everybody. My name is Robin Harford from eatweeds.co.uk. Welcome to another episode of the Eatweeds podcast. I’m here today with Nicole Rose, who runs the Solidarity Apothecary, and like all the shows rather than tell you about her. I’m going to ask Nicole to introduce herself. So welcome, Nicole. Good to have you on the show.  Tell us your story.

Nicole Rose: [00:00:24] I’m Nicole. I run a project called the Solidarity Apothecary and its mission is to materially support, practically support what I call revolutionary struggles.

And communities with plant medicines to strengthen collective autonomy self-defense and resilience to climate change, capitalism and state violence. What that looks like in practice is I support people experiencing state repression. So people that have campaigned on different issues and are experiencing repression as a result.

And I support them with plant medicines. I support people leaving prison. To recover from the effects of that kind of those kinds of traumatic experiences. And I also make medicine for different groups around the world. So one of the groups is Herbalists Without Borders who support refugees at different different places most, especially in Northern France.

Yeah, and I. I wrote a book called the Prisoner’s Herbal which I’m sure we’ll talk about. And so one of my main areas of work is getting that inside to people in prison. 

Robin Harford: [00:01:24] Okay. So why that, why the area of prisons, is that experiences that you’ve had yourself.

Nicole Rose: [00:01:30] Yeah. So when I was 21, I did a three and a half year prison sentence as part of a campaign to close down the animal testing company in England. And yeah, it was a big operation. Like 12 of us got sent down. The whole campaign was criminalised for this charge of conspiracy to blackmail and when I was in prison, like I worked as a listener with the Samaritans and supported women in there who, yeah, listening. Like I was listening to people’s stories, maybe 20, 30 hours a week of just like horrendous poverty and child abuse, rape, gang rape people that had been affected by drugs and alcohol and other issues.

And , it really transformed my worldview about prison and about who is in there and why. And I could really see those layers of like racism and class and poverty. And yeah, I when I got out, I was really dedicated to okay, how can I support like movements to build alternatives to prison and also keep providing like practical support to people inside.

And for me, like plants just change. Just change. Absolutely everything for me in my life. When I was in prison, I worked in the prison gardens and I did a distance learning course in herbalism, and I just found this whole new world of like meaning and connection. That has just taken me in so many amazing directions and given me such a sense of belonging to place and belonging, to communities of people that care about plants.

And  I don’t want prisoners to be excluded from that. There’s like loads of other areas around medical neglect and other issues in prison, but I think the main premise for me was like, Right now, like millions of people around the world are excluded from plants because of where they are.

But actually in prison, there are plants, there were dandelions pushing up through the concrete there’s  all sorts of weeds and connecting with them, I think can help people overcome that kind of isolation of imprisonment. 

Robin Harford: [00:03:34] Were you interested in plants before you went into prison or did it evolve while you were in prison?

 Nicole Rose: [00:03:41] Before I went to prison, I was interested in plants. I worked with I used to just do like care work and I worked with one autistic woman and she was like obsessed with gardening and buds and that kind of. Was what got me interested in plants. And I guess in ecology, but at the time, like doing a course, doing like a permacultural course or something, it felt like really inaccessible.

And it was only in prison that I was able to get some grant funding to cover the cost of studying and. Like I had I had the opportunity to study. If that makes sense. Like on the hour is quite hard, like doing low paid work and you’re working like 60, 70, 80 hours a week to just pay the rent and you don’t have much time to study.

So yeah, in prison it was like weirdly enabling of me to do some education. 

Robin Harford: [00:04:29] So I know the co the country’s very divided at the moment, so that I’m going to ask you the question anyway, but I’m sure. Some people who are listening to this will, will have a trigger response to say you broke the law you’re you got nicked for it. You did time. That’s it, isn’t it. Personally, that’s not a very compassionate way to view it. Sounds to me more like political prisoner rather than the criminal. What would be your response to people who have. A negative view of people who’ve been in prison and are in prison and say it’s your own fault.

Nicole Rose: [00:05:05] I think it’s challenging for people who have never interacted with anyone who’s gone to prison or who have never been in prison themselves. And I think it’s also particularly challenging for people that come from. Like wealth or privilege so that they don’t ever have to question, should I steal this thing? Otherwise I won’t eat tonight or whatever. There’s, so there’s those layers. But I think for me I like to differentiate things between like harm and like crime. There are a lot of people in prison that have harmed other people, like rape or abuse or violence.

But there’s also a lot of people that aren’t in prison that harm people, right through Wars or poverty, like state violence or whatever. But for me, like the act of criminalization is like a very specific tool that marginalized as certain groups of people. And punishes them for those, for that marginalization.

 For example, like looking at kind of drugs rich people that take drugs don’t go to prison, right? Like it doesn’t work like that. It’s people that use drugs who don’t have the money to sustain their drug habit that go to prison.  Think we need to differentiate like what What’s actually like causing harm and what’s quote unquote crimes.

And lots of, yeah. And recognizing that lots of people in prison have caused harm, but also recognizing that a lot of people in prison are like massive receivers of harm.  It’s really even just, I’m not going to quote the statistics accurately, but like huge numbers of people in prison have been abused as children.

And that’s led to. That’s led to  drug use to help manage their nervous systems or if there’s an accessibility to trauma support, then people are going to self-medicate or enact like harmful behaviors. So for example, when my experiences of being a Samaritan inside, it was like, yeah, you’re listening to like people that have survived, like really extreme. Abuse his children. And that I didn’t meet really anyone in prison that had a really messed up childhood.

And there’s like lots of public sympathy, for example, with child abuse, like Childline or whatever, probably get like millions of pounds, NSPCC get millions of pounds of donations, but yet we’re like, Treating like some of the most vulnerable oppressed people in our society with like more violence and punishment, rather than intervening in a way that like helps people recover, that it gives them like mental health support.

Like right now prison is basically just it’s just like one giant mental health institution, but we’ve no care or support or like therapeutic kind of. Like interventions available. People are just getting punished because they have like mental health issues. Yeah, so there’s like tons and tons of layers, but I think.

Yeah. I think if people can have a starting point of separating harm from like notions of crime. And if people can look at like structural factors and forms of injustice that contribute to who goes to prison and who doesn’t and who gets criminalized and who doesn’t, I think that’s a really good starting point for understanding like quite a complex issue.

Robin Harford: [00:08:09] Yeah, no, that’s a brilliant response. I’m a former drug addict, so I sit in recovery rooms and so many people in the recovery rooms have been doing time again and again, the statistics for drug addicts is trauma based. Liberals might say that, see that as a cop-out, but it’s not from where I sit.

And from when I, again, like you,  I’ve spent. I don’t know how many hundreds of hours hearing other people’s stories. And there’s a common thread. There’s a common thread, violence, abuse. Yeah. PTSD is pretty high out there for most drug addicts. So thank you for clarifying that because I know it’s a contentious one in our culture.

Some people are very compassionate towards prisoners. Others just go well. I just wanted that cleared and that’s really good. So in prison, I know from looking at your site and looking at Some other kinds of interviews that you’ve done that, as we just said, PTSD and trauma is massive, not only the trauma from our past, but as Derek Jensen says, we live in a culture, call it capitalists, but a culture that is an abusive culture.

And as a result, every citizen within this culture is traumatized at some level. And we’re all just trying to manage that. So prisons, an extreme kind of focus point for that. So I’m interested in with plants  I’m really interested in two things. One I heard you mentioned, I can’t remember where it was that you can’t, you don’t, you didn’t where because it was maximum security. You didn’t have access to things like a kettle for boiled water. Obviously there’s no alcohol available, oils were really hard. So firstly. What kind of plants did you start discovering in the prison you’re in? And secondly, our traditional herbal medicine uses water uses alcohol uses oils, or uses boiling water anyway, alcohol and oils. so how did you rejig your medicine making for the context of where you found yourself.

 Nicole Rose: [00:10:13] So the thing about people in prison is that they’re just like absolute light geniuses with adaptation. Like you wouldn’t believe all the different things you could do with a dish cloth, for example, like cutting holders, like toilet roll holder, like all this stuff. So I think. Working with plants inside was like an extension of that creativity.

I did have a kettle, like kind of two thirds of my sentence, which was good, but the first while I didn’t, but you can still get hot water in a flask before you get locked in. But yeah, eventually after the first couple of months, when I got their security clearance, I was able to work in the gardens and I say gardens, they’re like concrete patches of grass in each courtyard.

And then quite big central garden in the middle of the prison, which had like things like roses. But yeah, I mostly learned. About plant medicines from this really amazing woman called Helen, who was like older and Scottish, I think she was in her seventies. And she was like, ah, this is chickweed you can eat that full of minerals.

And I was like, Oh, awesome. And then Oh, this is dandelion. So yeah, it was mostly like things that you can find under the stub soil. So dandelions, plantain, yarrow, chickweed, mallow, some nettle. And kinda like wild camomile, like pineapple weed, selfheal, daisies and Rose. Like they’re all the plants that I’ve profiled in the prisoners herbal book.

Like before I went in, like I just thought that’s it, I’m not going to be able to like, connect with the land again, like while I’m inside. And that was like one of my biggest fears. Cause. Like before I went to prison, I lived in Cornwall. So it was like wild landscapes to like really like important to me.

But just like the first day I walked in, I remember like seeing these two crows, like on the fence and there was like magpies and there was like all these weeds and I was like, ah, shit like this. Like, why did I, why were they so arrogant to think they wouldn’t be like nature here, if  yeah, so you have to I would get searched every day from the gardens to check that we weren’t like smuggling drugs around the prison. So I’d have to stuff like greens into my bra or into my underwear, and then take it back to my cell. And I dry all the roots out on the pros and radiators, which in the winter would do blast out like tons of heat.

And I, yeah, I would mostly eat things raw or make cups of tea. Sometimes I might if I managed to scavenge a food box or something from the kitchen, I might do a foot bath. But generally it was like lots of eating and experimenting. I definitely couldn’t make any tinctures or lotions or potions, but I’m really glad that was my introduction to herbalism.

Cause I think. Like now I’m out or like such a gearhead. I’ve just got all the blenders and the glycerin or the vodka and like just this huge apothecary, like stuff. And I’m like, actually sometimes if I’m traveling and I just caught myself, I just looked down and there’s yarrow.

And I’m like, okay, I just need that, like back to basics relationship again. But yeah and I think other prisoners. Like around the world have different access. So some people might not be able to have anything. And so like in the book I included stuff about like other ways to connect with plants, like drawing them or reading about them or studying them or doing poetry or whatever.

And then other prisoners, again, might have even more access to there is quite long tradition of like horticulture with prisoners so they can access more plants like calendula or whatever.  Yeah. Hopefully the book is useful for people in like their different exp like their different situations, including people on the outside.

Robin Harford: [00:13:42] Absolutely. No, absolutely. But we’ll get into a bit more about the book where folks can get it for a bit later on. So you said you had to shove plants in your underwear, so were you not allowed to gather and take them inside? Was that the kind of a prohibition or green beings in yours.  

Nicole Rose: [00:14:03] Like I think the main gardens officer like kinda knew what I was up to and didn’t really care, but I think if we had someone, another officer searching us like a security department person, they would definitely take anything we had on us.

That was like, not our ID card or whatever. So I did have a few pouches of greens taken off me before, before I started doing the bra thing. But like in prison, like people think it’s this light, hot bed of discipline and rules, but actually like they just make it up. Like one rule you have is like one day, you’re not allowed to do this.

The next day you are. One day, you’re not allowed this book the next day it gets delivered to you. It’s just like complete mayhem. So you can just, you just have to chance it basically. But like I did get myself searched quite a lot, probably. I don’t know if it was because of like the political stuff or just, they knew like they knew I wouldn’t have drugs on me, for example.

Or I dunno if it’s I dunno, anyway, it’s meant to be random, but I would just predict every Sunday. Okay, great. I’m going to get my cell searched. And so I did try and hide things because they don’t know what they are. Like, one time there was like a bunch of lavender in the prison and like some of the girls started smoking it.

So then like the prison just dug up all the lavender plants. So it was if they didn’t know what it was, they’re like likely to take it off you, if that makes sense.  

Robin Harford: [00:15:19] When you didn’t have access to plants in the yard, Did you manage to use plants and like the kitchen?

Could you use spices and things? Yeah. That, could you Nick them and take them to your cell and make medicine with them? 

Nicole Rose: [00:15:35] So I couldn’t access things like spices, but other prisons you can. So I had a friend who actually got coronavirus in prison this year and him and some other people on his wing, half the wing got sick.

They were able to like order spices from their canteen, which is like the, kind of the UK version of like commissary in the U S so they could access things like turmeric and ginger. And cayenne. And so they like would boil up spices, like in milk. So you’d have like milk and then they’d add hot water and they’d stir up spices.

And that seemed to really help. So yeah, I think in some prisons it is possible to access, like in the back of the book I included ingenious uses of like other spices and herbs that you can get. So that if prisoners are in that situation, they, they can. They know what to take. Like I think in I think a lot of kind of middle-class people have like quite assumed self care knowledge of Oh, if you have constipation, you should eat this or you should eat more fruit.

But I think for people who have had like more chaotic childhoods or haven’t been like parented in the same way, there is like a real lack of that, like basic self care information of like how you treat a cold or yeah. How you treat constipation or,  and I think that’s what I wanted to include in the book at the back was just like more general, a little bit of general knowledge about nutrition, because that’s so missing in prison. Especially, but yeah, so just tick tips and tricks on using like spices and herbs that you can get. 

Robin Harford: [00:17:08] That really just brought up in when you said that I was on Twitter the other day and when the government refused free school meals during the holidays, The, some of the beggars belief some people’s kind of attitude was just like they, it’s the parents’ fault.

You should not go complaining to the state. Parents should be cooking the meals and this and that. And it’s like, how out of this world are you living? If that’s your answer, like. What it was just one of those bit of a brain wobble where just, yeah, a bit of a, I didn’t shout at the phone, but it felt like I wanted to, at this person, it was like, really God.

Yeah. Anyway, yeah, we can go into that. We’ll leave it for another time. So I’m really interested whether or not this involves prison or out of prison, but a lot of activists certainly. My self in the past. And some of my younger friends, there’s the serious burnout going down. So do you support activists now with kind of plant medicines?

And if so, what kind of plants are you using to help with that kind of burnout that comes from years, decades? 

Nicole Rose: [00:18:21] I think my main way that I’ve been trying to support organizers is through my overcoming burnout blogs, which then turned into a book, which was like a reflection of my own journey of getting like chronically ill  and then recovering.

Robin Harford: [00:18:34] Was that because of your activism, the burnout, or is that just life.

 Nicole Rose: [00:18:39] I think both. Definitely because of all, like I got politically active from when I was like 10 years old and grew up in a very active animal liberation movement and then had this 10 years of oppression and prison, then. Had a number of close friends die in succession. I had nine bereavements within like a couple of years.

And I just, yeah, I was I’d so learned this like workaholic pattern and didn’t know, I think a lot of people who, if they get into kind of organizing and they’ve had a kind of quote unquote, normal childhood, whatever that means that they’ve had. Less chronic stress. I think they’re more resilient. So then when they get involved in movements or the stress of being involved in movements loads of organizing loads of stress, repression, cops, physical, demanding environments, like I think they buffer that really well.

Whereas I think if you’ve grown up like on income support, so I was brought up by a single mum. Own income support with a lot of like procarity and moving around and abusive men and stuff. So I think I just like. I didn’t have the same headstart. So I just, once I got involved in organizing and had all this repression, I think my body was just like so screwed from my years of battering of stress that I developed, like chronic health issues.

But then again, that was like reignited my interest in herbalism and led me to do clinical training. And I’m like super fit. Now when not that I don’t think necessarily. It’s very ablest to think that you’re going to recover from a chronic illness. I don’t want to have that attitude, but I’m just saying herbalism has like really helped me personally.

But yeah, in terms of stuff now, like I try and focus on people experiencing state violence, but I also do support a lot of frontline organizers. So recently I packaged up a big box of 25 of each thing and sent them to a group who’ve been protesting the HS2 to And they’ve been like a tree protest and like trying to defend a space.

And they’ve had a lot of people getting arrested and a lot of them have been doing lots of legal campaigning for like years and years. So they’re absolutely exhausted. And I sent them some Rose petal glyceride, which is Rose is just like the most amazing plant for grief. And it just like cools the nervous system.

I send them elderberry syrup, I sent them fireside of vinegar and I sent them a copy of my book each. I can’t remember what else. Oh yeah. And some lavender oil. So I make this lavender oil with olive oil from Palestine. With lavender from a garden and it’s like really amazing. It’s like really fantastic for the nervous system.

And I think like sleep is so integral to health and if organisers that have such busy minds can just calm down in the evening and sleep well, then they’re just like so much more resilient for the days ahead.  Yeah. I have been trying to support people with plant medicines as well, who were organizers and yeah, during a lot of the uprisings in the summer in America and elsewhere, I was sending like packages of herbs for street medics and stuff like that.

Robin Harford: [00:21:38] So to fit that, to what I pick now is on street medics.  There’s a guy called 7Song in America, the herbalist who does street medics. So are there many street medics in the UK? Is it part of the culture or is it still very much on the fringe and not really taken seriously?

Nicole Rose: [00:21:57] I think it demos and I think like mobilizations against G8 or whatever, there was always like a well-being space and always people that were like responsible for first aid. And I think maybe now this kind of street medic term is a bit sexy. It’s a bit like. Oh, cool. Street medic. But actually it has been going on in a very invisible way for like decades and decades. And I think it’s like what people think of as like street medicine, if that makes sense. So I don’t have that much experience doing. Quote, unquote like street medic work on a demo, but I’ve got shitloads of experience supporting people who have been on a demo of got concussion or something or driving them to hospital or, looking after them, lots of TLC.

Unfortunately it’s still like very feminized labour. So that would often be like a role that I would do in a group. And then in terms of street medicine itself I guess my main experiences are going as a kind of a clinical student with more experienced herbalists in Calais and Northern France and volunteering there to go with our van and our mobile clinic and seeing people in these kind of like austere settings.

We saw three and a half thousand people over the last year who. Yeah, our kind of surviving state violence in their own way, like injuries from police and chest infections from being  in the water or cold van or just from living outside. Lots of wounds. Yeah, so that’s I guess my experience of like street medicine.

Robin Harford: [00:23:25] Am I right in thinking you were part of the collective for herbalists without borders or radical herbalism? Was it. 

Nicole Rose: [00:23:34] I worked with Becks and Anwen and Rashika in that. Yeah. Lisa, like we helped to, I helped organize the first two and then I stepped back because of the prisoner support demands I had.

But yeah, it was definitely a very interesting and empowering experience in lots of ways. Yeah, it was great. Okay. So I think you came in, did a few, what? 

Robin Harford: [00:23:57] I came to the first one. I can’t remember if I came to the second one. I was using back then, so it’s all a bit hazy. And to be honest, I know I definitely came to the first one in Glastonbury.

So I’m curious, you mentioned,  this conversation is real world boots on the ground. Concrete, as you can get. But you mentioned once about all the experience with plantain and a dream. And I wonder, how does that sit with the work you do now? Because for me some of that. More subtle.

Yeah. As the plants can go off the planet and become incredibly new age.  I’m really interested in, on the boots on the ground integration of that experience. Could you tell us about that? 

Nicole Rose: [00:24:46] Sure. Yeah, just to give a bit of context to listeners, one of the examples I’ve given my book is when I had this dream in prison about plantain and there was like a voice saying, Oh, it’s for wounded.

And I was just like, yeah, just dreaming about plantain and hearing that. And at the time, like I hadn’t studied plantain, I didn’t know about, it’s like vulnerary or wound healing properties. And then I looked up and I was like, Oh, awesome. And then as I’ve like the interesting thing about prison is you’re so separate from the internet and you’re so separate from subcultures and movements and Instagram or whatever.

So it was interesting getting out and then reading more about like indigenous herbalism and traditions and lineages around the world and how. Like dreams or kind of these experiences where like a very common way that people received information about plants and yeah. And I’ve still had like weird, I have like weird dreams every night, but I still have those sorts of dreams about plants regularly.

And yeah, and I think there’s a real, like biomedicalisation of herbalism and. Actually those practices of dreams and stuff like that, I do think are like really important and also like valuable, like I’m,  sit in both camps. If I’m in Calais. And I don’t want to give out some kind of like random flower essence for trauma or something that to someone that’s just like fleeing war zone.

And I want to know if I’m putting something on this wound that it’s actually going to really work and it’s going to have these like antibacterial properties. But at the same time, like I think. Part of D and I feel self-conscious saying decolonizing herbalism, cause I’ve heard different writers say that should be the language of people that have been colonised and reclaiming their knowledge and about time for people who are from like colonizing nations is like unsettling, but either way, I think like reclaiming herbalism, Is really important and recognizing these like alternative worldviews around it and yeah.

Having just having like relationship with plants,  don’t want to reduce a plant to its constituents, like an or it’s functioned for humans like that plant has autonomy and agency and yeah, for me, herbalism is just plants in general. It’s like when I was in prison, like plants are like my mates,  I’d see them regularly at hanging out next to them.

I’d sit next to them. And I think it’s really important for people to stay. Like you said, like boots to the ground, stay down to earth that like, yeah, that I don’t know that kind of, I w. It’s not that I want to see them as equals, but I just, I want to see them as like full beings in, and of themselves beyond what use they can give to humans, if that makes sense.

And that they have their own crews and community and everything else I love the fact that, like learning about like mycelium and stuff and how plants will share kind of chemicals and medicine with each other. Let alone with humans. And that they’ll also share that with animals.

Like whether it’s a little bird harvesting, a mint leaf and adding it to its nest, like that stuff is just Ugh, it’s so good to me. Like I just, yeah. And I think when I think about plants, I think it’s in the Robin, the other Robbins book, the breeding sweet grass. And it’s one of the translations of plants is like those that take care of us.

And I feel like people in prison So many people in prison haven’t been taken care of by family or the state or by communities they’ve just been excluded or marginalized or oppressed, or, like violently violated. And so to be connected with plants that take care of you is like really special.

Robin Harford: [00:28:30] I totally go with that. In my own journey, I found that there’s two parts of what you’ve just said. I want to feed back on. In my own journey I would be walking around and I’d suddenly have these flashes of like insight or intuition. And I would then discover the plant, go to the plant, look at it, pay attention to it.

I’d then take a piece of it away. And then I would use research to explore. Deeper the plant. And I found food plants that aren’t in any of the books through that process. So that sounds initially completely off the planet. So when I say boots on the ground, for me, it’s A lot of people who come on my courses, they said I have these experiences we plants.

And it’s  that’s really cool, but there could be two things going on one. You could just be bullshitting yourself, projecting which I think happens an awful lot personally. But if you want to take it boots on the ground, pay attention to those flashes of insights and then go and do research.

When you got the research that will more than likely validate your flash of insight, like you had with plantain. There’s another part of it that I wanted to feed off, which I’ve completely forgotten now, but it is, it’s an interesting one, this this interaction, this relationship that we have with plants and that was it was more like I wrote a I posted a thing up on social media yesterday on sustainable and ethical wild harvesting practices and giving guidelines on the, the amounts that people might want to consider when they’re gathering plants.

And it feels like within the plant communities, that there are those of us who understand and have an appreciation and. Certainly for me, a reverence for the relationship that humans have with plants and plants have with you humans. And then there are those within the plant community who are the, who see plants as just a resource.

So they are colonial in that sense, imperialist in that sense, in that they just say to plant, they see a later mushrooms and they want it all for them. And they just strip it and they take they takers and just takers and generally for profit or coins. And. Even people in my audience. I know because I know some of the comments that I got just yesterday that, we really have to engender as plant teachers for want of a better word.

What, I don’t really like, still sat uncomfortably with that word teacher. I really do encourage people to really just not. See everything non-human as yours. Yeah. Yeah. Anything you are it’s. Yeah, certainly we’re plans four hundred million years old. And then the modern human 200, 300,000 years, he’s been around a bit longer and he’s a little bit smarter, so yeah, I suppose it’s a bit more of a humbling process because in my community, in the foraging community, there’s. It’s becoming quite polarized between those that have the respect and foraging is a start of the journey. That little taste is just the beginning.

It’s not the end game. And those who, who are just pillages. And it needs to be said because oftentimes it’s not sad. So PTSD myself. Absolutely. You, lots of our friends and people in our community suffer from it.

It’s massive at the moment we’ve got COVID, doing its thing. What kind of advice would you give to someone who. Acknowledges that, they may be experiencing PTSD. And how can they look after themselves? What kind of plants? What guidelines would you share with them? 

Nicole Rose: [00:32:28] Wow, that’s a big question. I think for me, it was never going to be like a herb in brown bottle that was going to help with my recovery. And I think Western herbalism especially has this like real, wannabe doctor syndrome of Oh, you get your prescription in the bottle. And the herbalist has all the power and knowledge and everything else.

But I think for me, it was like, it’s the act of herbalism that is the recovery for me. So I even now, like I do tons of prisoner support and I get like regular phone calls from friends in prison who. Are experiencing things I saw or witnessed, like people getting, bent up by officers or, violence in the prison or whatever, or like extreme kind of solitary and I can take certain plants in the daytime.

Like maybe it’s like the Rose petal, or maybe it’s some sort of like nervous system mix with Milky oats or vervain or something like this, but actually like the best thing to sooth my nervous system and help me self-regulate is going outside. And I have the privilege of living with land.

I’m able to go outside and calm down. I have a very like hot PTSD that I get like real rage. And I get like really angry and like nightmares and intrusive thoughts like that. I’m quite lucky that I’ve not been prone to depression. So for me, like it’s like going outside that like really soothes and helps me drop down again and like parasympathetic yeah, I think that’s like the biggest remedy is like the land itself, but I definitely encourage people to go see herbalists, but.

You could be given something that you have no relationship with and it’s an it, yeah, it will, it will work on a biological level. It might help, with your nerve communication or your brain chemistry or something. But actually, yeah. That relationship is what’s healing.

So for me, like I’m taking a nervine mix at the moment. I’m actually taking some St John’s wort which obviously there’s like lots of cautions with, so I wouldn’t just take it Willy nilly, but like it has, contra-indications and reacts with all sorts of stuff, but like for me taking it is wonderful, but I remember being in the summer. In the sun, harvesting St. John’s wort from my garden and making that glycerite. And so that is the medicine for me is I have a relationship with that plant. And now that plant is supporting me through this like winter and this lockdown. So yes, definitely go to herbalists but actually like self-educating about plants.

And also joining in community, right? Like I’m sure you’ve taught the a million plant walks. It’s never Oh, this person’s learnt about this herb. And that’s really exciting. It’s that? Oh, they made a new friend today. They made a friend with the plant and they made a friend with the person on the course and that’s going to help them more with their depression, then that plant would in a Brown bottle.

I would really encourage people to find collective care from plants and from other humans. And try to recover collectively in a support network rather than like buying a bunch of stuff at Holland and Barrett and swinging it back and seeing if it will touch the sides. Yeah.

And I think for a lot of people. If like you haven’t known, if you haven’t known  safety, because like humans have been like incredibly untrustworthy to you. Like whether it’s parents or other people or prison officers it’s very hard to find trust in humans. And so I think that’s why people that connect with animals or with plants, like it’s so therapeutic because you can like trust the plan and if you’ve got like abandonment issues or something, then it’s like plants, aren’t going to abandon you either. Like that kind of, we think they’re stationary. They’re not actually that stationary, but yeah, I think people can build that trust and that like co-regulation with a plant and that will give them like a stronger foundation to then do like therapy or whatever, or take medication.

Robin Harford: [00:36:23] That’s really good. I got a bit plugged in there because my own journey for, towards the end of my addiction just before I go into recovery.  Humans I could not trust. I just hung out in the hedge because that was where I felt safe and secure and you, it may sound completely flaky to some people, when the human world, if you’re good at, if you’re a good drug addict yeah. And you’d lose the lot. And, but what you don’t lose is the earth and what you don’t lose in the plants and you absolutely nailed it. For those of us who’ve experienced that suffering. They are the safety zone and I it’s so important to not just, like you say, go to Holland and Barrett. And  joined Becks and  Anwen on their online course in foundation of herbal medicine that they did for COVID the start of COVID and yeah.

And I went out and I hadn’t gathered elderflower for quite a while, quite a couple of years. And it was coming in from Walgreens or nails yard or wherever I was getting it. And I went into a two week depression with COVID and it was at the same point as I was doing the course. And just the practice, forget, even making anything with it, just the practice of walking land, finding those communities.

And I know every elder tree in that hour that we were supposedly allowed out for in my local land area. And the power of that and really engaging all the senses with the approaching to the tree the shrub, the gathering of the flowers, the bringing it back to stopping and communicating with people that were going, Oh, what’s that you go in that basket deeply powerful, like really powerful.

I cannot stress how important as Nicole has just said. Going and gathering your medicine. And I did it with lime flower. You buy lime flour is gray, it’s got laser dried winging it. And I spent a whole afternoon gathering the most extraordinary lime flowers and just gathering the flowers. And you will never buy this.

Yeah, but that healing process part from the de-stress, just the relaxation response. Being around something like lime flower, which absolutely has the most exquisite smash scent and smell and you’re gathering and you’re getting the stickiness on your fingers. Yeah. It’s really important. So please, don’t just read, you can use elderberry or lime in a book and go buy it from the shop.

Obviously, if you don’t have it and yet that’s the default, but when the seasons come, it’s how we embed and become very intimate with our. Place where the place being, where we find our feet at any given time. So yeah, no I’m rambling. So yes, that was really good. So we’re coming up for about an hour, and I’d love you to in the show notes for anyone who’s listening in this, there will be all the resources linking to Nicole’s work.

Nicole Rose: [00:39:38] The Prisoner Handbook , the burnout book.  For people who might not go to the website, would you like to just point people to where they can find you online? Just give them your website addresses or social feeds or whatever. Sure. Yeah.  Don’t use social media loads. I just use Instagram.

So my Instagram is @solidarity.apothecary and my website is solidarityapothecary.org. Yeah, those are my two. Those are my two places. And the books, the Prisoners Herbal and Overcoming Burnout are both available online and shameless plug, but we also have these incredibly beautiful herbal bandanas with amazing illustrations of medicinal plants that. we’re selling to raise money for our mobile clinic in Calais with Herbalists Without Borderss. And also we’re about to meet a friend are about to publish a coloring book with medicinal plants and a little bit about their properties which will end the proceeds of that. We’ll pay for copies of the coloring books to go to prisoners as well.

So yeah, so that will hopefully be coming out at the end of the month. 

Robin Harford: [00:40:38] That’s really cool. I didn’t realize when I asked you To come on the show that I’d already got your book. I don’t know when I got them say that. And thank you very much for coming on. The stories of plants is the stories of humans and all aspects of humans  in whatever way they turn up in our lives and for you, they turned up in a prison.  And that’s quite extraordinary where they’ve led you. So thank you. 

Nicole Rose: [00:41:07] Thank you for having me.

EP33: Foraging, rewilding and nature connection

Lucy O’Hagan takes us on a journey exploring ancestral ways and rewilding, foraging and nature connection. Why do it and how relevant is it in a hyper connected digital world?

Show Notes

About Lucy O’Hagan

Lucy is an ancestral skills teacher, Rites of passage guide & Forest School practitioner. Lucy is the founder of ‘Wild Awake’, an organisation which seeks to rekindle environmental and cultural resilience through the (re)learning of ancestral and traditional skills in nature. As part of this organisation, Lucy also directs the ‘Phoenix Forest School’, located in Dublin city centre, and the ‘True Nature’ youth Rites of Passage programme.

Lucy is passionate about supporting people to re-establish connection with themselves, their communities and to nature, of which we are a part. She is particularly interested in rewilding and rekindling the knowledge, skills and ceremonies we once knew so intimately, which cultivate deep belonging to the land.

Lucy teaches classes for adults in a variety of places across Ireland. She facilitates week-long foraging immersions in Donegal, long-term rewilding programmes, hide tanning camps, as well as foraging and ethnobotany workshops in Dublin and Wexford.

Lucy has most recently co-produced ‘Airmid’s Journal: The Irish journal of foraging, folklore, myths, magic and rememdies’ which is available to purchase through the Wild Awake website. Lucy feels most at home wandering through the woods, following animal trails & nibbling on what food or medicine nature has to offer.

Transcript

Robin: [00:00:00] Hello, and welcome to another episode of the eatweeds podcast. My name is Robin Harford and you’ll find show notes over at eatweeds.co.uk. Today I interview Lucy O’Hagan from Wild Awake in Ireland. And I brought her on because I’m very interested in her work that waves the threads of foraging, rewilding and nature connection.

So welcome Lucy. Thanks for coming on the show. 

Lucy: [00:00:31] Hello. 

Robin: [00:00:34] The journey, the journey from Northern Ireland. Belfast. Tension. Sectarianism. What’s your journey into the wild? 

Well, I was born in Belfast in 1989. So I lived through and remember the signing of the good Friday agreement. I remember very clearly standing on the corner of the street with a group of kids, you know, talking about this as kids do interested in the politics of the world and how we were going to continue to be able to play outside if this was happening all around us.

So our priorities were in line. Maybe if the rest of the worlds weren’t . So growing up in Belfast and then moving to a small town in County Down, which was also a heavily sectarian town,  you’re always very acutely aware as a child and as a person growing up in Northern Ireland to what side you belong. To what you need to say if somebody asks you for your name depending on where you are. I suppose, like what has brought me to where I am now is this  hunger for a deeper belonging. This hunger for a belonging that goes beyond religion or gender or sexuality or ability. All of these ways in which we experience oppression in our lives.

Lucy: [00:02:16] And that’s what has brought me to being out in nature. And it was always the place that I went as a child to feel safe and to feel that sense of nourishment and that sense of belonging with things that were constant and yet always changing. 

Robin: [00:02:38] So you, you seem to have done an awful lot. You did social anthropology. And then you ended up on an Island. Is that right? Somewhere? 

Lucy: [00:02:48] I went traveling for a long time, and then went to university because that’s what you’re supposed to do. I studied social anthropology because my sister had studied it and she would always come back and tell me the most incredible stories about people’s different cosmologies and different ways of relating to the world. And it was just so fascinating to me, to learn about all these different ways of being, and experiencing the world.

 I studied French as well, because I thought, well, I mean, if I don’t get a job in social anthropology, at least I can be a translator, obviously that worked out perfectly. As part of the French, we had to do an Erasmus year and while everybody else in my class was going to La Rochelle or Paris, I was like, okay, there are all these departments or these sort of ex colonies of France.

So I find myself on an Island which was beside Madagascar. So I was there for eight months and then when I finished university, I went and worked in Guadalupe in the Caribbean. And that was my first kind of experience of environmental education. So in reunion  I spent so much time connecting to the nature there and it’s such an incredible, incredible place with really wild nature.

You’re foraging, mangoes and avocados. It’s so exotic. I remember the first time I ate a pineapple, I cried because I realized that I’d been lied to all of my life about what a pineapple actually tasted like. Such a special experience .  Those experiences have shaped a lot of, of who I am now and that desire to live in a way that’s connected to nature wherever I find it. 

Robin: [00:04:35] Coming back to Ireland, to where you are now, it seems that one you are an instructor on what I would call primitive technology. I don’t really like that word,  non-industrial technology.  Foraging, which came first, was it bushcraft and all that kind of survival stuff that grabbed you or the, the weaving or whatever. What initially caught your attention? What pulled you in? 

Lucy: [00:05:06] I suppose just start by saying the words that I use to use are ancestral skills and ancestral arts, obviously primitive, having such a pejorative connotation. Foraging felt like a bit of a constant, I had the experience growing up where my mom would bring us out foraging blackberries, or puffball s. Gardening and that connection to plants was there for a long time.

And as a young punk in Belfast, homebrewing was always very high on the agenda and free food was very high on the agenda. So yes, it made sense at the time. And that was the aim was as many liters of natural beer as possible. 

And it wasn’t until really that I did my forest school training,  in 2014 that I kind of came back to this place of nature, being the place that I felt safest, that I felt like this strong sense of belonging. And that really like brought me to life. As well as revealing to me, the ways that I had hidden myself from myself. I suppose I often think with nature connection, it’s not always, this really awe inspiring, beautiful thing, it can also be something that brings up a lot of grief and a lot of strong, hard emotions for us as well.

Then my forest skill training and I was just so hungry for more after it. It’s an incredible training and the trainers that I work with as a trainer, they were very much coming from the kind of eight shields methodology . It was developed in the States. A person called Jon Young, who’s very much at the heart of that  methodology. And it’s a way of working with the directions to,  not only design workshops, but also as a kind of cultural healing tool. And it’s something that I would dip in and out of as a kind of approach to nature connection. I tend not to be very dogmatic in my approach. I draw from lots of different places in my facilitation. The training is a transformative training and it brings up a lot for people, particularly around  those feelings of disconnect and grief and where did we lose this knowledge along the way? 

So it was after doing that training that I found John Ryder in the Woodcraft school down in Sussex and I made the journey over there, once a month for about two years. I learned really intensively from him about ethnobotany  and bushcraft and wildlife tracking, which really transformed the way in which I view the world.

And after studying with him for two years, I came across ancestral skills. I did this year long bushcraft instructors course because I didn’t know what else was out there. And to me this was all I knew at the time. And I sense that it wasn’t entirely for me.

Bushcraft can be such a  male dominated, quite military style of domination over nature can be like, definitely not everybody in that community approaches it in that way.  For me it didn’t always sit right with me. Then I met my teacher Lynx Vilden and from there started these epic journeys with her of living outside.

We lived in a cave in France for a month and journeyed around the ancient area of the Dordogne. And we lived up in Northern Sweden for three months in the forest there. And that was all about learning ancestral skills. So yes, foraging and foraging for our food and preserving and drying our food for longer journeys.

And also hide tanning and clothes making and toolmaking, using plants for fiber and for dyes, and really like bringing together all of the threads that I’d already been exploring. In a practical sense,  we were going out on journeys and taking these things with us and eating wild food and also on  a deeper community level. How you do we live together for one month for three months , how do we tend to our griefs collectively? How do we share our joy and play together? It was a valuable experience. It’s the way that I love to live my life. I wish I could do more of, but that I’m trying to facilitate now for people here in Ireland.

Robin: [00:09:58] I’ve got an impression that somehow you work a lot  with young people, children.  Or are you broad spectrum, are you intergenerational teacher? 

Lucy: [00:10:07] I am much more broad spectrum now.  When I began, I was predominantly working with children through the forest school.

And now I have an amazing team of people that are running the forest school and doing an incredible work there with the young people. And my focus is lying with the rites of passage development and Ireland for teenagers. And then also these immersive programs and weekends and weeks for adults.

Robin: [00:10:33] So the rites of passage  I’m curious. Partly because I have a bit of resistance and issues around cultural appropriation. I’m really quite hardcore on  it actually. So I know that you’re also very conscious of that. When you say rites of passage, take us through what one, what is a right Rite of passage? Cause it’s kind of one of those phrases that we kind of know, but do we really know? So I want to know how you define it from your point of view. And also what is the process and purpose? What’s the reason to do a Rite of passage. 

Lucy: [00:11:20] Firstly, thank you for your concern about cultural appropriation. I think it’s a really serious issue and something that I’m always very mindful of in my work or at least try to be in the ways that I can see.  So rites of passage. Essentially at its essence, it’s like marking the transitions in our lives. That could be the transition from birth.  The transition from childhood into young adulthood, these coming of age ceremonies, anything could be a Rite of passage, like giving birth and choosing to commit to a person to enter into elderhood.

 It’s a way of  intentionally marking these transitions in our lives and it feels very potent to talk about this at this time of year , like Samhain this festival of what is the Celtic new years happening tomorrow? And it’s an intense time of shedding and of letting go and of death of things that no longer serve us.

And I suppose, rites of passage is that  letting go  of a way of life that has no longer serving us saying thank you to that. And entering into a new phase of our life. And I suppose the important thing at the core of rites of passage, which  it’s so hard for us to happen in this day and age, but is that witnessing by your community or by your family or by your peers that you have stepped into this new way of life.

And that’s, what’s so often missing because we don’t have that any more. We might not have that community, or if I’m working with a young person, when they’ve had a kind of transformative experience and then they go back into school and it’s like, nothing’s changed. So that’s something that I’m really interested in with this work is how, that ripples out through the community and in terms of rites of passage and cultural appropriation, I think it’s really important to remember that rites of passage are our birthright.

And that there are many pancultural ways that rites of passage show up. And there were rites of passage in Ireland. There are caves here  that are are believed that people went in for that kind of rites of passage, or vision fasts. I think the important thing with that, and certainly what I’m trying to do in the development of rites of passage here in Ireland, it looking to what rituals already exist. 

We have a huge record of folklore here. And we’re so lucky to have so much access to this and finding the things that are culturally significant to the people here and trying to revive that as a process of decolonisation in Ireland. There are lots of different ways to approach the rites of passage.

The classic kind of framework of it is that there’s a moment of, or a time of severance of severing ourselves from the life that we once knew a period of liminal time  in the middle where people go through and have these transformative experiences and then the return. So the coming back to the community and being witnessed in those changes. 

Rites of passage are not something that most of us experience and actually, we see the hunger for rites of passage in young people in the ways in which they try to initiate themselves.

And certainly for me as a young person, the ways in which I tried to initiate myself through drink or drugs or self-harm. It’s like when we are not witnessed in these changes by our wider community or society, we try to grow ourselves up in whatever unhealthy, cultural  ways that we’ve internalised.

So there’s a quote by Michael Meade I believe it is that i f the young people are not initiated into the village, they’ll burn the village down . So it’s working with this fiery time of adolescence that’s so potent,  and our society is so fearful of adolescents because they see, and they feel this fire in them.

And rather than directing that fire towards  the very real problems that we’re facing in the world,  redirecting that fire of , what do we do about climate change?  What do we do about all these issues of polarisation in our societies? They are shunned, they’re told that they’re just moody, grumpy teenagers, and we don’t want to listen to them when actually they have so much to offer the world.

It’s a powerful, powerful process and it’s such huge work. It’s work that’s called me for a long time and working with young people and seeing how especially through forest school, they were having these really incredible, like intimate moments with each other and with nature.

And then basically as soon as they got to 12, I would lose them. And they would go to secondary school and either they don’t have time or it’s not cool anymore, or they have lots of other things to worry about. Um, so it’s like, okay, well, what is missing here? Um, which is what brought me to rites of passage.

And I did my own very intentional rites of passage last year, and which was a  classic five day vision fast. So five days without food in a wild place and sitting with my intention and what it was that I was stepping into. And for me, it was very intentionally stepping into providing rites of passage whilst also weaving in these ancestral skills.

We’re teaching young people how to forage, how to weave baskets, how to track animals, how to light fires, and providing them with the skillset of these are these tools and nature where  it’s so hard to deny  you’re belonging to something much bigger than yourself.

And then also combining those ancestral skills with the kind of interpersonal skills of conflict navigation or understanding their life’s journey. So many things, gender, sexuality, binaries,  consent, all of these things that help us to help them navigate being a young person today.

Because I don’t know what that’s like really, it was hard enough in the early two thousands . It feels like there’s such  a huge diversity of issues that they’re facing. 

Robin: [00:17:57] Following on from that and this concept of rewilding, again, it’s a word that’s put out there that is used, but it also seems that there’s  a different understanding of what that word means. So in the context of your work, in the context of transition, rites of passage, whether that’s young people or middle-aged people or elder people, how do you see rewilding and  how would you define it? 

Lucy: [00:18:37] It’s a word that’s used from everything to sell shoes to vast landscapes. For me it’s about healing.  It’s about healing ourselves and healing our cultures and healing  nature, and recognizing ourselves as a part of that.

And knowing that when we’re healing ourselves, we’re also healing culture and we’re also healing the earth. It’s about living a life in service, so service to the younger generations and to the future generations.  Preserving wildness in whatever form that takes. And it’s such a word that’s loaded with so many different images and connotations for people, the need to preserve that wildness, obviously in the world around us and that diversity. And also in ourselves and in our cultures on particularly now, also recognizing the importance of diversity in our cultures and in our societies and our communities, which is what develops resilience.

Robin: [00:19:46] Rewilding often decolonising. How do you define decolonising? 

Lucy: [00:19:56] I suppose when I think about it in the context of Ireland  and actually all around the world  my ancestors have both been colonised and been colonisers  And all of our ancestors have  not to put things into binaries, the ability  to both oppress  and to be oppressed. For me I suppose what I witnessed. And what I learned about here is the process of colonisation was in cutting people off from the roots, from the land, from their traditional ways of life, from their language and  bringing in this homogenisation of culture. A culture of binaries, a culture of oppressions and so many ways of racism of white supremacy  and  rewilding for me is so much to process of,  challenging these narratives within ourselves. 

Being aware of our privileges and of the oppressions that we fear simultaneously and working to make ourselves aware of undeveloped empathy for other people  that are experiencing more oppression than ourselves. And how we can use our privileges to lift those people up as well, because it’s about developing resilience in our communities.

And I actually like to bring it back to wildlife tracking. That’s taught me so much about this,  tracking is one of our oldest skills and people talk about it  as in like it, it helped our brain to develop into what it is now that we’re able to draw a link between this track on the ground an a certain individual animal.

 It’s such an amazing process, but for me whenever you come across a track or a sign. We practice this thing called holding the question. So not jumping to a conclusion of what you see, I am of taking time to slow down and to gather evidence and to listen to other people’s perspectives and to develop empathy with a being whose life you can’t really understand, but that you can begin to develop empathy for  it just teaches me so much in those lessons.

It’s such a powerful process. I think all of these ancestral skills and particularly foraging as well can teach us so much about what it is to be human. To feel looked after in the world and to feel like a sense of belonging to the place that we find ourselves in. We might not necessarily have a long line of ancestors who come from that place, or even any line of ancestors that come from that place. But it’s like when we  just begin to get to know the birds outside our window or where our water comes from or what plants, we find that our front door it’s like this feeling of home making,  that is undeniably  there and that we can connect with on a really intimate level.

Robin: [00:23:18] You mentioned home just then and for me it threw up the word community. And that often in this very distracted, destructive culture, that community is just not around and even more so with the lockdowns that happen. And someone once flipped the word of community. Cause normally when I was thinking community, I was thinking human and yet community now to me is far more expanded to include not just human, the non-human world as well. I find with foraging that a lot of the time, I’m sitting, foraging, sitting, foraging, sitting, observing, feeling into that landscape. And that actually that by default, if we can get into that zone, what I suppose the psychologist called flow,  where there’s a dissolving  of self, not in a complete kind of like taking a lot of acid and just dissolving.  There’s a loosening of that boundary, it’s more fluid  and subtle. And from that comes the acknowledgement by default of things like diversity and then. That comes out with like invasive plants, because I know some rewilding communities, they don’t want any invasive plants. So-called invasive plants, guest plants. Someone decided to use that word, which I think is a really nice word because whoever finds themselves on a plot of land. If they not originally from there are a guest, not an yeah. Well, they were brought here. They were either brought here or they made their way here. So as metaphor, foraging encompasses everything from certainly from my understanding that you’ve been discussing. 

So I want to pick back up on your time in France  when you were with a group of people doing a rewilding exploration. My personal thing with food foraging is I’m always trying to get back to pre-industrial processes. Ancestral processes. And I’m also really curious about hunter-gatherers. So I go very binary with this most probably. Just to make the point, there are nomadic hunter-gatherers and there are static, tribal hunter-gatherers. So nomadic being bands. Static tends to be tribe. And by default hierarchical, whereas band culture  from my studies and having visited nomads is not hierarchical, certainly not the group of people that I hung out with. It was very egalitarian. So these food processes that you explored cause obviously wanderers can’t have a fridge with them. They don’t have stills. They don’t have dehydrators, they don’t have canning. They don’t have a cooker. So I’m interested if you weren’t living on a hundred percent, just wild meats. When it came to the plants how were you working with them? How were you preserving them? Were you just working in the moment on a daily basis? I’m curious how you work that relationship. 

Lucy: [00:27:33] I was up in Finland for a week in February. That was a week long stone-age project. So  we’d been working up to that for a very long time. And I think, especially with the plants and the food side of it, it was a realization of the importance of through the year preserving through drying things.

To have food for the winter time it was minus 20, we were running the fire most evenings. We had a huge clay pot that we were cooking on the fire with. We were in clothes that we’d tanned ourselves. we were living in  a stone-age center, it was a replica,  like birchbark shelter. And for that time it was seaweeds that I’d harvested and dried. It was acorn and sweet chestnut flours that I’d processed. It was a reindeer that was killed there. It was dried meat from other times it was rendered fat from other times stored in clay pots. It was just like this understanding of the work that goes into being able to feed just 12 people and a two year old who probably ate more than all of us combined.

The work that goes into preserving food for the colder months and for our ancestors,  really feeling that that would have been something that happened continuously throughout the year. I am. I’m particularly taking advantage of the huge dehydrator that is the sun in the warmer months.

In France and Sweden, you know, like we would have, we would have fished mostly. We did kill a couple of animals and process the meat and dry the meat into jerky and made pemmican for longer journeys as well.  Pemmican is the native American recipe. I’m not sure from which group in particular, but it’s a mixture of pounded dried meat mixed with fat, and mixed with dried berries or herbs. It’s a supposed to be like a whole food. It’s like a human bird ball, essentially. A really good thing to bring on long hikes or trips and because you’re getting a lot of what you need. In different seasons, it was very different. Like in France in May, we were supplementing a lot of food with  the greens and the flowers and some of the roots at that time.

And then up in Sweden you could barely walk two steps without squashing about 20 bilberries. So bilberries featured very heavily, as well as all of the fish that we were fishing every day as well. So there were times we were eating completely wild meals. And times when that needed to be supplemented because we’re not hunter-gatherers  anymore. It might be in our bones and it might feel familiar, but our lifestyles not conducive to that way of life. And it takes a lot of work and it can only be done in a community of people. That is my biggest takeaway from all of those experiences. It’s not the skills it’s about each other and people, and how we need each other to live.

We don’t have fur or sharp teeth or claws. We just have each other and our ingenuity and our creativity.

Robin: [00:31:00] What would be your advice for someone who’s curious, what would be your advice to, to deepen their personal relationship with wildness, community, foraging, medicines?

Lucy: [00:31:19] I think you’ve already said it is as being curious is key to all of that and asking questions and a willingness to be wrong within obviously safe parameters.

As much as you’re able getting to know what is just within, the surroundings of your home. So getting to know the plants that are at your door or in your local park  If you’re able to going on a walk with a forager to learn more. Buying like a book to help you or many books, if you’re able as well. There’s an amazing eco philosopher called John Moriarty. I don’t know if you’ve ever come across his work. And he talks about silver branch perceptions. So this childlike wonder and curiosity about the world and being able to experience it as if for the first time. I think just trying to cultivate that as much as possible in ourselves, which kind of happens anyway, when you start to learn about nature and the different relationships and, Oh my God, I didn’t realize that nettle had so many benefits or I had no idea that my water came from this place. It’s like approaching the world with that kind of curiosity and wonder . I think is key to any beginnings of this  and feels  very accessible to lots of people and means that people can find the route into this, that is right for them and where they find themselves at. Right now.

Robin: [00:33:03] It is a strange journey. My lineage, I suppose, is what I term and others term, the green path. I had a friend recently who I’d met in India just over a year ago and realized that we lived in the same town and she just off the cuff said, because she’s retired now. She was a midwife and she’s retired and the partners retired and she just said, Oh, I’ve always had a bit of a thing about mushrooms. I like, cause she loves cooking.

I love mushrooms. Can you take us? Mushrooming and I went, well, no, I’m not going to take your mushrooming. Cause I’m a plant-based ethnobotanical researcher. Mushrooms is another kingdom. So I know a few, but I don’t know them solid enough to teach. So I phoned up a friend/colleague who lives 10 miles away.

I said, do you want to take my mates out? So we all went out and from that moment, just spending a couple of hours in the woods. My friend has just gone off on this journey like a rocket. She’s got the books she’s out, she’s continually scanning landscape and. Oh, from what’s and has developed a massive passion, wants to know everything.

I gave them an eyeglass, a loop botanical loop, which if anyone’s listening, get a botanical loop. If you want to blow your synapsis, your brain at a loop and then you will. Yeah. Yeah. Mind-bending nature is an infinite in the infinite tininess of it.

Lucy: [00:34:53] Do you remember the first time you saw a Hazel flower?

 Robin: [00:34:57] The little red. 

Lucy: [00:34:58] Yeah, I haven’t looked at it through a loop like that. That was one of those moments for me was just like, it’s all here. Like it was underneath my nose and I didn’t see it . 

Robin: [00:35:11] I found that with Bilberry flower . Took me into another state. Totally. Cause it was the, the architecture, but I did actually, I did a retreat in Ireland , I’m not sure when I think it might’ve been 2016 and I did it over on the Burren. I gave everybody a loop now that haven’t done many of these retreats,  I think I might be doing more with the years and I gave everyone a loop and I said , you’re gonna walk the forest floor.

You get down on your hands and knees and know your bums are sticking up in the air. And you’re, you’re looking just with the loop and you’re not allowed to take it away. You’ve got to explore the forest floor through it. I mean, it was re it was almost spooky. The, the ambiance of the group, the dynamic of the group completely shifted.

And they had just fallen in love like falling down the rabbit hole. It was extraordinary. So loops and that paying attention to the, to the tiny, because so often we get, we get hooked into  vast landscapes. I’m going to the Himalayas. Well, that’s great. But walk out your front door and pick up a leaf. You’ll find out how you can have a Himalayan experience right here. You don’t have to go somewhere else . We’ll find the sacred and the everyday. Yeah, totally.

There’s nothing complex about this. It can be, it can be as much as when you go out for your daily walk, just choose to focus on the sound of the wind in the leaves . Put your phone away . Preferably don’t even take it with you. And just start playing with the environment that you find yourself. Through your senses. And obviously foraging is, is eating. So we take that wildness and that experience into our body, which is very powerful. Yeah. So before we wrap and pack, have you got anything you want to finish off with before we get into where people can find you?  

Lucy: [00:37:26] I would love to just tell people about this Zine that I’ve produced. I don’t know if you’ve received it yet. Okay. It’s in the post. It’s a zine called Airmid’s Journal. So Airmid in our mythology was kind of our first herbalist. She was the daughter of one of the Dannon, and which were like this ancient race of gods and goddesses.

The story goes that her father killed her brother because he was not a very nice person. and where her brother was buried and where she buried him 365 herb sprung up from his body and Aramid started to cut and to sort these herbs according to where they were found on his body.

And when she did this and her father knew that he was very confronted by the power and the knowledge of his children. He took the plants and scattered them all across Ireland. And it said that Airmid is still searching for is why we’re always still searching for  the plants. And I’m trying to assign them to their healing, their healing powers.

And it said that Airmid shared this knowledge first with the Irish travelers and that they continue to share that intent to that ancient and indigenous knowledge of Ireland. And so Airmid’s journal is a Zine that I’ve co-produced with my good friend, Sean Fitzgerald. Who’s done all these incredible illustrations and it’s bringing together stories and myths and folklore and cures of the plants of Ireland and really trying to represent the intersectional voices as well in Ireland and further a field.

So the first issue of that is released and that’s available on my website. With full intention to begin the second issue after Samhain and, uh, over winter months. 

Robin: [00:39:27] Is this an ongoing project? 

Lucy: [00:39:29] We hope so. The first issue has been so well received. I didn’t expect to turn into a post office quite so quickly.

It was a dream of mine for a very, very long time and know that it’s out there and it can see how hungry people are for something like this. We really want to continue it. We’re also reaching out to people who would like to contribute  to get in touch with us at – airmidsjournal@gmail.com.

Robin: [00:39:59] Do you want to spell that? 

Lucy: [00:40:01] AIRMIDS JOURNAL.

Robin: [00:40:06] So people can find you at wildawake.ie. Is that right? 

Lucy: [00:40:13] Well they can find something about me. 

Robin: [00:40:16] A digital representation?

Lucy: [00:40:20] Not actually there. Yeah. I mean, I, I really, I have full intentions of updating that website more frequently. But they can also find me on Instagram at – instagram.com/wildawakeireland -. 

Robin: [00:40:34] Wonderful. Well, thank you, Lucy. Have you on one, did you on for a long time and  everybody check out Lucy o’Hagan’s work. Thank you.

Lucy: [00:40:47] Thank you.

EP32: The fantastical delights of fly agaric

Fergus Drennan and Courtney Tyler discuss their pioneering work exploring the cutting-edge of food and medicine using the fly agaric mushroom (Amanita muscaria).

Fly Agaric Tincture Recipe

Click here for Henriette Kress’s original tincture recipe and instructions. The content is for information, educational and entertainment purposes only!

Courtney Tyler

Fergus Drennan

Other Resources

Association of Foragers

Book: Fermentation As Metaphor

Workshop: UK Medicinal Mushroom Conference

Research: A Study of Cultural Bias in Field Guide Determinations

of Mushroom Edibility Using the Iconic Mushroom, Amanita muscaria

Link: Fly Agaric for Sciatica by Henriette Kress

EP31: The importance of ethnobotany – an Interview with Mark Nesbitt

Mark Nesbitt is the Senior Research Leader for Economic Botany and curator of the Economic Botany Collection at Kew. In this interview we discuss the importance of ethnobotany and whether there is a place for citizen scientists in this exciting field.

Ethnobotany is the study of the interrelationship between people and plants, historically and cross-culturally, particularly the role of plants in human culture and practices, how humans have used and modified plants, and how they represent them in their systems of knowledge.

Show Notes

Transcription

Robin: [00:00:00] Welcome everybody. This is Robin Harford from eatweeds.co.uk. And today I am here with Mark Nesbitt. 

Robin: [00:00:08] Mark, I think it’s best. If you tell us about yourself, I’m very excited to have you on, I know you’re a senior research leader at Kew, but in what department. 

Mark: [00:00:19] I look after the economic botany collection, which is essentially a collection of useful plants, and things made from useful plants from ancient Egypt to current times. My job is both to care for that collection, but, more especially to generate research, into useful plants.

Robin: [00:00:37] Wonderful. So you mentioned economic botany,  ethnobotany. Did one come before the other did one come later. What’s the history, the story of what I understand is ethnobotany, even though there is the Society of Economic Botany. 

Mark: [00:00:55] Ah, these terms and we can all so throw biocultural, into the mix as well.

They do reflect different emphasis through times.  Economic botany which you can trace back to various points, but probably related to the 18th century. That includes perhaps in that first word, but it did mean something slightly different in the 19th century. It meant more practical or useful. but nonetheless  the fork there was very much what can plants do for us? Whereas ethnobotany, I think gives a more equal emphasis to the plants and to the people that absolutely core of ethnobotany and it also symbolizes the fact that we see plants as having a wider role in society than purely economic in modern terms.

One of the reasons they hung on to the term economic botany for the collection at Kew is it was the world’s first museum of economic botany. So it has a kind of historical resonance there, but ethnobotany is probably the more familiar term to most people these days.

Robin: [00:01:59] It’s my understanding that Richard Evans Schultes is considered the father of modern ethnobotany. Is that true? And if so, who was he and why was he important compared to other plant hunters or researchers of past.  

Mark: [00:02:16] I think there is a complicated answer  to that. It’s absolutely true that he was one of the father’s of modern ethnobotany. His fantastic work starting in the 1940s in South America things like world rubber really set very high scientific standards for that work. Collecting herbarium specimens, publishing everything, really well, workspace foundational for the whole work that’s going on now.

For example some aid worker in the Amazon is drawing on Schultes ,  publications, and specimens. At the same time, there is reading of Schultes work today, that I’m less comfortable with, there is the kind of narrative about the loan ethnobotanist in the field, which is absolutely not how we work today.

There’s a narrative, he was obviously fascinated by psychoactive substances and those are really important element of life, especially where he was working in the Amazon. But that’s not the dominant, aspect of ethnobotany today. And it can sometimes guide people perhaps into a quite limited understanding about what ethnobotany is about.

Robin: [00:03:22] I’m totally with you on that one because  it’s my experience. Particularly with certain organizations in America are really focusing on the, kind of the psychoactive uses of various plants. And that’s just one small cultural use within a far greater context. That’s important.

 People I know go, ethnobotany right, Schultes. Oh, that’s about tripping out in the Amazon. It’s like, no, it’s not. and I actually get quite  upset over that. . It belittles a culture to reduce a culture too a psychoactive substance is, is deeply crass actually. 

Mark: [00:04:00] I do feel there’s an element of self-indulgence often amongst some of those researchers and from other researchers, an element of an agenda. Where it isn’t asking open questions but is driven by particular views on drugs. Then of course there’s then the whole controversy around the use of, aya-tourism.  Is that cultural appropriation or is it bringing income into communities? A big unresolved questions.

Robin: [00:04:32] So there’s ethnobotany and someone’s jazzed up. They are really into ethnobotany. Where do they go and get properly trained with all the qualifications and the academic research etc. 

Mark: [00:04:49] I think the thing to say about ethnobotany is like, a lot of these modern and very interdisciplinary fields, it’s very flexible. I would say there is, there’s a core aim at the center of ethnobotany, which is about reconciling people and plants or biodiversity.

But quantitative methodology has evolved in the last 20 or 30 years which a lot of us use. But the framework for that could sit in an ecology department, botany department, anthropology department, I assume in the history department in many cases. So you can take ethnobotany in lots of different directions.

What some of the messages to people interested in getting further into the field? There are relatively few jobs for ethnobotanists there are very large numbers of jobs where ethnobotany as a technical skill is super useful in doing them. So this question often comes up on sort of Facebook groups or somewhere can I study ethnobotany and the MSc at Kent started 20 years ago as a collaboration between two very well known ethnobotanists. Roy Ellen, anthropologist working in Indonesia. And Ghillean Prance then director of Kew works who works in the Amazon gives you that very concentrated one year. Half a training  in context, understanding where ethnobotany sits and things like, environmental anthropology. The methodology, the methodology which is a repeatable methodology, which means different people can do the same kind of study in different communities and compare results.

It’s really an exciting development in ethnobotany. So you get all that packed into one year together with six months field work to actually put it into practice, what you’ve learned. But those technical skills have of course been published. There are really great handbooks on ethnobotany by people like Gary Martin, Tony Cunningham.

If you’re in the right department, the right supervisor joining in the right networks, go into the right meetings. You can, of course. learn the skills of ethnobotany in quite a few different settings. 

Robin: [00:06:58] I had someone literally just yesterday, she said she was looking for a mentor either in foraging, botany, or ethnobotany, she’s already done, an MSC in environmental science and something else I can’t remember.

And she didn’t want to do the Kent route. Is there any other routes not to become qualified officially, but  are there courses, what would be your advice for people who want to become competent and proficient in ethnobotany without necessarily going the full academic route? Or is that even possible? 

Mark: [00:07:38] Learning through doing is a really good route. I think a broader piece of advice, which I’ve often ended up giving to people on the Kent masters course as well is about having a specific area of focus. It’s quite hard to develop yourself if you have a very broad fuzzy interest in plants and people. It’s hard to give advice on where to go. What kind of work you might do? What kind of reading you should be doing? If your interest is in conservation of Chinese medicinal plants being imported from the Himalayas, then it’s much more straight forward to think about what  your next step will be to develop that interest? 

I think the question of short courses is an interesting one. We’re just doing a review at the moment at Kew of our education provision and while the Masters has always been very important for us  we’re also thinking about widening the scope of short courses.

Now there is an opportunity to get those basic tools, introductions to the context etc. in a shorter period of time. We do that for things like tropical plant identification. There’s no reason why we shouldn’t be doing that for ethnobotany too.

Robin: [00:08:48] It was actually one of the reasons for me getting you on the call because it seems certainly in my network.

So there’s a number of people, not everybody, but certainly a number of people who are fascinated by the whole, Science of ethnobotany and they kind of were kind of floundering because it’s like, well, where do we go? You know, if you don’t come to the MSC, then short introductory courses into the methodology.

Like you say, personally, I think would be. Be pretty, pretty important, which then fed into the question that I asked you, specifically with kind of the growth of citizen scientists, which, some people can’t stand, other people really embrace. And where would, is there, is there a place for such a thing as citizen ethnobotanists.

Mark: [00:09:44] Well, absolutely. I mean, what I love about the term citizen science it’s a bit of a buzzword is great for, projects and so on. Put in some citizen science will cause if you go to a natural history and folklore and most countries,  as one example, citizen science has been absolutely at the heart of that local natural history society has been the backbone of biodiversity research in the UK.

what 200 years, also, and if. For example, Roy Vickery is a wonderful books on folklore and British plants.  Where does the raw material come from? It comes to the letters that people write to him. It comes, from, the stories collected by folklorists /citizen scientists   () , back in the 19th century. So I think there absolutely is a role, but there are perhaps some lessons to learn from that earlier work. Those citizen scientists in natural history didn’t do it by themselves, they didn’t do it in isolation. They formed the groups together. They formed this wonderful natural history societies  that still exists everywhere. And so I think the question is where is that community going to form.  And of course, part of that community has been forming on areas like Facebook and social media.  

Robin: [00:11:01] So someone is fascinated with plants, particularly the ethnobotanical uses, which from my understanding covers all the uses that plant has served within human culture and the relationship around those uses. So someone goes abroad. They find someone in a forest and they want to learn about the forest medicine and they go out for a few days or couple of weeks with that person who happens to be a local from a village. They’re not a scientist. They just know the plants because they are part of their life. And they note down all the uses that the person’s telling them, One of the things that I’ve been discussing with ethnobiologist friends in America, is the importance of honoring the local peoples and where the knowledge comes from.

So we’re covering things like intellectual property rights and potentially cultural appropriation. So where are we at with all that at the moment? What would you, what would be your advice to someone who goes, because I’ve got loads of notebooks in my times, abroad and people who’ve said to me continually, well, why don’t you published any of that information?

I go, well, it’s actually not ethically cool to be doing it because one, to actually go back and give full credit to the people that I learned from, would require other journeys and also trying to find them again. So what would be your advice? 

Mark: [00:12:48] Yeah, so you’re absolutely right. And there’s, I guess a fine line between us individual chatting to people about plants, which is a good thing and warmly being encouraged and doing what we might call research. It’s perhaps the core of the services idea of dissemination, and sharing certain results. Obviously the, the legal intellectual property position is this complicated. At Kew we hire, full time people to work purely on those aspects.

But the principles are very clear and I think, the principles are set out now around things like benefit sharing and prior upon consent, but I would summarize this all in one word it’s about collaboration. And so the idea that we or any researcher would simply go off and do research somewhere is a really roundabout way and 30 years out of date.

Most ethnobotanical field work these days, I think is fair to say is probably initiated by the communities where that work is being done. And the agenda, the dissemination of the results, the way they’re used where the benefits flow back into those communities. So I think that’s one of the differences you could say to the 19th century economic botany, it was extractive. It was about taking plants and information elsewhere for our benefit. Modern day ethnobotany the focus is always on the community that you’re working in. How can the techniques and so on that we have be shared and benefit them. So if you are doing collaboration, but all of these things are worked out through joint discussions and you’ve got to budget time to take place. But if the agenda is being led by where you’re working, you know, the conflicts are going to be less because you’re clearly working to their agenda. 

Robin: [00:14:37] So just to feed back to people, looking for courses, I’ve come across some courses claiming to be a level four accredited programs in ethnobotany  under the guise of the institute of outdoor learning. What’s your feelings on those kinds of courses? Are they valid or are they just kind of riding on the bandwagon? 

Mark: [00:14:59] I’ll have to look up those courses, as I don’t know them. But I do sometimes make suggestions to people who are looking for a different route or for a taster or for field skills. And there are quite a few field courses around.  And what I always look for there is do the people leading these courses have PhDs or equivalent qualifications of the subject? What does the modules look like, do they include, intellectual property, conventional and biological diversity?  So modern quantitative methodology is how do you do surveys? And there are some really great courses, particularly in Latin America that do meet those criteria? In an ideal world looking for courses that are coming out of reputable institutions, but its important to say, there are also individuals running really good courses too.

Robin: [00:15:52] So where do you see the future of ethnobotany? Some people, have said to me, well, you know, really what’s so relevant about it. Surely it’s just all been done. It’s all everything’s been bagged and tagged. What is the relevance of ethnobotany in the modern world, or are we all just living in past? 

Mark: [00:16:09] Interesting that you ask that question right at the moment in the middle of the covid pandemic. Which I think is, for all sorts of reasons, including this incredible silence which we suddenly had in London, where I’m living and working. Has attuned people to thinking more about our relationship with the natural world, and also about how our disruption  of the natural world although it may sometimes have short economic benefits, can have longer term, perturbations or really, added affects for our own future. So I would argue that ethnobotany is probably more relevant than ever. And in terms of where there’s future directions, one is actually United Kingdom itself. It’s one of those subjects a bit like anthropology that tended to look to the other. The work, particularly of Gabrielle Hatfield. Some of her wonderful books, have redirected attention to the wealth of what we have here. Both amongst people still around who remember days before the national health service, when access to medicines was really poor. The evolution of new knowledge, the influence of new diasporic communities in United Kingdom is a really rich, area, for work. Overseas, I think, it’s a really interesting time when some of these messages around sustainable forestry for example, have been taken at a high international level because there is now international legislation controlling these. But making these actually work on the ground, making sure communities are involved, that communities benefit, that above all is where the ethnobotanist, can bring together these techniques. Drawing on ecology, drawing on anthropology, drawing on quite wide fields could be really relevant. 

Robin: [00:17:58] People have often said to me, Oh, well, we’ve, we’ve lost our indigenous knowledge. And I kind of said, well, yeah, we kind of lost it possibly with the Picts, but we have cultures like the Roma. From my experience they’re, they’re very, quite closed to outsiders with their plant knowledge.

I just wondered if there were any projects that you know of that have managed to build bridges into those communities. So before their elder people  start passing on. That knowledge can be recorded and documented. Is there such a thing? 

Mark: [00:18:35] That’s a good question. I think first it’s important to say, knowledge is not static and new knowledge is evolving across the whole foraging movement that’s seen a big boost this year.

Sometimes it comes under attack and they’re accused of being unsustainable. And that’s where real on the ground studies could be really valueable . I think on Roma culture and perhaps a subject for another one of your podcasts would be Sarah Edwards.

He has a PhD in ethnobotany. She did her field work in Northern Australia, but she has a traveller heritage herself. I know there’s been developing quite detailed conversations with Roma communities, around,  ethnobotany and I think that’s a really good example of the research agenda being set within a community rather than outside the community.

Robin: [00:19:25] Most of the audience that listen to this podcast, often they’re beginners. They’re very excited about plants and culture. Say someone is going: “Right I want to start a projec t.” What would be your advice for someone where they are. Not flying away somewhere, but actually on the ground, in their local community, what would be your advice for them to start recording knowledge?

Mark: [00:19:55] I would start then if you’d like more wider by doing a bit of reading beforehand. So look for those books by people like Miguel Alexiades, Gary Martin, Tony Cunningham, and some ways he buys eBooks these days. I think the basis is still in print. Rather than leaping into research, its worth just stepping back. Perhaps reading  one or two of those books by people like Mark Plotkin writing about the Amazon. As well as Richard Schultes work too. So a little bit of context first and what you will find in books like Ethnobotany: A Methods Manual,  Gary Martin’s book, really quite clearly set up methodology on how to do this kind of thing, how to interview people. There’s simple techniques around open questions, for example, techniques that produce data tables that you can share with other people. And then a gain, thinking about networks. Is there a forager’s group in your area. Can you create such a group. Talk to people who do commercial foraging as well. But also then, the heart of research, if you like, the heart of what we do is, is asking questions. And that’s what drives research forward and leads to really exciting research.

So what are the problems in your area or what are the opportunities in your area. Are there wild plants that could be encouraged for example, if you’re thinking about foraging, But all of that comes around through networking and talking to people. The other piece of advice is around getting to conferences and going to meetings.

I often advise students to just do some simple Google searches around keywords that they’re interested in. I think meetings like the Society of Economic Botany which was going to be in Jamaica this year. Certainly next year, are very good opportunities for people, all stages in their field and starters are very open and not at all limited to people in academic jobs to see what people are doing. And of course this is the way research works. So it’s not a lone scientist enterprise. It’s about learning tricks from other people. Find out, what’s the important question in France or Belgium could just as well be an important question in Britain as well. 

Robin: [00:22:15] You brought up the Society of Economic Botany, which I’m a member of and have been for a number of years, which I find absolutely vital, really because of the wealth of research papers that I have access to. So tell us a little bit more about the Society of Economic Botany, and why should people join?  For me it’s really important but I don’t know many people in my network who either have heard of it or have even joined it. 

Mark: [00:22:48] Actually one of the questions that does come up from time to time, is should we be changing our name?

It’s a complicated question because the scope of the society is around a very broad view of ethnobotany, it includes people working in archaeology for example. As I used to do myself, people working on novel crops orphen crops, genetic sources, all of this kind of thing. And we really value that breadth, but I think it is the closest to a professional society that we have for ethnobotany. , but I think that in print anymore, and I regret that I get a free access. It’s one of the very few academic journals that anyone interested in plants could actually read from beginning to end and actually really enjoy reading.

If you do join, you get all issues from 1951, onwards, the annual meeting, I think it’s a notably friendly meeting. At our last meeting. I was meeting people who were coming to ethnobotany for the first time, looking for resources and some great resources and loads of videos on the website, for example, if you become a member. 200 videos, for teaching. I think one of our questions is how can we be a more international society and it is an international society. It’s always had 50, 60, 70 UK members. and in the past we used to meet more on a regional basis.

I remember meeting with Ghillean Prance when he was director of Kew. He hosted such a gathering in his house at Kew back in the eighties. and that’s something we need to return to. But one change that we have made is we now do rotate these annual meetings. So typically one would be United States and then the following year we’ll be in another part of the world . 

Robin: [00:24:37] So anyone listening to this who wants to follow up on what Mark has suggested either with the books or with the various organizations, like Kent university, there will be links in the show notes.

So you just need to visit, eatweeds.co.uk and click on the podcast link. And the share of the episode will be there for you to explore further. Mark, thank you for your time. I know that where we’re cutting into it. And I just wanted to ask one more question and it became a personal question. So a few years ago, my academic botanist and ethnobotanist friends said: “Robin you’re an ethnobotanist.” And I was going well, no, I’m not an ethnobotanist because I don’t follow rigorously the methodology . And they said, yes, but your research goes really deep. And it was like, well, okay. So for a very short while I did use that tag, but I became very, very uncomfortable using it because I don’t have, I haven’t done the MSc course.

So. What’s the boundary, because I know some people in the community are starting to call themselves ethnobotanists without having done the Kent MSc. Is that acceptable?

Mark: [00:25:51] So it’s the question comes up quite a lot, particularly, in, from perhaps early career researchers who have invested in the masters and a PhD and for whom, you know, that the word ethnobotany is really quite important. I’m not sure. Ethnobotany as I have said before is this very new and very interdisciplinary, very community based, community orientated field.

And so setting strict boundaries, doesn’t sit well with that. I would say perhaps the central aspects I would bore in with someone who describes themselves as an ethnobotanist, just like you, I had the same doubts myself as to whether that is the right word for what I do, is, is perhaps like a central commitment to the ethical aspects.

And if I don’t see those then I really would raise questions. So there is a community based. Is there prior informed consent. Is it benefit sharing? Is it capacity building? And in an ideal world there would be no  ethnobotanists jet setting off to other places ,because every place would have a capacity to do that work itself.

So I think that ethical aspects, sit at the heart of ethnobotany. And if you sign up to those and by all means, call yourself an ethnobotanist. 

Robin: [00:27:09] It’s a funny one because it’s a bit like herbalism. There are folk herbalists like the marvelous Christopher Hedley, and then there are medical herbalists. So the medical herbalists have done all the academics and got the qualifications and the folk herbalists haven’t. But what they have is decades and decades of experience of what I call embodied learning.

So they have worked regularly every day with plants in a medicinal context. So it kind of borders into that and I suppose at the end of the day, for anyone who’s listening, who is wanting to call themselves an ethnobotanist. One, listen to what Mark just said and two, can you genuinely hand on heart sit with yourself and know that you’re not basically bullshitting people?

Mark: [00:28:02] I quite like your distinction, the idea of being an ethnobotanist and the idea of being someone who  does ethnobotanical research. It’s just somehow more modest and realistic claim. And think one that I’d be happy to sign up to. 

Robin: [00:28:15] So it’s been wonderful having you on Mark.

I really appreciate it. I know, you know, you’re Kew. You’re inundated with work even with lockdown. So many, many thanks for coming on.

Mark: [00:28:26] Well  that was very good. Thought provoking questions. 

Robin: [00:28:30] ** THE END **

EP29: Calm ease

A discussion on foraging, stillness and mindfulness as a way to work with difficult feelings during the coronavirus/COVID-19 pandemic. Even if you are a sceptic.

Show Notes

EP28: Introducing plant talk

Plant Talk is an occasional supplement to the regular Eatweeds podcast, being the first one I decided to just ‘get it out there’. The quality isn’t up to what I would have liked.

Please bear with me while I get to grips with this ‘new technology!’

Also, I would love to hear from you, so leave any questions you might have in the comments below. I’m interested in what you would like me to cover in future episodes?

Show Notes

EP27: Be your own authority – a forager’s perspective

I rarely get in front of a camera or speak on podcasts. Yet last month my friend Chris Holland managed to persuade me to sit down with him for a chat.

Chris hosts the Talks With Tellers show. A programme where he asks guests to speak about the power of story to reconnect us with the ecosystem.

Yours truly (on this occasion) stupidly agreed.

Be warned. I don’t mince my words in this interview. For some unknown reason. I blame the rather large amount of coffee I had earlier, I just spoke my mind. I say some controversial things.

I do hope you get the gist of the interview and don’t judge me too much. Sometimes that old inner punk just can’t keep his trap shut!

Chris and I discuss:

  • the importance of restoring vital connection to the ecosystem.
  • why you are responsible for making change happen, not the government.
  • teaching plants through the power of story.
  • racist conservation NGOs.
  • empowering self and community through sensory-based nature practices and more.

Show Notes

EP26: Herbalism with attitude

It’s round two with the Seed Sistas. Britain’s most irreverent herbalists.

For the past few years, they have been making waves in the plant community.

Overthrowing the colonialism that has turned herbalism from something we all used to do, into a profession where you’d think you need a PhD just to touch a plant!

Colourful, fun and full of vim (No, not the cleaning product), they discuss:

  • why plant medicine is for the people.
  • how they got threatened with jail time for selling a herbal balm.
  • why educating people in self-care and herbal rebellion is a revolutionary act.

Always a laugh, never tame and with firecracker energy that makes the Y2K firework display look positively drab.

The Seed Sistas are a joy to listen to and an inspiration for anyone who wants to wrestle control of their health back from Big Pharma, and government control.

Hold on to your knickers. Here we go…

Show Notes

About The Seed Sistas

Sensory Solutions Herbal Evolution is an arts and health-education, Community Interest Company run by the Seed SistAs, Fiona, Karen and Belle. We promote empowerment, autonomy, freedom, health, and diversity through teaching about plant medicine. All our courses, publications, talks and tours promote the aims of the CIC: to educate about and promote the growing and use of herbal medicine. We combine medical training and years of clinical experience with our love of creativity and plants to put herbal medicine back where it belongs: in your hands.

Like so much in this fast-paced materialistic society, it is easy to ignore the connections between a bottle on the shelf in a health food shop and a living, growing plant out in our local surroundings. Many of the herbs contained in bottles in shops come from other continents. We use local plants and aim to demystify complicated medical jargon with something accessible to all.

We believe that a positive shift occurs in each person that is educated about the harvesting and utilisation of herbal medicine. A reconnection with our beautiful plants and planet ensues. That’s how we will be able to build a whole new system of healing relevant to today. A system that takes the pressure off the NHS by empowering people to treat their minor ailments with abundantly growing herbs and a system that builds healthy communities by connecting people to their local plants, to each other, good health and our beautiful Earth.

EP25: Edible acorns – the forgotten food

Acorns are a massive, under-utilised and forgotten food source. Join Robin Harford (your host) and Marcie Mayer (Europe’s foremost acorn food producer), as they explore the edible uses of acorns as a food and in cooking.

Show Notes

Marcie Mayer Oakmeal

About Marcie Lee Mayer

I came to Greece in 1984, when I was 21 years old. I was on a short break from university, and I never went back. It’s been 35 years now in Greece. I’ve gotten involved in all kinds of things. I had a restaurant for 10 years, I was in Athens for 17 years.

I came to live on the island of Kea, which is not far from the mainland, not far from Athens. I came here, as most people do in the beginning, as a weekender with some friends. And I discovered this oak forest on the island, which is very unusual for Greece. They’re not oaks like we’d think of oaks, they’re not terribly large or grand, but it was autumn when I first came to the island, and the trees were in full bloom. And the acorns are absolutely enormous. They’re anywhere from 25 to 45 grammes.

And it was a year when acorns were rolling around the tyres of the cars. So this touched off a childhood memory of mine that I had completely forgotten.

In fourth grade, growing up in Northern California, we learned about traditional foods from the Native Americans in our area, and acorn was their staple food.

And that was always something that fascinated me as a kid. I grew up under two very large oak trees. So I started experimenting, and that’s how this all started.

Transcript of Eating Acorns Episode

Robin Harford: So welcome everybody. This is Robin Harford from EatWeeds.co.uk. I’m absolutely delighted to have Marcie Lee Mayer. And I discovered Marcie by surfing the web and looking at TED.com, one of my favourite places, and I found a video of her talking about edible acorns, and using acorns as food. Marcie, tell us a little bit about how on earth did you get into, one, ending up on a Greek island, and two, getting involved in acorns.

Robin Harford: So I fielded some questions to some customers who bought my Oak Notebook, and we got an awful lot back, actually, more than I imagined. So we’re just going to work our way through these questions. There’s about 30 of them. And they cover from absolute beginners, who don’t know anything but really want to know something, right up to some quite experienced, or very experienced experimental foragers.

Robin Harford: So let me just start the questions for you, Marcie. We’ve got one from Tracy, and it’s a bit of a kind of obvious one, but are acorns really edible, and why do people say they aren’t? What’s the myth and the fear around acorn eating?

Marcie Mayer: Well it’s funny, because it isn’t as obvious as you would think it would be. A lot of us were told as children that acorns are somehow toxic. I’ve heard that from many, many English people, that they were told that. I put a lot of thought into it. I think it was probably the poorest and the most desperate humans that ate acorns after other crops were cultivated, so acorns were part of our diet. Acorns were our staple diet for human beings in many areas of the world. But then as they began cultivating other crops, the acorn was less predominant, and it is labour intensive, and I think somehow it got a stigma as being a poor person’s food. Because there’s no doubt that the last few people and communities that ate acorns regularly were the poorest.

Marcie Mayer: That, together with the fact that acorns were, at some point, were substituted as human food, and they were given to livestock, mostly to pigs. And so they got a stigma as being somehow pig food, you know, only fit for pigs is an expression. That’s pretty much all I can come up with. I mean, yeah, they’ve just slowly but surely were, a stigma was attached to eating acorns. And then that transferred into being thought of that they were toxic.

Robin Harford: I’ve got a questions from Marie. She says, “Can Irish and English oak acorns be used in the same way?” So, in effect, basically, to generalise that question, can all oak acorns be used in the same way?

Marcie Mayer: Right. Yes. I certainly haven’t experimented with all acorns, but I have experimented with many different kinds. There are more than 500 species of oak and yes, they’re all edible, as long as the tannins are leached down to a level which isn’t harmful. The tannins, if they’re left too high, of course they’re going to be harmful to the kidneys. So you know, that is a question that can lead to all kinds of places, but the short answer is yes, all acorns can be eaten.

Marcie Mayer: Now, because it’s a very new field, it will require people in different areas with different trees and different acorns to do their own experimentation and see what works best. I’ve been fortunate enough to work in the Mediterranean, where the weather is excellent, and I’m sure that the techniques that I’ve come up with are not applicable 100% to other places. So it’s still an area that a lot of research is going to be needed.

Robin Harford: Yeah, no, I think one of the things in the beauty and the joys of the current kind of wild food movement is that it is an experiment, and it’s an ongoing experiment. It is a rediscovering of the ways that we might have eaten wild plants in the past. And I do encourage anyone who’s listening to this show to do what Marcie says. We know that all the acorns are edible, all the oaks acorns are edible, so start playing. Now some of them will have high tannin content, some will have low tannin content. I know that, I think, not that I know, I’ve been told that the Holm Oak, the Holly Oak, the evergreen oak, in Britain has the lowest tannin content, but I don’t know about that. Do you know anything about that, Marcie?

Marcie Mayer: Well, a word about tannin. There are many facts, or so called facts, that I found on the internet, which are absolutely across the board wrong. The white oak, we know that oaks are divided into two groups of white oaks and red, or black oaks. And white oaks have generally lower tannin content than red oaks. So it has been assumed, but by people who haven’t actually been on the ground experimenting, that white oaks acorns would be much easier to de-tanninize, if you will, to leach, than red acorns. That isn’t so, because white acorns also have an enzyme that red acorns don’t have, which essentially locks the tannins in. So, even though you have higher levels in the red acorns, you end up being able to leach them out much more quickly. So my experience, my personal experience has been that red acorns I can get leached and ready to go within three or four days, in vats, at the most. And white acorns can take often two or three weeks.

Marcie Mayer: So again, I’m so glad that you said that. Experiment, play. It’s all about that. I mean, it’s all about just seeing what you can do with something that has been forgotten for a long time. But we know you’re not going to get hurt, as long as you get those acorns tasting to the point where the tannin isn’t so much that it makes your lips pucker.

Robin Harford: Another question for Marie, and a concern of many, many people certainly over here, is oaks are slow growing and, if humans were to start eating them, then the native population might be wiped out. What do you advise to prevent this, specifically in the context of community gathering and harvesting. How do you prevent, the concept of the kind of, the pillager forager, of stripping everything, is kind of a myth. There is no doubt there are certain individuals that do that, because they see dollar signs. But 99% of people that I know are respectful, but it’s a good question, because it’s one that we are, as foragers, challenged by people who just want us to eat food from the supermarket.

Marcie Mayer: Absolutely. No, I think it’s very important for anybody who’s involved in foraging or harvesting of tree crops, to be very aware of all the other species that depend on these acorns, as well as us, if we start eating them more regularly. So that would involve either some kind of replanting programme. Obviously not stripping the trees. It’s not as much of a problem with acorns as you would think, because we leave so many acorns at the tree that we deem inappropriate for flour. But those are perfectly viable as a seed, those will become seedlings. The other thing that happens is, we have an ongoing compost pile with reject acorns and reject acorn caps, and those sprout saplings, which can be easily replanted. We do replant some of them. But a programme could be, so you could be just directly putting acorns back into the ground.

Marcie Mayer: Here, this isn’t really a concept I’ve had to deal with, because I’m working in an ancient oak forest, which has about 200,000 trees. And I really only need about 200 individuals for the business that I’ve built around acorn flour. So there’s really no fear of that here. I can understand, though, in urban or suburban areas, you’d have to be particularly careful to make sure that there are plenty of acorns left for saplings.

Robin Harford: Yeah, so that kind of pops into my mind when I hear you say that, is that actually acorns could actually become a potential cottage industry for rural communities that are basically failing.

Marcie Mayer: Well that’s the idea. You know, nobody’s going to get rich from gathering acorns and processing them. But it can supplement your cupboard, and it can supplement your income in some way. And I think the way to go is that small community cottage industries, exactly. I can’t even imagine how big food could get involved in acorn processing. It’s far too labour intensive.

Robin Harford: Yeah, yeah. A question here from Stephanie, who is a soap maker. And she says, well, firstly, “Can oil be extracted from acorns?” And secondly, “If so, can that oil be used in soap making?” Because she says that many soap making staples have a huge carbon footprint associated with them.

Marcie Mayer: Okay. I’m not a soap maker, so I can’t really speak too much specifically to soap making. Acorns do have oil. Different species have different levels. They’re not very high. Six, seven percent. You’ll read much higher in some literature online, but so far I haven’t found that. Theoretically and experimentally, I have extracted oil. But living in Greece, in a place so inundated with excellent quality olive oil, yeah, I decided that there was no reason for me really to try to extract oil on a large basis from acorns. And also, I like to leave the oil in, as much as I can, in the acorn flour I’m making, because it just makes it more nutritious and more tasty. But it’s not very high in the first place. It’s only about six or seven percent.

Marcie Mayer: I think that for soap making, it would be very interesting to use the caps or the shells ground up as an exfoliant in the soap. And then you would get some of the goodness of the acorn, but without really relying on the oil.

Robin Harford: Yeah, great. Actually that springs to mind, because like you said, you have olive oil dripping everywhere. Whereas in Britain, if the planes stop flying tomorrow, if fuel failed, and there was nothing, we need to be looking for alternative food oils. I mean, acorns obviously very low. Beechnut, huge amounts of oil in there. Anyway, that’s a whole other discussion.

Marcie Mayer: Yeah, you probably need to go towards seed in that case. But yeah, that is a whole other bucket.

Robin Harford: A person called Volk, and his daughter, have two questions. “Can acorns be considered a sweet food? I see mainly medicinal and savoury uses. Are they best in sweet or savoury food? Would they go well with meringues, glazed nuts on festive cake treats, dairy delights, etc.?” And then Volk’s daughter, who I assume is quite young, asks the question, “Is it possible to make acorn soup?” So is it a sweet food or savoury, and can you make soup with it?

Marcie Mayer: Well, acorn can be used in sweet and in savouries. I personally use them in sweets in the beginning much more, before I found savoury uses, but now I use them to make falafel and little meatballs. We’ll talk about that later. I’ve written a book called Eating Acorns, and I’ve included 70 recipes in the book, and only about a quarter of them are for sweets. Most of them are savoury.

Robin Harford: Can I just quickly interject there?

Marcie Mayer: Yes.

Robin Harford: Regarding Marcie’s book, we actually have a bit of a special offer for you, with free posting. So don’t just shoot off, if you’re listening to this, and head to Amazon. We’re going to be providing a special offer for anyone who would like to pick up Marcie’s book and some of her acorn flour.

Robin Harford: Sorry, Marcie, I interrupted you.

Marcie Mayer: Oh, thank you. Thank you. And so yeah, Volk’s daughter, sorry, don’t know your name. Acorns are great in soup. I’ve got three recipes in my book. I’ve got an acorn barley stew, an acorn lentil soup, and an acorn split pea curry soup. I use acorns fresh during harvest time. I have acorn chips frozen in the freezer that I pull out and add into soups often. And acorn flour makes a fabulous thickener. It’s a substitute to corn flour. It’s a lot healthier, and it’s a lot tastier. So the sky’s the limit, as far as possibilities of using acorn flour. I think it’s important for people to realise that it’s not about making acorn flour behave like wheat flour. You have to figure out what it’ll do on its own. That’s kind of been my approach to it. It is gluten free, so that means it won’t rise the way wheat flour will. So it has a whole bunch of, it has many qualities, but they’re very different than wheat flour.

Robin Harford: Yeah, I told a friend of mine, who’s a big food prepper, about you and your flour, and he shot me over a recipe for his variant. And I then said, “Would you reckon I could make that, use acorn flour with this?” And he went, “I don’t think this’ll work.” So I completely ignored him. He’s one of my best friends, so I’m allowed to say that.

Marcie Mayer: What is [inaudible 00:16:46].

Robin Harford: And I started experimenting with acorn and, what did I use? Acorn and flaxseed. Literally just that, with a bit of oil and salt. And I’ve ended up making these extraordinary crackers. I’m still experimenting. I’m not quite there yet.

Marcie Mayer: Aren’t they good?

Robin Harford: They were good. One, because they don’t use wheat flour. I mean, I’m completely off grains. I don’t eat any grains, not because I’m Celiac or anything, but just because I’m quite interested how grain culture came about, when nomadic, just to be very clear, nomadic hunter gatherers became pasture-less, settled down, and then we got agriculture. So grains are part of the agricultural civilization.

Marcie Mayer: Right.

Robin Harford: Prior to that, we would have nicked a few little seeds, a few bits of wild wheat or oats that we saw around. But we certainly wouldn’t have eaten them in the quantity we are eating them now. So, your flour is extraordinary, I have to say, and I’ve made a slow cooked venison casserole the other day, and I heaved in lots of the acorn flour. And it just produced this delicious sauce. I mean, absolutely… I mean, you imagine, venison and acorns, I mean it-

Marcie Mayer: I can just imagine them. Those things are made to be together. Acorn and mushroom as well. All the forest foods go so well. But also, many other things. I make an acorn flax cracker as well. I think I’ve got the recipe in the book. And yeah, it’s absolutely wheat free. Some of my recipes do have wheat flour; they’re a combination, because I haven’t set out to write a 100% vegan or 100% acorn cookbook. I tried to include a lot of recipes that would be accessible to many different people. I’m sure the audience here are a little bit more forward thinking and have a lot more information than say, the general audience does, buying cookbooks, so I’m trying to add recipes that also somebody who’s not 100% committed to 100% acorn, would also be able to try.

Robin Harford: Yeah, no, and for me, I encourage not only in my courses, but on my Eat Weeds site, with recipes. I used to, until quite recently, just put suggested instructions. Which the word is, suggested, these are not rules. These are a template that you can either make exactly as the recipe says, or you can expand from and play with. And you said that at the beginning. It’s about experimenting and playing. So it’s great to have recipes, because they are a starting point, but don’t be a slave to them. Just play.

Marcie Mayer: Exactly. The girl that edited my book, she said, you know, I’ve never seen a recipe book so straightforward and so simple, and it’s not very verbose. And it’s like, yeah, well, you know, you just want to get to it. You just want to get an idea that this is how I use it, and it’s really tasty, but you know, you’re free to do something else, if that’s what you’ve got in your cupboard.

Robin Harford: Yeah, absolutely. Okay. Onwards to the next one. Question from Sam. What would your top tips be for someone wanting to try cooking with acorns for the first time?

Marcie Mayer: That’s a great question, and that gets back to, you want to experiment with acorns and see what they’ll do. Now what I’ve found is that they do not have gluten, but they do gel nicely. So if you just take a couple tablespoons of acorn flour with some juice, and you simmer that for a few minutes, and then you pour it into some kind of mould, and you put it in the fridge, you get a really nice smooth jelly. Now you don’t get that with wheat flour. You just get paste with wheat flour, if you did the same thing. So it behaves very, very differently. So I would say, experiment. I think crepes are a first great thing to do with acorns. If you get some acorn flour, or make some acorn flour yourself, just substitute it 100% in your favourite crepe recipe with some eggs and some milk, if you’re not a vegan, and they make sort of a pumpernickel coloured crepe, very dark brown, but very, very tasty, and very aromatic.

Marcie Mayer: If you are a vegan, I actually, on my acorn flour, I have included a very simple, simple vegan crepe recipe, which just makes kind of a crispy crepe that you can wrap anything in.

Robin Harford: Yeah, I was in India in January, and ate from a kind of street food vendor. And they had a flatbread that didn’t have wheat in it, and I have to say, when I was experimenting with the flour and the flaxseed, it reminded me of it. I can’t for the life of me remember the name of the bread, because it certainly, I think it might have been region specific, because we certainly don’t normally get it over here. But I’ll try and dig out the recipe for it and put it up on Eat Weeds in conjunction with your flour, so people can play. But that worked very well. And like you said, it was like a crepe, and it was brown and a bit crispy, but delicious all the same.

Robin Harford: So another question from Sam. He says, “The oak trees in my area are a bit stunted. Is it still worth processing smaller acorns?”

Marcie Mayer: Yeah, I mean, I’m sure it’s a little bit more frustrating. It is very satisfying to work with these enormous acorns we have here, and it’s not nearly as much labour. But you know, you’ll have to process some and taste it, and see if it’s worth it to you. You’re the only one that can really answer that question. I’ve tasted wonderful acorns that were small, you know, but they ended up making a fabulous flour. That’s another thing that you see in my book, is I have three different acorn flours on a table, and you can see the different colour. One is almost a brick red, and the other one is a dark beige, and the other one is a creamy colour. So whatever acorns you have are going to be very unique, and you’ll have to find out if it is worth it for you.

Robin Harford: So Andy’s got a bit of a curiosity question. He says, “Why do squirrels bury them? Is it to ensure a steady leaching process to remove the tannins, or are they just being greedy?” Does anyone even know?

Marcie Mayer: Yeah, I can’t speak to that. Definitely that’s not my field of expertise, but it sounds reasonable, you know. It sounds reasonable. Crows, jays, and other birds that have evolved to carry as many as three acorns in their gullet, also bury them, and often forget about them. And I doubt that the birds are burying them for leaching reasons, so who knows?

Robin Harford: Yeah, who knows? One of the great mysteries of life, isn’t it? We’ll get there eventually maybe. And who cares? Does it matter, really?

Marcie Mayer: That’s okay. [inaudible 00:24:04] the answer to that question.

Robin Harford: So Amanda asks, “I would like to know if the edibility extends to all oaks?” We’ve already answered that question. Yes, all oak acorns are edible, providing you process them correctly, which we’re going to be getting on to.

Robin Harford: So Marilyn asks, “What kind of drinks can you make with acorns? Is it just the coffee, or is there anything else?”

Marcie Mayer: Okay, well yeah, the area of Extremadura, which is a peninsula between Spain and Portugal, which has somewhat of an acorn based economy, they do the acorn fed Jamon ham, but they also do some artisanal products, and one of them is an acorn liqueur. It’s very tasty and I believe they just put raw acorn into distilled alcohol and let it soak for many many months. I cheat, and when I leach the acorns, I save some of the water off of the first leach, which is very, very, very dark, almost chocolate brown with tannins. I boil it down into a syrup. And then I add a couple of drops of that into vodka, or the other drink that we drink here in Greece, Raki Tsipouro, and it gives it a really interesting flavour and aroma and colour. Just on a side note, Absolut Vodka actually came out with an oak vodka, which is absolutely delicious, last year.

Robin Harford: Wow. Fascinating.

Marcie Mayer: As for the coffee, I think we’ll talk about that a little bit later, because I think there’s another question about coffee specifically.

Robin Harford: Yeah, okay. Yeah, just something popped in about caution, because you’re using the first soaking, so it’s very, very high tannin content. So, concerning tannin’s impacting kidneys, in a bottle of vodka, say, how many tablespoons would that be? Millilitres, do you think?

Marcie Mayer: One teaspoon in a bottle of vodka.

Robin Harford: One teaspoon. Okay, that’s all right, yeah.

Marcie Mayer: Yeah, so I’m not worried about that, yeah.

Robin Harford: Yeah.

Marcie Mayer: But again, I mean, I wouldn’t drink a bottle of that in a day.

Robin Harford: Well I did in my past. I don’t drink alcohol, so I’ve got a bit of a history with it, which is why I don’t, but hey, any of you that do, and I know a lot of you really like your wild booze, go for it.

Marcie Mayer: I have that recipe in the cookbook. I’ve added something with the acorn vodka, as well as the grubs. When we’re harvesting acorns, some years there’s a certain amount of grubs that come out during the processing, and I found that you can pop them like popcorn, and they’re really, really tasty.

Robin Harford: Wow. Okay. Sorry, vegans, that one’s just made you throw up. But-

Marcie Mayer: I’m sorry.

Robin Harford: I’m big into grubs myself, so that’s interesting that we can eat acorn grubs.

Marcie Mayer: Oh, absolutely. And they’ve been in the acorn their whole lives, eating pure acorn, so they’re so clean. And they are so tasty.

Robin Harford: Wow. So how would you cook the grubs?

Marcie Mayer: I just get a skillet, with a bit of either oil or butter, just a bit though. I saute a garlic clove, just to flavour the skillet a bit. Even a little bit of rock salt can go in there. And then I just throw them in. They just blow up and pop like popped corn.

Robin Harford: I can see Fergus Drennan getting on to this one. His next video on Instagram, it’s going to be him eating acorn grubs.

Marcie Mayer: I love it. I love it.

Robin Harford: [crosstalk 00:27:49] Fergus.

Marcie Mayer: That and acorn vodka, and you should be good to go.

Robin Harford: Excellent. So Tracy says, “What is the modern use of acorns as an alternative food source to compensate for imported foods?” Sorry. “What is the best modern use of acorns?” Well, flour, I suppose, really.

Marcie Mayer: I think it’s the easiest to store. But for the home, for the person who’s doing this at home, I think the easiest way is to process your acorns, either in a granular form or in slices, and then freeze them. Freeze them in portion sizes. And then when you’re cooking, you can just pull a bag out and add it. If you don’t want to go through the entire process of drying it out and milling it, you can cut out two of the steps like that.

Robin Harford: Okay, great. So moving on to the removal of tannins, you’ve got a number of questions. The first one’s from Colin, who says, “What is the best way,” so we’re not talking industrial. We’re not talking at the level you’re doing it. We’re talking for home use, people at home. “What is the best way to remove the tannins? Can we use a stream like our forefathers did?”

Marcie Mayer: Well, our forefathers had cleaner streams than we do. So you have to be really careful about anything you do in any stream. You have to know exactly what’s going on upstream, and that’s almost impossible during this day and age. So that’s a whole different, that’s something I can’t really speak to. You’ll have to use your judgement . Hypothetically speaking, yes, you can put them in a net bag, either in or out of the shell, and have them in running water. The easiest way to do it at home, I think, is shell them and put them in vats of water. The water does not need to be moving. The tannin that’s coming out of the acorns basically keeps the water fresh. You won’t get mould growth, or anything like that. So if you change the water once a day, or change a quarter of the water once a day, that should be sufficient.

Marcie Mayer: I’ve also found that, no matter how dark the water’s getting from the leaching process, the acorns continue to leach, even in very dark water. So it’s a misconcept that you have to just keep changing the water. I don’t change the water much at all.

Robin Harford: Really? So I mean, the way that I’ve leached in the past is to put them in a bucket with the shells on, pour hot water on, wait 24 hours, then shell them, then put them back into the bucket. And for the next five or so days, pour hot water on in the morning, strain it off the next day, more hot water. So I don’t actually need to do that. I can just keep them in the bucket in cold water.

Marcie Mayer: You don’t want to put hot water on acorns, ever, in any state. It really saps them of their nutrients, and it also kind of slows down the leaching process. So, if you’re in a hurry, and you came in from outdoors with a bucket of acorns, and you wanted to cook them that moment, then yes, you could do some boiling water leaches and get them edible within a half hour. But you would never, if you are going to use hot water, you need to continue with hot water. As you pour off one load of water and add another one, you need to add hot water. Otherwise, if you go from hot to cold and back again, you’re essentially locking the tannins in.

Robin Harford: Oh, okay.

Marcie Mayer: And as far as, yeah, you need to get them out of their shells, probably, before you start the leaching process. Otherwise, you’re just leaching the shells for no reason. You’re just adding time to the process.

Robin Harford: So by that you mean actually shell them before you use the cold water leaching method, as well as the hot water leaching method?

Marcie Mayer: I would never use hot water on acorns in any-

Robin Harford: No, but what you just said about if you’re in a hurry?

Marcie Mayer: Right, yes. So basically, yeah, you want to take the shells off. In order to get the shells off, you might leave them to dry outside in the sun or in the air and then, as they dry out a bit in their shells, there’s a bit of space between the shell and the nut itself, and they’re easier to crack open.

Robin Harford: Okay, so I think the question’s coming on later, but I’m going to ask it now. Do the acorns have to be brown, or can we gather them when they’re green?

Marcie Mayer: I would only ever gather green acorns. So, as they ripen and they become brown, there’s just more and more chance that they’re going to be infested by something. There’s many different things that can get at your acorns. So I prefer to net the trees, and this is the way that it’s traditionally been done in Greece for centuries. Net the trees, and then you tap at the branches, and the acorns fall out green. And those green acorns are brought to a specific place where insects can’t get at them, where they can naturally dry out, ripen and dry out, but off of the tree.

Robin Harford: So when you dry them out, I’m just saying for people who’ve never done this before, you put them in a single level. So like, lay them on a drying sheet in a container. You don’t put them in a bag and just let them sit, because that’s going to create moisture and mould, I would imagine.

Marcie Mayer: They need to be left out. It’s possible, either on a wooden deck, where that can absorb some moisture, or on a rack that’s above ground. And then they need to be covered up in the evening, if there’s a lot of precipitation. So that’s-

Robin Harford: What’s precipitation mean?

Marcie Mayer: If there’s a lot of moisture in the air. So I have a specific table, which is 50 square metres of space, that I dry. It’s above ground, so there’s no problem with rodents, and that helps me to dry them in the sun, without having any problems with infestation or rodent.

Robin Harford: So to get, say, 500 grammes of acorn flour, how many kilos of acorns would you need to gather?

Marcie Mayer: It’s about one to four. So about two kilos for 500 grammes. You lose a lot of weight as the acorn dries out, so you lose moisture. You lose a lot of weight with the shell, you know, 20, 25% with the shell. You lose some with an acorn that’s not suitable, that has to be discarded. So it’s about one to four, which is why it’s expensive. Acorn flour is going to remain expensive until we can get the process, until we can get the quantities a little bit higher than they are now.

Robin Harford: Okay. So we’re going to get into the nutrition of why use it. But there’s another question here from Fergus, who I mentioned before. “If leaching in streams and rivers,” which obviously we don’t really advise, because of what you’ve just said about there’s no wild water anymore, “do you do that with the shells on or off?” So you’ve said you do it with them off.

Marcie Mayer: Yes. And I have, Fergus, I think, was also interested in leaching acorns in the sea, and I have tried that. In that case, I put them in their shells, because I felt they would need the protection, you know. So I put them in net bags in their shells, and I hung them off of buoys someways out, in a clean part of the sea. Well, the sea’s very clean here, but in a place where I knew boats wouldn’t be passing and things. Excellent results. Amazing results. I liked the way the salt tasted as well in the nut. But, because I have a business based on acorn flour, there was no way that I could certify sea-leached acorn flour, because their main question is, what sea? Where? How can we regulate this? So, but for somebody who’s doing this near the sea, I think it’s a great idea. And if they’re in the shell, you won’t have to worry about some sea creatures eating them.

Robin Harford: Yeah, so how long would you leave them in the ocean, in the sea for?

Marcie Mayer: I’d probably leave them at least a week. Again, that’s going to depend on the acorn and how long it takes. White acorns, which are more common in Great Britain, tend to take about a week in water.

Robin Harford: Okay. So just to clarify with the leaching. There’s no need to kind of put a slit in the shell, or anything like that, before you leach. You just put them in whole?

Marcie Mayer: Again, we’re talking about in the sea. Otherwise, if you’re leaching them at home, fresh water. I say, get the shells off. Get the shells off, discard them, use them as mulch. But yeah, you’re just adding more tannin into the process. You can eliminate that from the beginning, and that’s one step in the right direction.

Robin Harford: So if you are leaching them in the shell in the sea, you don’t need to put a slit in them-

Marcie Mayer: I don’t think so. No, no.

Robin Harford: Okay, great. Okay, can acorns be stored unprocessed-

Marcie Mayer: Yes, yes.

Robin Harford: After leaching, I’m assuming that says, that means.

Marcie Mayer: Well, no, acorns should be stored unleached. That’s the secret, because the tannin is a natural preservative. So the secret to storing acorns long term, is to get them very, very dry, so they rattle like beads in the shells. And then store them in the shells somewhere in a place where rodents and insects can’t get at them. Everything will try to get them in storage. They smell so good. Everything will try to break into your storage and steal your acorns. So I’ve tried everything. I’ve even sealed them in bags, which I didn’t like. But I had these plastic bags that are reusable. But if they’re in the shell, and they’re hard like beads, they have a much, much higher chance of being okay for a very long time.

Robin Harford: So once they’re really dry, like you say, they’re rattling around like a bead, could they be stored in like a big five litre, five gallon buckets, with an air tight lid?

Marcie Mayer: Absolutely. That the best way. A nice stainless steel vat, with a tight lid and a big, big mouth at the bottom, that you could just open up and pour them into a bucket, that’s the ideal.

Robin Harford: Wonderful. Debbie asked, “Are damaged acorns still okay?”

Marcie Mayer: No. It depends what they’re damaged with. I mean, the grubs will go in and out, and they’ll leave a nice channel through the acorn, but by the time they’ve been processed, they’re rinsed so many times, that doesn’t really bother me. There are also very small moth-like creatures. I’m not exactly sure what they are, what the name is, that will come in and bore through the acorns and turn acorns that are in storage, even if they’ve been dried properly, that turn them into dust within days.

Robin Harford: Wow.

Marcie Mayer: Yeah. But no, if an acorn doesn’t look good, you don’t want to eat it. That’s what I always tell the people that are helping me sort. Just imagine, this is food, and if it doesn’t look like something you want to eat, then throw it away.

Robin Harford: Yeah, I find that actually quite a lot on my day courses, when we go gathering, is that we’re so programmed by supermarket food. So in botany there’s this term, plant blindness, which is why people don’t see plants, they just see a green wall, a green haze. And it’s almost like there’s a, almost supermarket blindness, in the sense that when people have gone out gathering, they will bring back food that basically should have come out the bottom of a compost bin. And I say to people, would you really genuinely want to eat this? And why go for brown, mottled, old plant matter, when there’s fresh, young, vibrant, greenness. But people’s cognitive filters literally can’t see. They are plant blind. They can’t see the different between a healthy plant and one that should be in the compost bin.

Marcie Mayer: Interesting.

Robin Harford: And foraging does retrain you in your kind of perceptions of being able to discern healthy versus kind of definitely gone past it’s best to pick date.

Robin Harford: Okay, we’ve got a question here from Theresa, or Teresa. She says, “Can I roast and eat acorns roasted in aluminium foil in a fire? Will the roasting take the tannins out?”

Marcie Mayer: Not if they’re in aluminium foil, but if you put them in their shells in the ashes of a nice fire, in the coals, that is one method of leaching acorns. I don’t have personal experience with that, but I have talked to lots of the old-timers here on the island that ate acorns during the second world war and the civil war after that, here in Greece. And the way that they generally ate them was by putting them in the ashes in the fireplace and getting rid of some of the tannins like that.

Marcie Mayer: I’ve also found, I know it’s going to probably make a lot of people’s head spin here, but microwaving acorns also leaches the tannins out very quickly. I don’t use a microwave. I don’t own a microwave. But I did do some experimentation with it, and it’s quite interesting how easy it is to get the tannins out with a microwave.

Robin Harford: How long would you be microwaving them for, and what kind of temperature? Can you remember?

Marcie Mayer: Yeah, of course. It’s called microwave-aided extraction. It’s in my book.

Robin Harford: All right, okay.

Marcie Mayer: And you basically rinse them out like normal. Leach them like normal. And then the wet mash, you put on a paper towel in the microwave for about 30 or 40 seconds, and then you break it up a little bit, turn it over, another 30, 40 seconds, and that’s it. It’s ready to go.

Robin Harford: Wow, that’s pretty quick.

Marcie Mayer: That’s really quick.

Robin Harford: Okay, so, question from Fiona. “How do I make coffee with acorns?”

Marcie Mayer: Well, that’s an interesting question, because what they call acorn coffee, I would never call coffee. It’s good, but it’s not coffee. And I think it did more to ruin the reputation of acorns than to help it when people started being aware of acorn coffee. And I guess, during the World War II, again, they used acorns as a substitute for coffee. I’d call it an infusion. I’d call it a tea. But it really doesn’t taste like coffee. All you do is brew some acorn flour in a hot cup of water.

Marcie Mayer: I have a product that I call NUT-Ac, it’s kind of a cheeky name, it’s from nut and acorn, NUT-Ac. And it’s acorn flour, 45%, Demerara sugar, and very high quality cocoa. And it’s just a powdered drink, like an Ovaltine type drink, that you take one heaping tablespoon in a hot cup of milk or water or nut milk. And you get kind of a, it’s thicker than coffee, that’s why I wouldn’t call acorn coffee, coffee, because it has more of a thick texture and consistency than coffee does. But very, very filling, and very, very nutritive.

Robin Harford: So we would most probably call that word silky? It has a silky texture to it?

Marcie Mayer: Yeah, that’s good. But in answer to the actual question, how to make acorn coffee. You just take one of those paper filters, put a couple heaping teaspoons of acorn flour into the filter, and strain some hot water over it. And you’ll get a hot, dark beverage. If you’re using acorn flour, then you won’t have any fear of tannic poisoning. If you did that with fresh acorns, you’d just be drinking straight tannin, which isn’t a good idea.

Robin Harford: Yeah. Have you tried roasting the flour, or baking the flour first, before you put it into the coffee filter? Have you noticed any difference there?

Marcie Mayer: I have, and it’s definitely much tastier.

Robin Harford: Okay, great, yep. So Deb’s asked, “Over the past couple of years, I have noticed disfigured acorns on trees. Why is this happening?”

Marcie Mayer: I should know the answer to this question, but I don’t.

Robin Harford: Okay. Is it some from a gall, I think, isn’t it?

Marcie Mayer: It’s probably gall and weather, and/or weather. It’s not, I don’t think it has anything to do with anything inherently wrong with the tree. It’s conditions.

Robin Harford: Yeah. Question here from me that says, “How long will acorn flour keep, and what is the best way to store it?” We’ve discussed storing acorns, but the actual flour itself. You know, when I buy flour from you, is that going to last six months before it goes rancid, or what?

Marcie Mayer: No, it’ll last up to two years, if you keep it in a cool dry place, it’ll last up to two years. There’s no question about that. Of course, if it gets too hot, or if it gets in direct sunlight, it’ll shorten the life. But you want to keep it in an airtight bag in a dark cupboard, and it should be fine for a long time. Or I also keep my flour in the freezer. After this much work, before it’s actually become flour, there’s so much work involved that, by the time I get it to the flour state, I freeze it in very large bags before it gets individually packed and sold. But that’s because we have walk-in freezers here anyway for the production line. If I didn’t have walk-in freezers, that would be a different story.

Robin Harford: Yeah. On to the nutritional aspects of using acorns. What is their nutrition? I mean, are they high protein, high carb? Are they high protein, low carb? High carb, low protein? What about the minerals, etc.? Can you just give us kind of an overview on the nutrient density of this pretty extraordinary food.

Marcie Mayer: Absolutely. They’re not particularly high protein, any more than any other nut. They’re lower protein than almonds and walnuts, but they are high carb. They’re extremely high in trace minerals, in magnesium and potassium, and in polyphenols. I just gave a TED Talk recently, a few months ago, which you can find on YouTube. And in the TED Talk, I say that. A lot of people know that polyphenols a good thing, but they’re not quite sure what it is. Basically, those are antioxidant cells that go after, they search for and go after, sick cells, cancer cells, and they eat them. They eradicate them. So you want a diet rich in polyphenols, and they’re harder and harder to find in this processed world. And acorns are extraordinarily high in them. Anybody who has analysed my acorn flour has been very surprised by that.

Robin Harford: Are polyphenols the same thing you get in things like bilberries and blueberries?

Marcie Mayer: Exactly. And goji, and yes, exactly.

Robin Harford: Okay. So one of the things that I found delightful in your book was a thing that you call, it’s not the community activities… And so I always say on my courses, and when I talk to people, that foraging can be a solo practise, kind of a meditation and just time out for yourself. But ultimately we did it as groups, in tribes and bands. And you have this wonderful concept called Sorting Sundays which, could you just tell us a little bit more about that? Because I think if communities locally around Britain, and I really encourage anyone who listens to this, don’t wait for someone else to do stuff for you. You’ve got to just go out and make it happen yourself. And I just envisioned, when I saw that word, Sorting Sundays, you know, can you imagine if the shops weren’t open on Sundays, and we got together as communities and went acorn gathering. And then we dried and processed it. It just seemed really delightful, actually. I’m just old school, really, I think.

Robin Harford: But what is Sorting Sundays? What do you do? What do you get up to?

Marcie Mayer: It is delightful. It’s a way that a lot of people can get involved as well, that don’t have the time to come out with us and actually do the harvesting. So, during the month of October, I invite volunteers to come and help harvest. And that involves, you know, six to seven hours of work per day. We net the trees and whack the acorns out. And a lot of hauling. It’s hard work. But we have a work exchange. You stay here for free in a very, very luxurious guest house, and you get all your food. So you have no expenses while you’re here. I have hundreds of applications every year, and so it gets filled up quite quickly. And volunteers have the day off on Sunday, and that was, I found, a good chance to kind of get ahead of the game, because the acorns that are coming in, we’re collecting both the caps and the acorns.

Marcie Mayer: Anybody who wants to see what that looks like can see on our site. They’re very, very large acorns, and very, very large caps. And the caps are exported for the leather tanning industry. It’s a whole separate thing. So they need to be separated. Plus, of course, the acorns that are damaged need to be separated out. And it’s just a labour intensive thing that needs lots of hands, and it’s a lot of fun. So anybody who wants to come on Sunday can come help us sort. And everybody gets, you know, acorn cookies. And it is all about community, and the big changes that need to happen in this transition time are going to happen in very small groups. It’s going to start in groups of three, four, five, ten people.

Robin Harford: Yeah, I agree. And it’d be lovely to have a celebration and acorn festival every year around Britain, the harvest time. You mentioned October. I’ve seen deliciously huge acorns recently, and we’re only kind of, where are we now, we’re in the mid-September. So kind of like mid, onwards. So when do you start gathering and harvesting? Is it done in December or-

Marcie Mayer: It’s variable, but we could start, we have started at the end of September but, you know, the more years I do this, the better I get at it, and the shorter the gathering season actually is. So what used to take me six weeks to gather, now takes me ten days. First of all, I also am interacting with trees regularly, so I know what to expect, and many different factors. Just a word about the acorn festival. I have hosted an acorn festival, this will be the ninth year. It started out as just a group of friends, literally ten people I think we were at the first one. And now we have hundreds of people, and it’s advertised on the radio here in Greece, and people come over for the day. And it’s a very simple grassroots festival. It’s not at all fancy. It’s just about celebrating the trees and the people that live around the trees, and the acorns, and we do games for kids. It’s kind of a cultural indoctrination, if you will, because the idea just is to celebrate this thing and make it fun.

Robin Harford: Yeah. Wonderful. So obviously you just keep gathering your acorns while they’re green. And when they start going brown, that’s when it’s finished.

Marcie Mayer: Well, yes, if I’m very short on acorn, we continue until they’re brown, which involves a lot more sorting, because by the time they hit the ground, they get infested by beetles. The other thing is, you don’t want to collect the very first acorns that fall, because in the beginning of the season, you’ll get one fall of acorns, and they’ll be quite brown as well, early on, and those will surely be infested. And that is why they’ve fallen so early. You ignore those, leave those for the wildlife. And then you net over them, basically, and collect the other ones. The other thing is, the acorns at the top of a tree, on the crown of a tree, will definitely be the least infested, if you’ve got an infestation problem.

Robin Harford: Yeah. So we don’t send our kids up chimneys anymore. We’re going to be sending them up oak trees.

Marcie Mayer: Climbing trees is very good.

Robin Harford: If you are interested in getting a copy of Marcie’s book, which I highly recommend. She is so knowledgeable, one of the top people in Europe who has worked and processed and worked with acorns, as she has already said, for a very, very long time. You can pick up a copy of her book. You can get a bag of acorn flour, cold pressed. You get a fruit chew, and you get free shipping. And shipping is expensive, normally. So if you go to EatWeeds.co.uk./oakmeal, oak, and then meal, as in a meal that you sit down and eat, you’ll find the link to the offer. There’s a coupon code that you need to use, which is just simply Eat Weeds.

Robin Harford: Yeah, is there anything else, Marcie, that you would like to share with the listeners about acorns, oak, anything inspirational, anything that we haven’t covered?

Marcie Mayer: Well, one thing that I think is very interesting, and I think the more people that know about eating acorns, the more likely this information will get into the right hands, is that with their tannins intact, in their shells, acorns can stay a viable food source for up to a decade in storage. And this could have some really very important benefits for places that are experiencing famine or war zones, refugee areas. Because here in Greece, I’m very aware of what’s happening east of us, in the eastern Mediterranean, where there are many, many dense oak forests, and really nobody’s aware that they can be eating the fruit of the oak.

Robin Harford: So it’s been wonderful having you on. You’ve been very, very generous with sharing your knowledge. And all the links to reach out and connect with Marcie will be in the show notes in the podcast section on EatWeeds.co.uk, including the special offer. So, once again, really great to have you. What time of year is your festival, if people wanted to come over? Because I’m certainly intrigued to actually come over.

Marcie Mayer: The festival will be, we have a three day weekend at the end of October in Greece every year, and it’s a time when people who have second homes come here to kind of close the homes up for the winter. So we’ve got an audience, as well as, of course, our local stakeholders. So it’ll be on Sunday, the 27th of October. And it’s during the day. It starts out at 11 in the morning with an oak walk with myself and a professor from one of the universities here in Greece who is an expert, a European recognised expert on oak trees. And so we’re going to have a couple hour oak walk with whoever wants to come along and learn a little bit more. And then the party starts. Oak foods, and live music, and some local producers, and just kind of a fun, grassroots party.

Robin Harford: Wonderful. Nothing, I love grassroots gatherings and festivals. They are the best, like you say, there’s nothing fancy about them. It’s the people, and the practises that we happen to be doing.

Marcie Mayer: Thank you for having me. It’s been a real pleasure. Thank you very much.

Robin Harford: Ah, it’s been a joy. So will the festival be on in 2020 as well?

Marcie Mayer: Ah, yes, I assume so, yeah. We’ve been hosting it for nine years now.

Robin Harford: Great. So is there somewhere on your website that people can sign up to a mailing list, and that kind of thing, to be kept up to date?

Marcie Mayer: There is. There’s an easy way to contact me through the site. So the Oakmeal site is the best way to contact me.

Robin Harford: Great. Okay. Links in the show notes. So thanks again. Cheerio, Marcie.

Marcie Mayer: Thank you.

EP24: Nutritional cultural identity

Masanobu Fukuoka’s one-straw revolution inspired Krishna Mckenzie to start his own organic farm in Auroville, Tamil Nadu, India.

In this interview he talks about the importance of nutritional cultural identity, wild food volunteer plants, soil fertility, bioregionalism and why wellbeing needs to be collective not individual self indulgence.

Show Notes

Krishna McKenzie - Solitude Farm - Auroville - India

About Krishna McKenzie from Solitude Farm, Auroville, India

Krishna was born in England and has lived the last 26 years in the International township of Auroville, Tamilnadu, South India.

He started and runs Solitude Farm & Organic farm cafe. He is widely recognised for his work in permaculture, natural farming, local food and ‘Nutritional Cultural Identity’.

As well as a farmer he is also a successful musician & educator.

EP23: Wild tea ceremonies & celebrations

How to create your own local wild tea ceremonies and celebrations for community building and wild wellbeing.

In this interview, I talk with my friend Mary Morgaine Squire on how to create local wild tea celebrations to reconnect us to plants, place, self and soil.

Show Notes

Herb Mountain Farm

About Mary Morgaine and Hart Squire from Herb Mountain Farm

Hart and Mary Morgaine Squire came together over their passion for plants and stewarding this precious planet with tender loving care.

They recently transitioned Herb Mountain Farm into a Learning and Lodging Center and Botanical Sanctuary, after growing organic fruits, vegetables, flowers and herbs for markets and restaurants for decades.

The Farm is a learning community with overnight accommodations and event space focused on drawing in folks from all around the globe for small group retreats and gatherings. We have a biologically diverse, 138 acres with trails mostly in a conservation easement, another mile-long nature trail dedicated to Mary Morgaine’s late partner, Frank Cook, and many ornamental, medicinal, culinary and edible gardens.

Hart spent his early years in Lebanon and that rich culture of living close to the earth and being extremely generous and kind impacted him for the rest of his life. He started organically farming this land in 1973 and over the years split his time between the West Coast and the SouthEast, owning the Good Earth grocery outside of San Fransisco and opening one of the first farm to table restaurants in California in the late 1970s, called ‘The Seasons’.

Some of the other highlights of Hart’s hard-working life is that he owned and operated a distributing business called Hart Distributing in the 1990’s/early 2000’s that sold organic wine and ale, co-founded the CCOF (the USDA Organic Standard Certification) as well as Carolina Organic Growers, built several unique structures on the property that are now residential as well as our lodging-venue spaces, adopted and raised 3 special needs children, and has been a social justice activist by supporting hundreds of organizations doing the good work of uplifting humanity and our planet.

Mary Morgaine was raised in rural South Carolina and yearned to get out and see the world. She attended Fairhaven College in Washington State receiving her BA in Sustainable Living, Journalism and Creative Expression and then set out to travel the world and meet as many plants and indigenous healers as she could.

The journey has been most of all a healing one, as she peels back the layers of her lineage. She has been practising meditation and yoga for 27 years and is a certified yoga teacher, essay writer, caregiver, plant teacher and avid gardener. Now in her mid-forties, Mary Morgaine sees her biggest community role as an active earth steward, protecting and caring for the incredible land she lives on while encouraging others to do the same wherever they are. She is gifted in facilitating ceremony, making space inviting and beautiful, enticing mindfulness into the every day, and welcoming people into the walk of embracing plants as allies.

Both Hart and Mary Morgaine Squire are dedicated parents to their beautiful children, Tr?n and Makyziah, both grown and from previous marriages, and Nadia, their 6-year-old daughter they are homeschooling, who definitely keeps them on their toes and lights up their world!

EP22: Foraging the future, sustainability & vital connection

An interview with Miles Irving, author of the Forager Handbook and creator of The Wild Box, on why we must include humans in our conservation models in order to look after wild spaces. Why foraging is sustainable. How foraging can help feed an ever growing population, and how we can restore our vital connection to Land.

About Miles Irving

I started foraging at age 6, with the encouragement of my Grandfather, who owned a small woodland and knew a few species of edible mushrooms.

We went mushroom hunting and found several kinds, each of intriguing appearance and with very particular aromas; each quite delicious, as I experienced in our post forage fry up.

My grandfather, known for his lack of culinary skill, put the whole family off the idea of eating nettles by cooking a watery mess of boiled stringy nettles gone to seed, attempting to pass it off as nettle soup…

However, its hard to get frying a mushroom wrong and he passed that test as far as my palate was concerned. I was hooked and from then on gathered mushrooms every year.

However, a similar induction into wild plants, other than the aforementioned nuts and berries, was sadly lacking and my engagement with all things leafy and green suffered a further setback at age 16.

A friend had a copy of a wild food book which contained a recipe for fat hen, a plant she was able to recognise. We found and gathered some and tried out the recipe, which I can describe in one word: horrible. Let’s stick to mushrooms, nuts and berries was my conclusion from that incursion into wild greenery.

That recipe set me back 18 years, which is how long it was before I tried working with green stuff again. Meanwhile, I was increasingly irked by the suspicion that I might be missing out.

Eventually, I resolved to at least learn to identify wild plants, with a view to exploring their edibility later, prompted by meeting my soon to be wife Ali, who took me exploring many gorgeous wild plant filled places in Kent.

We got started with basic wildflower identification but really got down to business after Ali bought me a book of recipes by Italian chef Antonio Carluccio, called Carluccio Goes Wild. We were then on the hunt for the various wild plant species mentioned in the book. It was like a culinary treasure hunt! One by one we found them, and one by one we cooked the simple but utterly delicious recipes in the book.

The fact that friends were invited to feast with us added to the magic and sense of wonder of the experience. A whole new fascinating delicious world of green things opened up to me, but it was years before I realised that the key had been delicious and simple recipes.

After many years of supplying chefs through our business Forager Ltd which was founded soon afterwards, it has finally dawned on me that this is the key to engaging people with wild plants, much more so than plant identification skills.

That’s why we are focussing our energies on teaching people about edible plants using recipes, through the medium of the Wild Box.

Transcript

Robin Harford: Hi. So you’ve been a bit of a kind of pioneer and thought leader and foraging guide for many, many years, I think really before, certainly before I started teaching and before foraging and wild food appearing on kind of high-end, front end cutting edge restaurants even kind of was on the radar, so I’m very curious about your own journey through the plant kingdom and what on earth got you into foraging? I mean, how did you learn to forage?

Miles Irving: Well first of all, I’ll refer back to that in a minute, but just to say about more recently, like this scene that’s happened in the last sort of 15 years or so, I feel like it really is kind of like a zeitgeist thing and this … I feel like I’ve been drawn in by other people’s interests. I had reached a stage where my early experience of foraging which was picking mushrooms mainly and berries and fruit, I was blessed enough to have a granddad that just had a little bit of knowledge and he got me inspired and started up when I was six, so, always done that but the time when I really started engaging with the plant kingdom as you say, it was a time when they was just beginning to be quite an intense interest among chefs, so it was like my own sort of sniffing around after something which had caught my imagination was massively enhanced by the fact that there were chefs who saw this as a way into what they were trying to do in terms of creating recipes which reflected landscape seasonality and just were a bit more real. They came through some real process rather than like an industrial process and so on.

So it does feel to me like as a whole thing that’s been drawn out in terms of people’s interest in landscapes and the plants and the sort of cultural roots of people relating more. Whilst you can sort of point it back and and see a role in terms of, we’ve probably got other people interested. It does just seem like a thing with a life of it’s own really that people and plants are somehow just being very much brought back together like where you learn things like the body shop and all of the other sort of commercial threads which have really strongly put plants into our culture now. Do you know what I mean? Like if you go and have a shower, just look at what you’re putting on your head or your body or whatever. It’s so much in the way of actual wild plant species have ended up being almost cultural icons in that sort of way and I just feel like you and me, we’ve just ended up turning up at the party … it just feels like something that is happening [inaudible 00:04:38]

Robin Harford: Yeah they definitely seem to be making their way into the households of Britain covertly and overtly in some instances. So on the overtly kind of side, you’ve run this company fForager down in [inaudible 00:04:57]. What is Forager? How did that start and what …

Miles Irving: Well yeah. I mean, I can just put some flesh on the bones of what I just said there really because I was beginning to really get engaged with plants, back in like 2002, 2003, it just started to become much more of a focus and I was going out foraging with my girlfriend then who’s now my wife, Ally, and we were starting to learn some plants but mainly because she got me this book … well we’d already started trying to learn the plants but she got me this book called [inaudible 00:05:39] by Antonio Carluccio which had only about 25 plants in it but we were just really getting stuck in and this was helped by just the quality of the recipes in that book, just simple Italian recipes where we’d go on a quest for whichever plant the recipe was for, that was what was driving it, we want to be able to cook that recipe, so it’d be wild sorrel or wild garlic or nettles is an easy one but that was then transformed into [inaudible 00:06:14] which was definitely not the easiest recipe.

Anyway, it was just this instant satisfaction that was coming, deep satisfaction and celebrated with friends who we were sitting down at dinner with. Now, I should say, this was kind of making good something that had happened about eighteen years previously. I had tried to sort of pull my repertoire after seeing a wild food book on a friend’s bookshelf and there were a lot of plants in there. At the time I was only really a mushroom forager and a fruit and nut forager as far as plants were concerned and we went out and foraged [inaudible 00:06:51] which was in the book, cooked the recipe which was in the book and the recipe was really bad, it was just really … I just didn’t find the final result very satisfying at all and it just put me off plants. I thought, well, here’s my earliest experience, going out foraging with my granddad and he cooks the stuff up and he’s a rubbish cook but you can’t really get that … cooking a mushroom, you can’t really get that wrong too easily and so they was delicious, that was an immediately self-reinforcing thing.

Blackberries the same, roasted chestnuts the same. So this to me just … it was like a shudder coming down. It seemed to me that plants were just not as good, they’re not as tasty. So that cost me basically 18 years of my plant journey I worked out the other day, which was all … it was all made good by this fantastic book by Antonio Carluccio and there I was with Ally, cooking these things up and having a great time. So this is where we get to the bit where I actually answer your question. We [inaudible 00:07:59] at a place called The Good Shed in Canterbury and it was a brand new opening, there was a local produce market which to this day I think is the best produce market in the country. Above it there’s this mezzanine area with a restaurant using the stuff from the market and a guy called [inaudible 00:08:18], the chef there was really trying to do, and was doing a great job of local produce, some organic stuff, seasonal produce all from the market, just like the kind of thing I was saying [inaudible 00:08:33] really hungry [inaudible 00:08:37] at that time, but he was an interesting guy because he’s half French and it seemed people like Michelle [inaudible 00:08:43] and [inaudible 00:08:44] really with the whole nouvelle cuisine thing in the 90s, crafting food around landscape and really with a strong emphasis on the wild plants, so he knew that was the missing bit.

Okay. So we rock up, we see wild garlic soup, no we saw soup of the day on the menu asking what the soup of the day was, we must have registered some disappointment when the guy told us it was wild garlic soup but that was only because we’ve been eating so much of the stuff ourselves you see and you know what it’s like, you’re not gonna go out and want to eat in the restaurant what you’ve been doing yourself, we wanted something a bit different, but when we explained that to this guy, he went and got the chef who’s just very excited saying, you’re doing some foraging, we really want that here, can you help us? Can you work with us? And he kind of made me promise that I would come the next day with a bag of wild garlic for him because they didn’t actually have a regular supplier for that, I’m not quite sure where they’d got it from but they were keen for me to do that.

So that’s how we got started Robin, just this one guy that could see how the whole movement towards local seasonal produce had to have wild food as part of it. I think it was quite visionary in that sense because no one else had really seen that at the time. At least I didn’t have a kind of [inaudible 00:10:08]. We later phoned people like Mark Hicks and Richard [inaudible 00:10:14], I say that we phoned their chefs, their boys in the kitchen who said Mark would want this, Richard would want this but to them it was just, it was kind of part of the thing but it wasn’t like they were on the search, like gotta make this happen because they were using [inaudible 00:10:30] and we just helped them to prosper. This guy Blaze, he was really hungry for it. So had he not been, and really compelled me virtually to bring stuff in.

So what I’m trying to say is, I didn’t have this great entrepreneurial spark there that was saying wild food is it for the restaurants, this is the way it’s going … It took me about four months to really for the penny to drop where I asked this guy, do you have some like-minded friends who would also like to have this kind of stuff on their menu. Prior to that, I was just doing it to please him. Just like, alright mate, okay, I’m glad you’re interested in this, have some of that then.

Robin Harford: So I suppose one of the questions that comes to mind that obviously you and I have had somewhat heated discussions in the past over is around the … let me just clarify that. Heated discussions in the past until we started understanding each other and realising that we were both in the same worldview regarding wild food. So the question that often I see on social media when people post is, is it sustainable? Is gathering wild plants personally and to supply outlets, restaurants, etc, is it sustainable? So let’s start with a controversial one.

Miles Irving: Yeah. Well, obviously this is one we’ve banded … bounced backwards and forwards loads of times and as you say, I think we have a common view now which is basically that that’s the wrong question, yeah? So the question is, is the global food system as is sustainable and since pretty much everybody would agree that it’s not, I suppose where we start from, having agreed that it’s not, is that we have to be looking for alternatives. So if foraging for plants was just some thoughtless thing that we did just off the cuff because we can and who cares sort of thing, well, that would be one thing but actually, the exploration of gathering wild foods … well gathering food from the wild I should say, in terms of it being a potential avenue for feeding a lot of people, when we see that as an initiative towards doing things differently, then I think that’s a very different starting point.

It isn’t just people just grabbing out of self-interest and no care for the [inaudible 00:13:33]. So then I think there’s a couple of … [inaudible 00:13:42] a big, big question this one, but things you want to cover is first of all the methodology of most of what we do and I think most foraging is … the bulk of it is picking leaves or maybe picking the flowering stems before they flower and what you’ll notice with that is it’s just the same sort of thing that any gardener does all the time. So they’ll cut the lawn and what happens if the lawn grows back? Nobody would say. I sometimes facetiously say is cutting the lawn sustainably sustainable. We know that it’s not even an issue, it just seems like a silly question. Well, for us, where we’re cutting leaves and they’re growing back in all of those cases, it does seem like a silly question but if you do something like gather the fruits of the wild garlic, [inaudible 00:14:33] but like the seeds and that develops after the flowers.

Now, where people have done that and not been thoughtful, what’s happened is that the wild garlic gradually sort of shrinks and if someone did that for long enough the wild garlic would disappear but that’s obviously not sustainable. It’s just a bit of basic thought about the lifecycle of the plants. Does cutting the leaf hurt that plant? No. Does taking the fruit hurt the plant? Not yet, but it will do if you keep doing it and you don’t allow some seed to go back down to the gland, but I suppose the point is that anyone with any intelligence will notice that happening and will amend what they do and in fact, the only reason I know about that, we have always just taken a few of those, right? We’ve never done that kind of let’s take everything on the wild garlic fruits, but I know someone that has been a bit more gung-ho on it and he noticed and he fed that back to the foraging community.

So we’re trying to get word out to anyone which is good that it’s going out on your podcast because it’s going to reach some more anyones. If you’re picking wild garlic fruits or rams and capers as they put them, they call them, for goodness sake, take maybe like 30 percent of what’s there, don’t take a hundred percent because you ain’t gonna have a harvest next year and neither is anybody else. Well, you will next year but in three or four years time, these things are going to disappear. So, it’s that kind of thoughtfulness, if you do it thoughtfully and of course that’s what people always would have done, like the hunter-gatherers who had this as a way of life that had developed through generations and generations. What it means is when you depend on the landscape for everything, you have this kind of sense of the sacred about it, you have this sense of an emotional bond with it and you have this sense that you are a custodian and a steward of the things which have been given to you and that means that you are deeply, deeply concerned about the well-being of the whole landscape and individual species.

So the point of … you know this Robin, the tribal societies would have particular stories and mythologies around particular species or in the case of the Aboriginal Australians, individuals who would be responsible for the care of one particular species, there’s just no way they would be driving something to extinction that was part of that system of, well, kinship, actually they had a sense of kinship with these things.

Robin Harford: Yeah they did, or they do, the ones that remain.

Miles Irving: They do, yeah.

Robin Harford: I think what that brings up for me is this, I’m very interested in worldviews and how worldviews influence our relationship with not only ourselves each other, but the rest of the earth and the worldview of civilised, in quotes, people’s modern technological industrial information culture peoples is one of scarcity and the worldview of the hunter-gatherer and you can check this out with people like [inaudible 00:18:09] who was an anthropologist in his book Stone age Economics and there’s numerous anthropological works out there that have studied hunter-gatherer.

Miles Irving: [inaudible 00:18:19] a thing called the original affluent society didn’t he?

Robin Harford: Yeah he did. So the point of that is that the worldview of the hunter-gatherer is one of abundance, it’s not one of scarcity, it’s one of … the land provides and we are grazing animals, we’re caretakers as well, our grazing is a care-taking practise, whereas in the so-called civilised world, we don’t care take, we live in a scarce …

Miles Irving: We just take.

Robin Harford: We just take, exactly and we eat thirty species of plough grown plants in a year it’s estimated. Hunter-gatherers eat hundreds as you and I know. So the world view is topsy-turvy, it’s very different. So like you say, when someone says foraging is not sustainable, everyone’s going to hit the royal parks, it’s like well, it’s not sustainable if you’re coming from the worldview of a dog-eat-dog mine, mine, mine, I take for me and fuck anyone else, no, of course it’s not sustainable but as you’ve pointed out on numerous occasions and through numerous discussions, as foragers, we are intimately connected to our land base and we can see the influence our gathering practises have on the land and because we are foragers, this isn’t some little bit of garnish on the side of a plate we’re getting, we feed ourselves through the local landscape, so we’re actually very, very acutely aware of our impact on our local terrain.

So that kind of feeds into when the headlines have a bit of a hissy fit and they all start saying, oh, you know, we should be banning foraging, like the new forest puts up these not illegal, these signs that are warning people not to pick or the [inaudible 00:20:22] parts come out all red in the face but can you expand on the whole thing of kind of the problem of conservation as preservation?

Miles Irving: Yeah. Well, yeah, I mean, so, I suppose the thing is, where we’ve ended up right, is that there’s a kind of business as usual on the one hand thing that is implicit in the idea of conservation because what conservation does is it just sort of draws a line around certain bits of land and says okay, we’re going to conserve these bits because these bits are special and they may well be special but the point is by default, everywhere else then is kind of not special. It’s a bit simplistic but it is basically the idea is that we accept that the whole industrial consumer driven society is a given, it’s a reality and we’re not going to change that. So basically, everywhere else is just accepted that it won’t be diverse, lush, thriving ecosystems and I mean anywhere else like London or your local housing estate or the field where the wheat that makes your bread comes from. We just accept that we’ve lost that, it’s gone, and now we got to cling on to this other bit over here and of crucial and central importance about clinging on to this other bit over here is that there’s no humans apart from the ones that are managing it for conservation.

We basically are saying that the place of the wild, this wild space is a space that the humans aren’t in and in order to conserve it we need humans out and that’s just false, I mean it’s just basically false because other than this kind of fairly new thing that’s coming in now about rewilding work where they are trying to create landscapes with nobody in it, all the existing stuff around [inaudible 00:22:35] and nature reserves, they’re basically trying to recreate habitats which have only arisen because of humans not in spite of or in the absence of but because of humans, so they all cut the reeds now because that promotes the presence of certain birds and then they don’t know what to do with the reeds. We’ve got a place near us [inaudible 00:22:59] scratching their heads wondering what to do with all the weeds that they cut.

The only reason they know that this creates a habitat for birds which [inaudible 00:23:08] but we used to cut the reeds in order to thatch houses, now we’re not doing that, we’re not using it, which is, oh dear, commercial foraging, oh dear, shock, horror, there used to be commercial foraging on the reed beds, now there’s just natural [inaudible 00:23:23] cutting them and [inaudible 00:23:25] wonder what to do with it. It’s not commercial foraging anymore so that’s better isn’t it?

Robin Harford: That’s bonkers isn’t it?

Miles Irving: On the other hand you’ve got situations like in the Kenya areas of the Maasai tribes and in Yosemite National Park. These were some of the first natural national parks, nature reserve type things and in both cases, ethnic cleansing was essential for the programme. Let’s get these indigenous people off the land so that we in our wisdom can manage it for wildlife. Well those guys have been managing it for everybody, wildlife, humans, plants, whatever you want for thousands of years but implicit in this. So the cornerstone of those conservation movements elsewhere, I don’t say in the UK but elsewhere were racist, imperialist, colonialist and plain wrong because they tried to create a fiction of a pristine wilderness untouched by human hands and the fact is those landscapes were the product of people working as part of the landscape just like any other species and the point for me Robin is that humans are a keystone species.

Robin Harford: So for people who don’t know what a keystone species is, could you briefly explain?

Miles Irving: Yeah well, of course. This is the cornerstone of conservation thinking and one I agree with like in Yellowstone National Park when they reintroduced the wolves. The wolves are a keystone species because they have a much greater impact on the overall functioning of the ecosystem or the thriving of that landscape than any other species because they keep, basically they keep the grazing animals moving so nothing gets grazed too heavily and it’s complex anyway. Beavers are the same. They, in a different way, they create the floodplain that causes a lot of species to flourish. So the point is that when we are embedded in our surroundings, we have a disproportionately strong effect on the landscape that makes it flourish, also we have a disproportionately terrible effect when we’re not embedded. Either way we’re a keystone species, we’re having more influence on the biosphere than any other species but the point is, what’s gone wrong? And what’s gone wrong is when we were vitally connected to land and when I say vitally, like we were practically, economically, socially and emotionally connected.

So in all these ways, we were connected, we were eating food from land and we were made for molecules that came from here and now we’re the only species on the planet that doesn’t … like a squirrel is made from stuff from here, he doesn’t have imports and stuff from plastic bags that came from somewhere, he just eats what’s from here. So in all of these different biological, every other kind of way, we were vitally connected to the land and that’s how our keystone species-ness was functional because we were of course like any other species changing, disrupting, disturbing, altering because life is a flow of movement and exchange and if we weren’t disturbing, disrupting, altering, moving then we’d have been dead but because we were alive, we were making things other than they would have been had we not been there but the point is, they were better because we were there.

I know we could debate like certain things, most people are pretty convinced that the humans wiped out the megafauna. I’m not convinced about that totally but regardless, if we did or not, the enhancement of lands on the whole with human presence was beneficial. So the point for me Robin is that the vital connection between humans and land, that’s the thing we need to be conserving and the conservationists have got it totally wrong because the very thing that is the Keystone, the cornerstone of biodiversity is people being connected to landscapes, people being economically engaged with landscapes, people making use of all of the wild things that are there so that they have … well involved in the complexity of land, instead of which we go onto a piece of land, sweep absolutely everything off, kill the fungi, the bacteria, the plants, the animals, the insects, everything, just so we can get one thing and then that one thing comes in to us.

So the point is that biology is wonderfully complex and diverse and therefore flourishes whereas humans reduce landscapes and a sort of mechanistic thing, so we just want one thing but then we’re also treating our bodies like a mechanism and we’re giving it one thing. So from that field that we killed everything, yeah? We just get starch, we get [inaudible 00:28:28], we put that in our bodies, what happens? Our system breaks down, the land breaks down, we break down, it’s all a mess.

Robin Harford: This is … we could have a week-long conference just on this one particular area which maybe, hopefully sometime down the line we will, but I just want to … I just want some of the listeners to realise what our removal from being embedded with our land bases has [inaudible 00:29:02]. I’ve got some figures here that actually I picked up at the weekend at a gathering that I was at and with soil depletion, [crosstalk 00:29:10]

Miles Irving: We’ve got the stats people.

Robin Harford: Got the stats man.

Miles Irving: We’ve got the stats to prove it.

Robin Harford: Yes, it’s in the book, it must be real. So anyway, just entertain this from people [inaudible 00:29:19] life foundation. So globally we’re losing seventy five billion tonnes of soil each year. Already half of the top soil on the planet over the last hundred and fifty years according to the WWF and we’re seeing a persistent decreased productivity on 20% of our croplands due to nutrient depletion, erosion and pollution. So that’s pretty frightening when everyone’s going, oh no, we can keep farming in the kind of industrial way that we have been doing.

Miles Irving: We can’t.

Robin Harford: So another one with farming is half the world’s population live in rural areas and 90% of the world’s farms remain small-scale but they’re in decline and squeezed onto only 25% of the world’s farmland. That’s from grain report hungry for land. In the UK, the number of small farms decreased by 11,000 between 1987 to 2003 and only one percent of the total workforce in the UK consists of agricultural workers compared to for example 49% in Thailand or 75% in Uganda and when you go into … so we have to discern the difference between industrial farming and agriculture and more traditional cultural cultures way of farming. If you’re going to Asia or India, I’m going to India in January and I’m hooking up with local farmers who get a huge amount of their food produce from the forest. They are foraging farmers and there’s this debate, oh, if farming happened and agriculture happened, there was this absolute rigid line that came in through, right, we were hunter gatherers, now we’re farmers and that’s just … with all the recent kind of research and evidence that’s come out through anthropology, I think … you and I have discussed a chap called James C. Scott who’s written a book against the grain and it’s absolutely not like that.

Native Americans would plant crops. They just didn’t do it in the same industrial way we plant crops and I know people …

Miles Irving: I’m not sure they even did selective breeding to begin with, they were just [crosstalk 00:31:31].

Robin Harford: So that kind of importance of us getting embedded back into our landscape is absolutely, I mean just vital. So I want to just quickly move on because you and I for years … or maybe not years but certainly quite a while have talked about how can we engage the population of Britain more with wild food? Bearing in mind that, was it something like eighty percent of people live in cities and their time is scarce and all this kind of thing which again is a bit of a myth in our industrial worldview that we don’t have enough time to forage food for us. So you’ve recently come up with an idea for something called wild box.

Miles Irving: The wild box, yeah.

Robin Harford: So could you just tell us more about that and what the purpose of that is for.

Miles Irving: So the wild box at face value appears to be like a subscription veg box containing wild plants and it is that, but really, it’s a tool, it’s a way to learn the plants and I  … other than having a mentor that you kind of almost live with or certainly you have regular contact with, I think it’s probably the most effective way that you could learn a lot of plants just week on week, because what I have noticed is the thing that a lot of us do now, I’m talking about foraging … people like you and me that are trying to educate people, so we take people out for a day and it’s a very inspirational thing for people because they get to see basically the possibilities of … sometimes you might see 30, 40 plants or even more in the course of a day but in no way that anyone can properly engage with all of those 30 or 40 plants and retain that in their memory. I’ve done things like get them to stick each plant in a book and then they’ve got like a little herbarium of everything they saw and that means if they wanted to they’d go back out with the book but in practise, it only really works for the keenest. They’re probably people who’ll end up being foraging teachers themselves.

Most people, there might at best learn three or four plants that they actually would use again in the next week or the next fortnight and likely [inaudible 00:34:15] they’ll probably come back to the same course next year and have to almost start from scratch and that’s perfectly understandable because the way that we would learn that information ordinarily in real life, in traditional societies is you wouldn’t even notice that you learnt it and when you … notice how you learn to speak, because you just pick it up, you just absorb it from your surroundings and you’d absorb it when you’re sitting down with everybody at the afternoon where they’re preparing things and you absorb it when you eat it three times a day and so on.

So I’m trying to do something which will actually bring people into a deep … well it’s just that they really do know a lot of plants and they really do get into the habit and life style of eating a lot of plants. So by sending people seven plants every week and they’re not just leaving them to sink-or-swim with no further information, we provide what we call a weekly wild food navigation notes and those contain descriptions of the plants, four, five, six recipes depending on the week which will enable them to use everything in the box and then usually there’s kind of just some other notes which are a bit more broad in their potential scope. Last week I was talking about some fields near my house and how that’s accessible to us for various different plants but I might just talk about what it means to follow through the seasons and see how things are changing. All sorts of different thought trains that we … that I enter into with those which are just trying to get people into that mindset of thinking about food in a different way as something that’s coming from your local surroundings, but anyway, the point is that if people engage with this and it’s 20 quid a week, so it’s a little bit of an outlay but if people engage with this, they will gradually get familiar with a lot of plants or on the other hand, there’ll be plants they’re already familiar with that they’ve never been able to make that leap of knowing about it as something you could eat to it being something you know by experience and you do eat.

We’re trying to just basically bridge that gap either [inaudible 00:36:29] total ignorance of the plant or that you’re not actually using something you know you could and I’ve worked out, having done the maths, because we had a provisional conversation last week didn’t we Robin and I just went off and thought I need to get the maths for this, so I’ve got stats too. Yeah, and like, we’ve been going … last week was week 30 and with week 30, we presented people with plant number 75 and 76.

Robin Harford:  That’s extraordinary.

Miles Irving: In other words, we have now covered 76 plants in 30 weeks.

With the different parts of the plant that we’ve used … so some we’ve used the leaf, the stem end, the flower, whatever but all told, that is 94 different ingredients that we’ve put out to people in 30 weeks.

Robin Harford: That’s phenomenal. My brain’s just popped because you mentioned that when we go out into the landscape and we engage with plants on a daily basis, preferably a daily basis, that one of the cool ways is to pick a plant, put it in a book, press it and have our own little herbarium, but herbariums to me, I’ve always until a few years ago, I always thought, well, why do I want to look at these dry plants in some kind of pressed flower press but actually what I think is really cool about the wild box is that you’ve created almost a living herbarium for people and you’re not chucking it all at them in one go, they’re not being hit with seventy-six plants, then they go completely [inaudible 00:38:09] out but then they never do anything with it. They’re actually slowly being drip fed, here’s this unique plant.

Now obviously you’ve got [inaudible 00:38:17] in there, sometimes in dandelion, etc, but what I really like about this project is that you’re opening up people’s minds to the absolute diversity of wild food plants in Britain that seventy six plants, you’ve already doubled the number of plants in, was it week 30? Than most people would eat in a year and you’re giving them recipes, you can see the plant in … they can see the plant in their hand but it does bring up a question for me and is getting a box through the post gonna get them out there? I mean, how long should people be subscribed for? Are you kind of like some corporate business that just wants a customer for life and all that usual malarkey that [crosstalk 00:39:15] do because I get a sense that actually you’re trying to make yourself obsolete.

Miles Irving: Well, I suppose what I think is, anyone that gets this box every week is gonna start either recognising plants that they’ve seen in the box in their locality, especially if they’re a gardener, they’ve just realised that they’ve been yanking these things out and calling them weeds for years which is … yeah. I mean, so I mean that pays for the box in itself all of a sudden. I always think like here you are working hard to grow salads and pulling other things out which are actually superior salads in order to make room for the salads that you’re trying to grow, not knowing that’s what you’re doing.

Robin Harford: It’s bonkers. That’s really bonkers, isn’t it?

Miles Irving: I mean this week for example, we’ve got hairy bittercress going in the box which most gardeners just hate and detest because it’s so prolific and it explodes hundreds of seeds out when you touch it when it reaches that stage and then you know each of those seeds is going to create another hairy bittercress plant. So you have this magical transformation from thinking curses, it’s done it again, 100 bittercress seeds are going to now pollute my garden with another 100 bittercress but [inaudible 00:40:31] almost want to kneel down and say thank you, thank you that I didn’t even have to sow your seeds, you’ve just said your own seeds and now I’m going to have more delicious bittercress plants all over my garden and I haven’t had to do any other work other than accidentally bump into you and make you explode seeds everywhere.

Anyway, so there’s that category. People will realise that there’s plants that have been there all along that they can eat because they now recognise them and then there’s the other category of people who knew about nettles and dandelions but didn’t know what to do or they tried them and had a negative experience and that’s where my earlier story about the Carluccio book comes in.

So, I had a negative experience with [inaudible 00:41:14] positive experience with the recipes in the Carluccio book which enabled me to properly engage and connect with plants. So I’ve realised that actually the [inaudible 00:41:27] that exists between people and those nettles that they’re not gathering, that they never could and [inaudible 00:41:32], the gulf is basically the lack of good recipes and maybe it’s also slightly the lack of the initiative to just gather that nettle and bring it into their house because it’s a strange thing that they don’t have a routine for, it’s gonna sting them and they have to remember to take gloves and whatever. So we do that bit for them and I feel like we are basically … it’s like a match made in heaven. Here we matchmakers. You and nettles should get together, you’re born for each other, that sort of thing, but how does that need to happen? Well it needs to be a little process of that matchmaking and so we just weave people together with plants by giving them the plant, the recipe, there you go and also a little incentive, you just spend 20 quid on this, I know for myself having had a veg box, the last four or five years with a local organic farm which we’re keen to support because they let us pick their weeds and it’s just so annoying throwing that stuff away because you just think, man, I’ve got to get organised and learn to use this stuff.

So I’m just saying that when you actually pay for something, you’re more likely to use it than if you pick those nettles and didn’t get around to it, you’d think oh well, I’ve just picked some more but if you payed me for them you’re going to want to use them. So all round, we’re facilitating people actually getting round to cooking nettle soup or whatever other simple recipe we’ve given them and the feeling they get after that is so self reinforcing of the activity. I want to do it again, I feel so good and next time they want to pick them themselves. So either way, either because they’ve encountered a plant they didn’t realise was there because now they recognise it or they’ve encountered a plant that they knew was there all along, all of a sudden the wild box means that they’re gathering the stuff in the environment.

So I would think that the vast majority of people are going to start foraging for themselves and sooner or later they’ll just think they don’t need us anymore and that’s fine because there are, whatever it is, 70 million people in the UK, we’re not actually planning to do 70 million wild boxes, that means there’s a limit somewhere and I don’t know, at the moment we think it’s maybe a few thousand that we could do a few thousand people and then we’d have to cap it, so then we’d have a waiting list and we would have to be sort of sending emails out going come in number seven, your time is up, you’ve been a wild box customer for a year and a half now, we think it’s time you stood on your own two feet because there’s lot’s of other people waiting to subscribe to the wild box.

Robin Harford: Yeah. So it’s an interactive educational tool, extremely delicious because I’ve sampled some of your recipes and you put a lot of effort in and you’ve actually made them first. There’s so many blooming cookbooks out there where … I don’t know what the percentage is but some publisher approaches some celeb chef and he just reels off a load of recipes from his head, he’s imagining them, he hasn’t actually made them and so when everyone else starts trying to make them, they end up tasting revolting, looking revolting and just generally not doing what the book had promised.

Miles Irving: But they bank on a fact that nobody will. Most of those cookery books are just things to …

Robin Harford: Yeah, food porn, aren’t they.

Miles Irving: They’re coffee table books really, aren’t they?

Robin Harford: So we’re gonna have to wrap and pack this pretty soon, but has … I understand that you’ve been getting a few awards for this little …

Miles Irving: Well we got an award which is good enough for us. We’ve only been going for half a year and we entered the Good Food Awards which has … I mean, everybody does enter it, so they’ve got lots of industry folks, lots of chefs and other people that work in the industry judging all the different product categories and there was a box scheme category, a subscription box category and we won. So we were just bowled over by that. Bearing in mind that all of the big boys were in there, Gusto and [inaudible 00:45:30] and [inaudible 00:45:31], they were all in there and we won without …

Robin Harford: Who was that? Who gave the award?

Miles Irving:  The Good Food Awards. The British Good Food Awards. Sorry, The Great British Food Awards, god blimey, I better get it right. Great British Food Awards. There we are. So you can go on their website and see that. So we’ve got this thing that we’ll do what we’re saying, it will initiate people into a wonderful world of wild plants and cooking them and eating them but I just want to say, it isn’t just for the general public because when you said earlier about like sending 75 files to somebody and they just wouldn’t know what to do, we’ve realised after years that we’ve kind of been doing that with chefs, especially since that initial reaction I got from one guy but bearing in mind, that one guy was only receiving one ingredient at a time.

We go [inaudible 00:46:33] to see new chefs or have done, naively sort of hurling 35 ingredients at them at once thinking that they’ll just love us for it and whilst there’s the odd one that is just for some reason lucky enough to have the time and setup but enables them to experiment, most people rather than doing them a favour, these chefs were just giving them a headache. Here’s a bunch of problems to solve, how to get Alexander’s into your menu, when it’s actually quite a challenging ingredient and it’s no good me saying do this, do that, because that’s not really … if I was in the kitchen as part of a team I could say do this and do that and show them or over the phone trying to explain [inaudible 00:47:20] Really, I’ve realised that by introducing new ingredients to chefs, we’re just giving them a problem but the wild box is the solution and it means we can introduce the new things without it being a problem because here we are, here’s this new thing and this is what to do with it.

So we’re also really wanting to engage chefs with this, especially … there’s a lot of interest among chefs these days in the wild ingredients, a lot of young guys especially are wanting to learn for themselves but there’s not really tools to learn, so people tend to use the ones that everybody else uses that already … and even then, the engagement might not be so thorough or might not really be exploring all the possibilities because … like chickweed, yes, we can just put that on as a garnish, but okay, what about a [inaudible 00:48:12]? What about the possibilities of [inaudible 00:48:15] leaf itself? The point is, I’m not a chef but I do cook with these things and I have cooked with these things for a long time and I’ve had interactions with chefs who maybe have had an afternoon or a day to experiment and we’ve made some progress with disentangling or cracking the code of what is this ingredient about and so on.

So, bit by bit by bit for 20 quid a week, any chef kitchen, [inaudible 00:48:45] kitchen or restaurant can take these seven ingredients and learn and the whole team can learn just based around these seven ingredients bit by bit, drip by drip by drip every week and think about it, in the course of a year, I don’t know what we’ll be up to but we’ve done 76 in 30 weeks, just over half a year. So I’m thinking we’ll definitely be over the hundred barrier, maybe 150, I don’t know but that’s a lot of plants or a lot of new ingredients for a chef to potentially get him, her and his, her entire team to know about. So, yeah, we’re quite excited about that and the latest development Robin is we’re about to launch a Patreon channel which we’ll be putting some more in-depth videos on there which people can also access those to get some excellent information.

Robin Harford: Yeah, great. So, just to wrap and pack, if people are interested in learning more about you and I do have to say to folks that I consider Miles to be kind of the philosopher forager, he has some extraordinary articles on his website under the blog section. Also you can find out more about the wild box and I assume everything is all under the same website is it Miles?

Miles Irving: Yeah, it’s all on forager.org.uk. The front page is perhaps a little busy but it does allow you to click through pretty much everything we do. So forager.org.uk.

Robin Harford: That’s great. Okay and obviously all the links to connect with you will be in the show notes under this episode. So it’s been as ever a real pleasure to chat with you. Thanks for coming on and we will …

Miles Irving: Yeah, it’s a pleasure to talk to you Robin as ever.

Robin Harford: We’ll talk soon.

Miles Irving: Yep, cheers Robin.

EP21: From 19th century famine potherb to 21st century hipster food

The edibility of plants has been discussed in old herbals and economic handbooks since the origins of written language.

Inventories of wild edible plants were often created in the hope of alleviating famine and finding new sources of food.

Nineteenth and early 20th-century ethnography documented the use of wild foods in order to preserve traditions, but the memory of famine always lingered in these sources.

In this, Kew’s 19th Annual Ethnobotanist Lecture, Lukasz Luczaj discusses at length some of the more interesting wild food used in central Europe in the past – e.g. sweet manna grass (Glyceria fluitans), hogweed (Heracleum sphondylium), marsh woundwort (Stachys palustris) and water caltrop (Trapa natans).

Another source of knowledge of potentially edible species is archaeobotany. Recently, some experimentation has been made by fans of foraging and haute-cuisine chefs playing with recipes.

Nowadays, we describe the use of wild foods in ethnobotanical works in order to preserve traditional knowledge, improve rural livelihoods and to find species matching the local terroir, as it appears that most potentially edible plants in Europe are known.

But are they really? Can we still find more species which could be included in the human diet?

I would like to discuss the scope, however, limited, for inventing or re-inventing new uses of wild edibles. These are:

  • alien species
  • species regarded as toxic with little-known detoxification procedures
    less common species from generally edible families e.g. Brassicaceae
  • species from taxonomic groups with little-known edibility
  • “climbing” the spectrum of food and medicine – learning more about safe levels of food uses of these plants.

Show Notes

About Lukasz Luczaj

Lukasz Luczaj is associate professor and head of the Department of Botany in the Faculty of Biotechnology of the University of Rzeszow, Poland.

His main interest is the traditional use of wild foods in Eurasia. He has carried out field research in Poland, Romania, Croatia, Bosnia-Herzegovina, Georgia (Caucasus) and China.

In China, he works both with Chinese and Tibetan communities of the Qinling Mountains and eastern part of the Tibetan Plateau. He is also interested in archival sources concerning plant uses – he worked extensively with archives concerning Poland, Slovakia, Ukraine and Belarus.

He also co-edited a book entitled Pioneers in European Ethnobiology (with Ingvar Svanberg, Uppsala University Press).

In 2011, Lukasz founded an open-access Polish-language journal Etnobiologia Polska. He is the editor of Ethnobotany section in Acta Societatis Botanicorum Poloniae (the oldest Polish botanical journal) and associate editor in Journal of Ethnobiology and Ethnomedicine.

Apart from the work in Academia, he runs an educational centre and wild garden in the Carpathians where he organises cooking workshops with wild plants, fungi and insects.

Lukasz authored a few popular books on edible plants, insects and foraging way of life, as well as appearing on a few cooking television programmes (all in Polish). He also runs a YouTube channel devoted to wild foods.

EP20: Discovering new wild edible plants

That person is Lukasz Luczaj, associate professor and head of the Department of Botany at the University of Rzeszow, Poland.

I’d always wanted to meet and interview him.

It was self-evident to me that his depth of knowledge of wild edible plants was, quite simply, extraordinary.

His pet subject is the traditional use of wild foods in Eurasia.

Finally, I managed to catch up with Lukasz just before he gave the Annual Distinguished Ethnobotanist Lecture 2018 at Kew Gardens.

I strongly urge you to listen to this interview.

One thing I learnt was that buttercups are eaten in some cultures. In the UK, they are considered poisonous.

But be warned.

This isn’t a license to nip outside, grab any old buttercup and start shoving them down your throat. They need to be processed properly!

You’ve got to love ethnobotany. So listen in as Lukasz encourages you to begin the journey down this incredible plant path. There are wonders still to be discovered and explored.

The downside of this interview is that I failed to take into account that Kew Gardens is directly underneath a flight path. Still, you only get the occasional aeroplane noise in the background.

Show Notes

About Lukasz Luczaj

Lukasz Luczaj is associate professor and head of the Department of Botany in the Faculty of Biotechnology of the University of Rzeszow, Poland.

His main interest is the traditional use of wild foods in Eurasia. He has carried out field research in Poland, Romania, Croatia, Bosnia-Herzegovina, Georgia (Caucasus) and China.

In China, he works both with Chinese and Tibetan communities of the Qinling Mountains and eastern part of the Tibetan Plateau. He is also interested in archival sources concerning plant uses – he worked extensively with archives concerning Poland, Slovakia, Ukraine and Belarus.

He also co-edited a book entitled Pioneers in European Ethnobiology (with Ingvar Svanberg, Uppsala University Press).

In 2011, Lukasz founded an open-access Polish-language journal Etnobiologia Polska. He is the editor of Ethnobotany section in Acta Societatis Botanicorum Poloniae (the oldest Polish botanical journal) and associate editor in Journal of Ethnobiology and Ethnomedicine.

Apart from the work in Academia, he runs an educational centre and wild garden in the Carpathians where he organises cooking workshops with wild plants, fungi and insects.

Lukasz authored a few popular books on edible plants, insects and foraging way of life, as well as appearing on a few cooking television programmes (all in Polish). He also runs a YouTube channel devoted to wild foods.

EP19: The future of farming is foraging

Food pioneers Martin Godfrey and Sara Melendro from Hilltown Organics are revolutionising how we farm.

Incorporating wild edible plants into their polyculture farming systems, they grow high-nutrient food plants that are sold at farmer’s markets.

According to soil scientists, their revolutionary farming practices have produced some of the richest soil found anywhere in the UK.

Besides running their own organic market garden, Hilltown Organics; Sara and Martin are also members of Harvest Workers’ Co-op, a not-for-profit social enterprise which works to increase access to ecologically and sustainably produced food, build a fair and resilient food system and raise awareness about all issues related to food and farming through community events and educational activities.

Show Notes

About Sara Melendro and Martin Godfrey

Hilltown Organics, Okehampton, Devon - Eatweeds Podcast

About Martin Godfrey

I’ve always held a lifelong interest and passion in farming, horticulture and wildlife.

I have been lucky to live and work on the land my whole life. I grew up and worked on my parents conventional mixed farm in East Devon and later in a local dairy farm where I worked for 15 years, until I made a life-changing move to take a job growing veg on an amazing organic farm in Exeter where there was visibly so much more wildlife present, far greater numbers of birds, insects, bees and spiders.

This was where my interest in soil health was sparked; it is all about the soil with organic farming, something I was not taught as a younger man at an agricultural college.

No pesticides or artificial fertilisers are used in organic farming so great care is dedicated to feeding the life of the soil building and recycling the nutrients naturally.

Here I grew interested in the edible wild greens that grew all around naturally and would pick a few Dandelion, chickweed, plantain and other seasonal delicious wild edibles adding them sparingly to the farm’s mixed salad bags.

Today, with my lovely partner Sara, we pick and sell wild green packs from our land. Sara and I grow fruit and veg using no-dig, polyculture and agroforestry methods, mimicking nature’s mixed up way of growing.

We produce greater yields of food per area than any monoculture system without any outside inputs with our diverse planting schemes which incorporate weeds into the system.

Modern industrial agriculture is heading for a crisis with ecosystems around the world in collapse and I have great belief regenerative agriculture is the way forward to repairing depleted soil and feeding a greater population of people on this precious planet.

We have been learning about the importance of soil biology and the microbes within it for the health of the soil, the food produced and the whole ecosystem and we are now running soil health, no dig and soil biology workshops on our land and other local events to spread this knowledge.

Regenerative Agriculture repairs the mistakes of the past 60 years of industrial chemical farming, today we have the knowledge and the tools to rapidly repair degraded soils all around the globe and this is what I share and live and work for today. So I still have my hands in the soil 50 years on, but instead of playing in it as a child, I spend every day working in it and learning from it.

About Sara Melendro

My background is very different to Martin’s, having been brought up in a flat in a city on the Spanish coast and having little knowledge and experience of the countryside. I studied Social Sciences and International Development and spent many years working in academic research and the NGO sector.

I had been politically active in various social movements since the late 80s and campaigned against the WTO and IMF policies and for the rights of landless peasants and a fairer global food system; later on also getting involved with the environmental movement in the UK.

However, I had very little first-hand knowledge of farming and no practical knowledge of food production or the countryside until much later when now in the UK I started to feel the need to connect to nature and to learn some practical skills and be more self-reliant.

I slowly started to learn about plants, growing food, wildlife etc. Eventually, I left my full-time job with an international NGO and started volunteering on organic farms and community projects and I carried on learning.

A few years later, Martin and I bought the land at Hilltown Organics and the learning continued. We both developed a keen interest in the wild edibles that grew around us and started to incorporate this into our growing system and into our diet, which links with another great interest of mine, nutrition.

I am an avid reader of research in nutrition, diet and also soil health and it’s the connection between these that I am now immersed in learning more about and using this knowledge to produce nutrient-dense food and sustainable systems.

I am a keen fermenter and love cooking and experimenting with wild and unusual foods and I’m developing a little side business producing wild edible products and running small catering events and pop-up cafes.

EP18: The wild art of fermentation

Fermented foods are a delicious and rich source of nourishment.

The fermentation process can transform the flavour of food from the plain and mundane into delicious flavours enlivened by colonies of beneficial bacteria and enhanced micronutrients.

In this episode I talk with former plant biochemist Viola Sampson turned “fermentation passionista” on the benefits of wild fermented foods.

Show Notes

About Viola Sampson

Viola Sampson Fermentation Workshops

Having previously worked with bacteria in the lab as a research scientist, Viola now collaborates with bacteria in the kitchen to make sauerkrauts and kimchi.

She is passionate about sharing the delights of naturally probiotic foods and enjoys gathering wild ingredients for ferments.

A complementary therapist, Viola teaches natural healthcare practitioners about the fascinating, invisible world of the human microbiome.

She offers wild fermentation workshops for beginners and more experienced fermenters, in London and nearby.

Transcript

Robin Harford: Can you just give a bit of an introduction as to how did you get into wild fermentation? What’s this big kind of obsession that you have?

Viola Sampson: Yeah, it is an obsession or a passion. My background was … well, I wanted to be a genetic engineer, actually. So I went to university-

Robin Harford: Sounds ominous.

Viola Sampson: Yeah, absolutely … to study genetic engineering, which meant that I did basically two years of a kind of medical training, which is how you did it in those days, medical biosciences. But because I was interested in plants, and particularly wanted to go into crops, I also studied plant biochemistry and ecology as well throughout that time. So that ended up with me working with bacteria in laboratory settings. So that’s sort of chapter one. Then there’s a sort of long wiggly journey that includes having gut issues after traveling to Southern Africa, and potentially from before then as well, as we might talk about later. And then I studied complementary therapy, studied craniosacral therapy, and the fermentation sort of landed in my lap, really, in terms of looking into gut health, and the gut microbiome, which are the microbial communities in our gut, and discovering that actually we used to eat a lot of fermented foods, like every culture around the world has fermented foods like sauerkraut or kimchi, or there’s miso, to name just a very few. Yogurt, that’s a really obvious one that most people can think of.

Robin Harford: Sour dough, that kind of thing?

Viola Sampson: Sour dough, although that’s more for taste rather than for the probiotics for the health-promoting bacteria. So yeah. And then I basically … as soon as I got interested in that, I discovered someone called Sandor Katz happened to be visiting London, and there happened to be a space on his workshop. I leapt into it. In fact, a friend gave half of it to me for a birthday present, and it’s just been a gift that’s just kept on giving. So yeah.

Robin Harford: That’s really cool, because Sandor was a good friend of my plant mentor, Frank Kirk. They did a double act in America, before fermentation and wild food kind of took off. Frank would get everyone to go out and gather plants from day one, and then on day two, Sandor would take people through the process of fermenting them.

Viola Sampson: Great. Yeah.

Robin Harford: So yeah.

Viola Sampson: They’re real natural buddies, I think, those two practices.

Robin Harford: Very much.

Viola Sampson: Yeah.

Robin Harford: Yeah. Why not just get canned or vinegared? Why not preserve your plants in vinegar? You mentioned probiotics. Why not just go down to [inaudible 00:03:37] and get Yakult or Yokult or whatever that horrible bloody-

Viola Sampson: Don’t get me started on that.

Robin Harford: … [crosstalk 00:03:44] sugar and … Yeah. Cool.

Viola Sampson: Yeah. This is the way we used to preserve our food, up until very recently, so only a couple of generations ago. It might be that your parents or your grandparents didn’t have a fridge. The fridge was invented not that long ago. What we used to do, would be preserve our vegetables in salt, and the salt creates the environment for something called lactic acid bacteria. So they’re bacteria that produce lactic acid, and that increases the acidity of the ferment. That works very much like vinegar. Vinegar is actually acetic acid. So we’re preserving our food for right through the winter, sometimes for years. For example, I think in Hungary you wouldn’t want to eat a sauerkraut that was less than four years old, perhaps. You know?

Robin Harford: Wow. Okay.

Viola Sampson: That’s probably at the far end. I’m sure there are lots of Hungarians who eat sauerkraut at six weeks old, but who knows? So yeah. And what’s really wonderful, particularly in this part of the world, in the temperate world, we get a glut of vegetables through the summer and into the autumn, and then we can preserve them through the winter using lacto-fermentation.

Viola Sampson: And then tin canning was another way that recently … relatively recently in terms of human history, that preserved food. And then so we’ve got tin canning. We’ve got refrigeration, and also vinegar pickling. Once you could make vinegar commercially, and most vinegar that you can buy at down at Tesco’s or wherever is actually just made in a laboratory now, not the kind of old-fashioned way.

Robin Harford: Wow, without the mother.

Viola Sampson: Yeah.

Robin Harford: Wow. Okay.

Viola Sampson: So it’s just acetic acid. Yuck. Yeah.

Robin Harford: Does that include the white wine vinegars and all that as well?

Viola Sampson: No. No.

Robin Harford: Okay.

Viola Sampson: It’ll be like the pickle and vinegars-

Robin Harford: [crosstalk 00:06:03] vinegar, and yeah.

Viola Sampson: … the white, yeah, yeah. I mean, yeah. I’m saying that without going down to Tesco’s and reading up on exactly where they get their malt vinegar. Yeah. And that was a very quick way. Instead of waiting for the bacteria to do all the work producing the lactic acid, you could just quickly make acetic acid, pour it on the vegetables, and you’ve kind of basically got, in theory, the same thing. Now what we’re seeing, are people coming up with all kinds of health conditions, asthma, obesity, even mental health issues are now being linked to changes in our gut microbiomes, so changes in the ecology of the microbial communities living there. So for me, it’s really common sense that a food that we used to eat a lot of perhaps every day, we don’t eat at all now, and our gut health is really in decline. It’s not the only reason that it is in decline, but for me it makes absolute common sense to reintroduce these back into our diet. People really do report health benefits from it.
Viola Sampson: One example was me. I didn’t have a cold at all last year. It’s very rare for me to go through an entire winter without cold or flu, and eating this, my immune system has just been really boosted.

Robin Harford: So they’re good for your immunity?

Viola Sampson: Absolutely. Yeah. Yeah.

Robin Harford: Wow. Okay. What kind of ferments are there? I mean, sauerkraut is the one that I normally say to people when I’m doing [crosstalk 00:07:42] you can ferment … I don’t go too much into the fermentation side, but when people would kind of look at me quizzically, I say, “Well, you know sauerkraut?” “Oh yeah, I know sauerkraut.” “Right, okay, well that’s a lacto-ferment or a lactic acid ferment.” Well, what other ones? I mean, they’ve got kimchi in Korea and … Any …

Viola Sampson: Show me something I can’t ferment, actually. But that’s me, and a few other fermenting passionistas. So yeah, kimchi. What we think of as kimchi in the West, is napa cabbage, which we call Chinese leaf. Big chili paste. A basic kimchi recipe would be daikon radish. Fish sauce. Pack it all into a jar. Spring onions. Usually something like that as well. In the UK and in the West, that is considered kimchi, but actually there are a gazillion different kimchis. There are as many kimchis as there are Korean people making them. They can, like I say, ferment all the things. You can end up with anything in there.

Robin Harford: Okay, because I always thought kimchi was maybe more root-based, whereas sauerkraut is more leaf-based. Is that … No?

Viola Sampson: Yeah, I don’t know that that’s …

Robin Harford: That’s not true?

Viola Sampson: Well, it’s not something I’ve come across.

Robin Harford: Okay.

Viola Sampson: Yeah.

Robin Harford: Okay.

Viola Sampson: Both sauerkraut and kimchi have the same basic method, which is dry salting, which we can go through here. But in terms of what you put in them, it’s really up to your own … well, your creativity is the only thing that’ll hold you back, really, because you can try different flavors, and they may well turn out in lots of different ways that you couldn’t even imagine. So definitely worth experimenting. In terms of other lacto-ferments, yogurt is a lacto-ferment. So if you look on the side of a yogurt pot, you’ll probably see lactobacillus acidophilus there, lactic acid bacteria. It’s the acid that curdles the milk and thickens the yogurt, and also preserves it.

Robin Harford: Okay. Are there ways to create ferments without salting?

Viola Sampson: You can. You can choose not to use salt. It’s a little bit harder, in that the salt favors the environment that lactic acid bacteria prefer. Fermentation is transformation by bacteria. It’s transformation of a food by bacteria. Rotting is transformation of food by bacteria. Now, what makes the difference between our rotting leftover mashed potato and our sauerkraut, is the fact that it’s lactic acid bacteria doing the transformation. Lactic acid bacteria like salt. Other bacteria don’t like salt. So it is absolutely possible to ferment … make sauerkraut that’s salt-free, it’s just you may have a few that don’t work out quite so well, and you have to tend it a little bit carefully to make sure it doesn’t get mold. But yeah.

Robin Harford: How would you do … Well, are you going to take us through the basic principle of making a sauerkraut?

Viola Sampson: Yeah, which we can do now.

Robin Harford: Yeah, yeah. Sure. Okay.

Viola Sampson: Yeah.

Robin Harford: Let’s find …

Viola Sampson: I thought it’d be really nice for your listeners to have some chopping, because it’s one of my favorite sounds, actually.

Robin Harford: Yeah, sure. We’ll have to see how it works out.

Viola Sampson: So yeah. Yeah, let’s see if the mic picks it up.

Robin Harford: Take one.

Viola Sampson: Okay. First of all, I should say I don’t follow recipes.

Robin Harford: Right. Okay.

Viola Sampson: So I will talk through as clearly as what I can in what I’m going to be doing here right now.

Robin Harford: But I will say, just to interrupt you, that Fiona’s put over a PDF handout, which we can give to people who listen to this podcast episode, under the Resources section on the podcast page, which they’ll find at eatweeds.co.uk. Just click the podcast link, and you’ll get to it.

Viola Sampson: Great. Yeah. So yeah. I mean, I’m a bit of a bucket chemist or a intuitive cook, because when I was a biochemist, I had to pipette things at one microliter, which is 1/5000 of a teaspoonful of liquid.

Robin Harford: Right. Okay. All right. Yeah, we don’t want to scare people. We’re not getting into pipetting.

Viola Sampson: I’m not into any kind of measurements at all, as you discovered. I’ve got here a white cabbage, and I’ve got a red cabbage, because actually I want to make something that’s pink because I like colors.

Robin Harford: So color’s important for you? You don’t just want to have this kind of green, mushy look?

Viola Sampson: Sometimes I go for the green, mushy look. But for this one, I don’t know, I quite like a bit of pink on my plate. And I’ve also got a quince, which is a windfall from this little park at the end of my street. So I don’t know if that’s technically foraging or scrumping or just picking up a quince on my way to work.

Robin Harford: Gathering.

Viola Sampson: Gathering.

Robin Harford: I’m really trying to get away from thing, “Oh, I’m a forager.” I’m actually a gatherer, because you have hunter-gatherers, you know?

Viola Sampson: Well, I certainly gathered this.

Robin Harford: It’s like, we don’t have hunter-foragers, do we?

Viola Sampson: I was well chuffed. Yeah. So yeah, I’m going to chop of the bruised bits of the quince.

Robin Harford: Have you done quince before?

Viola Sampson: I have. Yeah. I’ve got the end of a quince sauerkraut at home, which is now … it’s almost a year old.

Robin Harford: Okay.

Viola Sampson: I’ve been eking it out because it’s really, really delicious.

Robin Harford: So basically, anyone who’s got gluts of fruit or vegetables and you don’t want to compost it and you recognize there’s still food there, this is a perfect way to preserve it?

Viola Sampson: It’s a great way to-

Robin Harford: Without poisoning yourself potentially with botulism, which is what canning can do.

Viola Sampson: Yep.

Robin Harford: I remember Sandor was saying that he doesn’t know anyone in any culture that’s ever been poisoned by a lactic acid ferment or wild ferment.

Viola Sampson: It’s true, actually, that there’s more food poisoning incidents from raw vegetables, salads. So actually, you could say it’s actually safer to eat a lacto-fermented vegetable.

Robin Harford: Wow, okay. Would you sit down and have a whole meal of wild ferments? Are they relishes? They’re more relishes, rather than …

Viola Sampson: Yeah. I eat a lot. I would say to anyone, you should start off small, especially if you are someone who has gut issues, because it’s an ecology you’re talking about. You wouldn’t sort of … well, you might completely rip up your garden and plant a whole load of different things in there, but if you’re really working with your garden, you introduce things slowly and see where their favorite habitat is. So it’s very much the same, I’d say, gardening and microbiome.

Viola Sampson: I’m chopping up the cabbage. I’m chopping it small so there’s a lot of surface area for the bacteria to feast, which is basically what they’re doing. They eat the sugars and the other goodness in the vegetables, and they produce lactic acid as their waste product, actually. And then as they produce the lactic acid, the …

Robin Harford: That’s going into a bowl now.

Viola Sampson: That’s going into a bowl. That’s what that sound was. As they produce the lactic acid, the acidity of the ferment increases, and the bacteria that like less acidic environments start to die off, and a new set of bacteria grow in. So there’s different phases, according to the acidity of the ferment.

Robin Harford: Because I experimented with ferments using whey instead of just salt, which actually was really, really interesting in the sense that in order to get the whey, you kind of just go out and buy it. I had to make this kind of ricotta cheese, so this cream cheese, and the byproduct of that is whey. And it was like, “Oh, right. Okay.” I realized that I’ve been going down to shops buying cheese, and I’ve totally missed out this whole blooming cycle that cheesemaking goes through. So whereas the whey normally is given to pigs or whatever, I mean, we can actually use it to preserve our foods as well.

Viola Sampson: Yeah. Well, I’m not a massive fan of using whey in ferments.

Robin Harford: Okay.

Viola Sampson: I mean, it’s a great way to use up what’s actually kind of a waste product, actually, of cheesemaking. But what you do, is you skip the stages of fermentation, so you’re going right in. You’re not going getting that natural succession of species.

Robin Harford: Oh, really? Oh, okay.

Viola Sampson: What we’re doing here, is something called wild fermentation. Whey is a starter. You’re putting bacterial species in there. The bacteria we’re using here are soil bacteria, that are found in the cabbage. And yeah, so then there’s this, like I said, a kind of natural succession. What I encourage people to do is actually when they make it, is taste, not only to get to know your ferment really well, but keep tasting at different stages, because there’s different bacteria at each stage.

Robin Harford: How long would you normally leave a ferment before it’s kind of really mature? I mean, would you start eating it 24 hours later? Because it’s still quite salty, isn’t it?

Viola Sampson: You can do. Kimchi is traditionally eaten within the first 10 days.

Robin Harford: Really?

Viola Sampson: Yeah.

Robin Harford: Oh, wow. Okay.

Viola Sampson: First couple of weeks.

Robin Harford: Okay.

Viola Sampson: And like I said, sauerkraut four years. I always say, “Eat it when you want it and when you like the taste.” It gets softer the longer you leave it, and it gets more acidic, so you get a real … People prefer their sauerkrauts or their kimchis at a different age. I like to think that you go for the one that you need the most.

Robin Harford: Yeah. I think that I like the [inaudible 00:19:05] side of it. It’s like, forget the calendar and the diary. Eat it when it’s appealing.

Viola Sampson: Yeah. I would say also, I mean, there are loads of different really great things like pickle pipes and the all kind of pickling paraphernalia that you can put on the top of your jar, that lets the gasses out, but doesn’t let the air get into your ferment. That prevents mold growth. But I think just doing it really simply with a normal jar is … you know, because you keep opening, you keep tasting it. That’s my favorite way of doing it.

Robin Harford: What kind of temperatures are you keeping it in? Are you keeping it in the fridge? Are you keeping it just on your kitchen top?

Viola Sampson: Just on my kitchen side. Somewhere not too warm, not too cold. I mean, I don’t have a thermometer or anything. I tend to just keep it away from direct sunlight. But I’m not particularly precious about it. I literally just stick it anywhere I’ve got space, because they do take up a lot of space. In terms of the fridge, well fridge is a fermentation slowing device, right? You put your ferment in the fridge when it’s as crunchy or as soft and it’s the taste that you like it, so that might be any time between a few weeks to a few months. And then what it does, is it slows down the fermentation. It doesn’t stop it altogether, so it will carry on fermenting slowly. So yeah. So there are times that you might want to put it in the fridge.

Viola Sampson: So I have a bowlful of a very pretty mix of red and white cabbage shredded. I’m going to grate a bit of this lovely quince as well. The last time I did this, I chopped the quince up into little bits, but actually it stayed really sort of chewy for a long time, and the cabbage got nice and soft. So this time, I’m grating it. So it’s a constant learning process.

Robin Harford: Okay. So we’ve got grated quince.

Viola Sampson: Mm-hmm (affirmative).

Robin Harford: Red cabbage, white cabbage, just sliced up.

Viola Sampson: Yeah.

Robin Harford: Nothing too fine, not big chunks. Like you said, you want the surface area. What are we doing now? We’ve got salt.

Viola Sampson: We’ve got salt. This is the …

Robin Harford: So not just any old salt? You can’t just use [Saxa 00:21:57] salt?

Viola Sampson: You can actually use any old salt.

Robin Harford: Or iodized salt?

Viola Sampson: It will work.

Robin Harford: Really? Oh, okay.

Viola Sampson: Yeah, it will work. The iodized salt tends to discolor the vegetables. It may reduce some of the bacteria as well. Normally use iodine to sterilize things. But it does work, so it doesn’t kill them off altogether. But I go for sea salt. Usually I go for a nice gray sea salt, because the gray indicates that it’s full of minerals. Another really great thing about lacto-ferments, is that they are … the digestion of the bacteria make the minerals and nutrients more bioavailable to us, so we can absorb them more easily. So you get some added nutrition, depending on the color of the salt that you use. A lot of people like to use pink salt, rock salt-

Robin Harford: Yeah, people say there’s this pink salt stuff [crosstalk 00:22:55]-

Viola Sampson: Himalayan salt.
Robin Harford: Himalayan. If you’re in India, sorry, I’ve just come back. People go, “Himalayas,” [inaudible 00:23:05] “No, it’s Himalaya, actually.”

Viola Sampson: Is it really?

Robin Harford: Yeah, it’s what the Indians, it’s how they pronounce it.

Viola Sampson: Oh, is that right?

Robin Harford: Yeah, yeah.

Viola Sampson: Okay, well Himalayan salt. I don’t like using that because it’s mined.

Robin Harford: Really?

Viola Sampson: Yeah, well it’s rock salt, isn’t it? It comes out of Himalayas.

Robin Harford: Oh, god. Yeah, of course.

Viola Sampson: Big holes in the Earth. Big holes in the Himalayas.

Robin Harford: Wow. Okay. That’s a good point.

Viola Sampson: So yeah. Sea salt is … well, it’s essentially renewable, isn’t it? So I always go for the gray sea salts, or slightly whiter ones. So yeah. This is my bag of sea salt. Again, sorry folks, we’ve not got measurements here. I’m going to do it by taste. What I’m going to do is sprinkle on a pinch, a healthy pinch. We’re going to be massaging it into the cabbage.

Robin Harford: That’s a real squeezing between your hands and fingers.

Viola Sampson: Yeah.

Robin Harford: As though you were wringing out a cloth, almost.

Viola Sampson: Yeah. You can see already, you can see that’s getting really juicy [inaudible 00:24:15].

Robin Harford: For people who are listening, I mean, the amount of salt is really … just start with a little bit. A little bit obviously is not really quantifiable, but use your brains, yeah. It’s kind of common sense stuff. Just quarter of a teaspoon [inaudible 00:24:33] in a bowl that’s got about 500 grams, 700 grams of cabbage, and just keep working it. You know you’ve got the right amount of salt when …

Viola Sampson: Well, I aim for … It’s really personal taste.

Robin Harford: When liquid starts coming out.

Viola Sampson: Well, it’s done to taste, actually.

Robin Harford: Oh, right. Okay.

Viola Sampson: Like I say, some people prefer not to have salt at all, and that might be because they’ve got a medical condition, or they just don’t like the taste of salt. After I’ve done a bit of massaging … Yeah, the salt does pull out the juices, so it does make this bit a lot easier. In fact, you could just salt it and leave it for a few hours, and you don’t have to do quite so much massaging. So I’m going to taste … Apologies to anyone who’s got that thing where they can’t bear to hear people crunching. I’m going to go for a bit more salt. I like to aim for the saltiness of olives. So it’s sort of yummy salty.

Robin Harford: Right.

Viola Sampson: So I’m going to go for another good pinch.

Robin Harford: Saltiness of olives. That’s a good way of explaining it. I like using as little salt myself. I mean, some people used to kind of quiz me in a kind of confrontational way about, “Yes, but it’s salt, and salt’s really bad for us.” And then someone who was a fermenter said, “Well actually, the salt is for the ferment. It’s not for the human.” Which I don’t know whether that’s true. It [inaudible 00:26:19]. So you’re just really mashing it.
Viola Sampson: So you can start seeing now, I’m picking up and squeezing it.

Robin Harford: Oh, yeah. Right. Yeah, yeah, yeah.

Viola Sampson: And you can see … like you said earlier, like wringing out a cloth, you can start seeing the juices coming out as I squeeze into the bowl. Let’s just have another taste of that. I reckon that-

Robin Harford: Don’t offer me any. [crosstalk 00:26:53]-

Viola Sampson: … fits. Would you like to-

Robin Harford: … without permission.

Viola Sampson: What do you reckon?

Robin Harford: Mmm.

Viola Sampson: You can taste the quince as well, right? It’s really nice, isn’t it?

Robin Harford: Nice.

Viola Sampson: Now we get our jar, and I think clip top jars are the best, but you can use any jar. This is about 500 mls. I tend to use, if we were going for measurements, I think 750 or a liter jar is a good one to start with. I’m going to start packing it in here, and starting off with a little bit, and squeezing it down into the bottom of the jar. What you’ll see, is the juices starting to rise up. What you’re aiming for, is a jar where the veggie is really pushed and packed down in, and a little layer of juices over the top. If you haven’t quite managed to make enough juice, you can add a little filtered or bottled water. Don’t use chlorinated water because chlorine is there to kill the bacteria.

Robin Harford: You know, I just use my tap water.

Viola Sampson: Do you, and it works fine?

Robin Harford: It works absolutely fine. Now, I am in Devon, so we have hard water run soft, so that may make a difference. But yeah, I don’t normally bother.

Viola Sampson: Right.

Robin Harford: Which I know is heresy-

Viola Sampson: Yeah, it’s probably just me being a bit precious.

Robin Harford: … to the healthies out there.

Viola Sampson: I’m just pouring in the last of that juice.

Robin Harford: And you can pound down … I mean, I occasionally use a rolling pin, wood rolling pin, just to kind of [crosstalk 00:28:40]-

Viola Sampson: Squish it down further.

Robin Harford: … and just squish it down a little bit further.

Viola Sampson: Yeah. The reason you’re wanting a layer of liquid, and you want your layer of liquid to be there really throughout the time that you’ve got your ferment bubbling away on the side, is because the lactic acid production is what’s called an anaerobic process. It happens in the absence of oxygen. So you need to make sure that your vegetables are covered with the liquid.

Robin Harford: You know, I’ve just drunk a glass of this London water. I wouldn’t make my ferment with London water. That is disgusting tasting water. What is it, 18 … it’s like urine processed 18 times.

Viola Sampson: Yeah. Homeopathic sewage. Yeah.

Robin Harford: Oh my god. He says, pouring himself another glass, just because I’m really thirsty.

Viola Sampson: It was all that salt you just ate on the chopped-up vegetables. So yeah. Now, it’s just about you put a lid on it. The reason I say clip top jars, is because they’ve got this rubber seal around. In the early stages of fermentation, say the first sort of 10 days, depending on whether it’s a hot environment or a cold environment, about the first 10 days, you get a bacteria … it’s a bacteria called leuconostoc mesenteroides. The name is perhaps irrelevant, apart from the fact I really like it. They produce carbon dioxide, as well as the acid. The carbon dioxide starts bubbling up through the vegetables. If you have a lid that’s on here that’s screwed on tightly, you have a glass bomb basically, and many a bottle in a jar has exploded in a fermenter’s household.

Viola Sampson: So I like to use the clip top jars because they got this little rubber seal, and you can just … the rubber seal will blow if it gets highly pressurized, but you can also just let the pressure out. You know, they’ve got that little tag on the side, [crosstalk 00:30:52] knew what they were for, you just pull that, and it just goes …

Robin Harford: They call it burping, don’t they?

Viola Sampson: Yeah.

Robin Harford: Burping your ferments.

Viola Sampson: Yep.

Robin Harford: Yeah.

Viola Sampson: Yeah.

Robin Harford: It’s quite a cute phrase, I think.

Viola Sampson: It is. Yeah.

Robin Harford: Slightly rude.

Viola Sampson: Yeah.

Robin Harford: If you’re British.

Viola Sampson: So burp your ferment daily, is my recommendation, certainly if you’re not using a jar with a rubber seal. And then you just taste and watch and enjoy.

Robin Harford: Okay, so you do actually … you do clip it [crosstalk 00:31:24]? Okay.

Viola Sampson: I clip it. Yeah. I’ve tested it now by mistake, and the rubber seal does blow if you forget to burp.

Robin Harford: Great. Okay. Because I was under this impression that … because the way I’ve done it, is I would get to this stage of having my salted vegetables in the Kilner jar. I would leave the top off, and all I would do is just put a Ziploc bag with water, and just keep it in the top. I’d keep it like that for a week for the ferment to get going, and then I would clip it shut.

Viola Sampson: Okay, great. That is one way of doing it. I don’t like plastics anywhere near my ferment, so I don’t use them.

Robin Harford: Or boiled stone or something like that could be used.

Viola Sampson: A boiled stone is great. I actually use really heavy glass nightlight holders. So as long as you don’t have coloured glass, because you don’t know what the toxins are in the colour, and you don’t have antique glass that could have lead in it-

Robin Harford: Lead in it, yeah.

Viola Sampson: … then you’re safe with pretty much any glass.

Robin Harford: Okay.

Viola Sampson: But yeah, boiled pebbles is another one. The reason you have that is that weighs the vegetables down so they stay underneath the liquid. Another thing you can do is literally just get a spoon every day, and just press the vegetables down. Because what you don’t want, is the vegetables floating on the surface and getting mould growing on them because they can become a little island that mould can grow on. So that’s the reason why you need to keep it submerged.

Robin Harford: And if you do get mould? Do you have to throw it all out?

Viola Sampson: That is really a personal decision. I’m someone who will scoop stuff off. Sandor Katz is someone who scoops stuff off. Other people wouldn’t do that. They prefer to throw it away.

Robin Harford: Yeah, I would encourage people just to scoop.

Viola Sampson: Yeah.

Robin Harford: I mean, I made some brined red peppers the other day with my four-year-old granddaughter. She did all the work. And then I stuck them on the shelf in our bathroom, and I went away, and I’d forgotten. I came back, and there was this hair monster coming out of the jar. I just literally took like a little cap-

Viola Sampson: And it just came away?

Robin Harford: … and just pulled it out, and it just came off when I took out the one bit of pepper that had gone all funky, and they’re fine. They’re absolutely fine. I mean, why throw that away? You know.

Viola Sampson: Well, there are people who would argue that the mould, its little roots, the [mycorrhizae 00:33:55] are so small that you can’t see them, and they can go right through the ferment, all the spores can.

Robin Harford: Okay. [crosstalk 00:34:02].

Viola Sampson: So I think it is a personal decision. But if you’re quite happy scooping a bit of mould off the top of a jam, then you’re going to be someone who’s quite happy scooping a bit of mould off the top of a ferment. To be honest, if you’d been waiting for a ferment for several weeks or months, the last thing you want to do is throw it all away. But you know-

Robin Harford: And the smell as well, isn’t it?

Viola Sampson: Yeah, smell.

Robin Harford: I think if it smells and it’s appealing, keep it. If you’re suddenly wanting to retch, then, you know.

Viola Sampson: It depends how far it’s gone down. I would always scoop off a good layer as well, so yeah. So that’s a very quick tutorial, isn’t it?

Robin Harford: So that’s then just left for as long as you want, really?

Viola Sampson: Yeah. [crosstalk 00:34:45] Keep tasting, and enjoy when you’ve got it. Ferments don’t last that long in my house, because they’re too yummy.

Robin Harford: Yeah. Just to recap, you chopped up some cabbage, not too really, really fine, but not big chunks either, just as you would normally chop a cabbage for a salad. You added salt to taste, not salt by quantity, but salt to taste. You crushed it between your hands and fingers, like wringing out a cloth, until the juice started coming out of the vegetables. Then you packed it into a Kilner jar. You pressed it down. You got a layer of liquid just above the vegetables. And that’s it.

Viola Sampson: Yeah, and you just make sure you keep checking, keep checking nothing’s floating.

Robin Harford: Yeah, and just keep it submerged under that liquid because that’s … well, if it’s under liquid, it’s not going to rot, and not going to grow hairies.

Viola Sampson: All the mould spores and the yeast spores are going to be coming from the air, so the less contact there is with the air, the better. So yeah, keep your lid on it, and keep burping it for at least the first couple of weeks I would, I think. And then the carbon dioxide slows down. The carbon dioxide production slows down, and you’ll see the bubbling sort of gradually stops.

Robin Harford: Yeah. Thanks for doing that. It’s been really good. It’d be great to see how these sound effects come out [crosstalk 00:36:15] chopping the cabbage and [inaudible 00:36:17] quince, and mashing vegetables [crosstalk 00:36:20] your hands.

Viola Sampson: What I’m really passionate about in this stuff, is that we’re working with soil bacteria here. This is just one further example of how our health, our human health, is intimately linked to the health of the soil, the health of our environment, and the land that our vegetables come from. I always use organic vegetables for that reason, because organic farming tends to take care of the soil in the way that industrial farming doesn’t. I think another reason that we’re getting so many health problems that are now being linked to the health of our microbiome, is because of things like industrial farming damaging the soil. It’s because there’s such a great distance from farm to plate. People aren’t living on the land anymore. People aren’t getting soil under their fingernails and in their mouths. So yeah, so introducing these foods is one way to support our health, but then so is taking care of the land. Yeah.

Robin Harford: You were talking about the cesarean birthing and how the developing fetus needs actually to have certain types of bacteria, but in our modern way of living, those often are not part of the developmental process of the wee diddy human when it’s forming.

Viola Sampson: Yeah. That’s another way it really kind of links into our obsession with sterilization. Thanks to wonderful developments in surgery, basically there’s this misconception that healthy bodies and healthy environments are bacteria-free. We now know that’s really not the case. Birth is a really good example of this, and other sorts of standard medical practices where you’re quick to use antibiotics and get rid of the good bacteria. We’re now seeing how important those bacteria are. The womb until very very recently was thought to be a sterile place. We now know that the placenta has a unique ecosystem, the unique microbial community there that they think actually starts in the mother’s mouth.

Robin Harford: Wow.

Viola Sampson: Amazingly, the bacteria travel through the mother’s body and set up home in the placenta. Incredible, mind-blowing stuff. And also the umbilical cord. Researchers have been analyzing umbilical cord and the developing baby’s gut, and the baby is born with bacteria already inside. What also happens in a natural birth, the baby comes out through the birth canal, and it is great. We’re born head-first and facing our mother’s anus. We get a gobful of bacteria on the way out. That bacteria, they’re lactic acid bacteria. Again, lactic acid bacteria live in the vagina. They keep the environment acidic there, which prevents other infection. Just like it prevents mould growth on our ferments, it helps keep our bodies healthy. And those lactic acid bacteria in the baby’s gut ready to digest the first milk, first breast milk ideally. Again, the bacteria in breast tissue that then populate the baby’s gut as well.

Robin Harford: Which boosts the immunity.

Viola Sampson: Which boosts the immunity again. So yeah. It’s called seeding the microbiome, which is a lovely phrase. A cesarean baby doesn’t come out through the birth canal, obviously. Their guts are populated actually by the bacteria in the environment of the hospital … Now, we know what the bacteria in the hospital are … and then hopefully the parents’ skin, the bedding of the hospital. There are a lot of autoimmune issues, things like asthma, that are much, much more prevalent for cesarean babies, and ongoing gut issues. I attribute a lot of my gut issues that brought me into lacto-fermentation to being a cesarean baby. So you that bit sort of a tougher start in life. And then, of course, I was a very outdoorsy kid. [inaudible 00:41:06] handfuls of soil in my mouth, and stuff like that. So that really helped over the time, but definitely getting that first mouthful. And there are medical trials now of taking a swab of the mother’s birth canal, mother’s vagina, and putting that in the mouth of the cesarean baby. It really does rectify the gut … Yeah.

Robin Harford: Wow. It’s funny because I came back from India a month ago. I had a big discussion with the Ayurvedic doctors and the Tibetan doctors there. They were saying the importance of eating with your hands, because over here in the West we have knives and forks and it’s considered a little bit weird if you start at a dinner party tucking in with your hands, and actually really the importance of the bacteria on your hands to keep you healthy, which is why in India they eat with their hands. So it’s anywhere where we can introduce bacteria, pick that potato off the table with your hands, and pop it in irrespective of the disapproving looks from whoever, parents often, do it, because any way that we can introduce healthy bacteria … like you say, seeding the biome-

Viola Sampson: Seeding the microbiome. Yeah.

Robin Harford: … seeding the microbiome is good, and can only …

Viola Sampson: I mean, yeah. There are sensible precautions to take around … but, yeah, it’s that sterility.

Robin Harford: Yeah, the toilet bowl, basically.

Viola Sampson: Yeah, although there are more bacteria on a mobile phone than there is on a toilet seat.

Robin Harford: Really?

Viola Sampson: Yep.

Robin Harford: Wow.

Viola Sampson: That makes you think, doesn’t it-

Robin Harford: Yeah, it does.

Viola Sampson: … in terms of what’s healthy, what’s unhealthy, and a healthy environment isn’t necessarily bacteria-free. And then of course, actually I think more important than anything, is getting out of your home. The things like antibacterial handwashes and all the other horrendous chemicals that I know you don’t have in your home, because yeah, it’s destroying our health in lots of different ways.

Robin Harford: Great. If people want to get in touch with you because you do run wild fermentation workshops-

Viola Sampson: I do.

Robin Harford: … up here in London, don’t you?

Viola Sampson: Yeah, London and nearby. Yeah.

Robin Harford: Okay. So the South East, basically.

Viola Sampson: Yeah.

Robin Harford: Where do they get hold of you?

Viola Sampson: They can go to my website, which is violasampson.com.

Robin Harford: Okay.

Viola Sampson: There will be a link there that will take you through to the wild fermentation workshops. I also teach complementary therapists about the microbiome, so the bacteria that are essential to health, bacteria and viruses and yeasts and other fungi. So yeah, the link is off that page.

Robin Harford: Okay, great. And like I said earlier, where this podcast episode is on my website, there is links to Viola’s website, and also to the PDF handout that will basically talk you through more of different funky ways of playing with funky ferments. Thanks a lot, Viola.

Viola Sampson: Great. Thanks very much.

EP17: Busted by the cops for picking a dandelion

Notorious New York vegan forager Steve Brill was busted by the cops for picking a dandelion.

In this interview along with his 12 year old daughter, the father and daughter double-act discuss their foraging antics around New York.

While revealing how to craft delicious vegan cuisine from their foraged finds. Including some highly creative ways to use wild edible plants.

Show Notes

About Steve Brill

Naturalist-Author “Wildman” Steve Brill has been leading foraging tours in parks throughout the Greater NY area since 1982, for the public, for schools, libraries, parks departments, day camps, scouting groups, teaching farms, museums, environmental organizations, and more. 13-year-old Violet Brill has been co-leading many of the tours since she was 9.

“Wildman’s” Identifying and Harvesting Edible and Medicinal Plants in Wild (and Not-So-Wild) Places (William Morrow Publishers, 1994) is considered a classic on the subject.

His innovative Wild Vegan Cookbook (Harvard Common Press, April, 2002) is changing the way people think of preparing gourmet food. His Shoots and Greens of Early Spring in Northeastern North America (self-published 1986, revised 2008) teaches people how the foraging season begins. His Foraging With the “Wildman” DVD shows people how it’s all done, and his Wild Edibles Forage app includes everything he knows about edible wild plants.

But he’s still best known for having been handcuffed and arrested by undercover park rangers for eating a dandelion in Central Park!

Transcript

Robin Harford:
This is Robin Harford from eatweeds.co.uk. Welcome to another edition of the Plants & People Podcast. In this episode, I interview Steve Brill, the American forager who got arrested for, basically, picking a dandelion, which is pretty bonkers. And his very, very knowledgeable 12-year-old daughter, called Violet, and their parrot, Wisteria. So, without much ado, let’s get going.

Steve Brill:
I got arrested for eating a dandelion in Central Park in 1986. The then parks commissioner, Henry Stern, did not like that I was eating up all of his dandelions. So, he put undercover agents on my tour. There was a man and a women. They said they were married. They never held hands or kissed, so, I figured they’d been married for a long time. The man had a hidden camera and he took pictures. I’d hold up the specimens, only I was the specimen. At the end of the tour, I had just eaten a dandelion. They had hidden walkie-talkies, “Alright, there he is on 81st Street. Go get him.” Every park ranger in New York City popped out from behind the bushes. They surrounded me in case I was going to climb up a tree, put me in handcuffs, lest I bop them on the head with a dandelion. They searched me. I don’t know if they were looking for weeds or weed, but they hauled me off to the police station in handcuffs where they took fingerprints and mugshots.

I was charged with criminal mischief for removing vegetation from the park. Could’ve faced up to a year in jail. Then, they made a very bad mistake. They turned me lose. I went home and called every TV station, radio station, and newspaper. This was before the internet. Next morning, on the way to the newsstand, five cops came after me. “What do you want?” I said, “I haven’t eaten a single dandelion.” One of the cops says, “We don’t care, we want your autograph.” This was on front pages of newspapers around the country. I got on top TV shows, everything from CBS Evening News to Letterman. The BBC interviewed me, so I even made it on your side of the pond. Eventually, they took me to court. I served Wild Man’s Five-Borough Salad, on the best plants of the five boroughs of New York City on the steps of the Manhattan Criminal Courthouse to reporters and passersby. The press ate it up.

I got on all the TV stations, newspapers, a second time. The mayor yelled at the parks commissioner who, then, had to turnover a new leaf. He dropped the charges and hired me to lead the same tours I was leading when I was arrested and I worked for them for the next four years. Years after that, I discovered the real reason why I was arrested.

Former Parks Commissioner, Adrian Benepe, invited me into his office and told me that the Parks Management were all terrified that if they tolerated me foraging in the parks, someone would pretend to have them poisoned, contrive a lawsuit against the city, and say, “Look, you allow foraging.” So, that was why, the real reason why I was arrested. Now, when you’re arrested for one reason and they state a different reason, that’s a case of official wrongdoing. It’s called false arrest and I wish they’d do it again.

Robin Harford:
Yeah, that’s a great story and crazy story with the regulations and people in power who goes slightly off on one, as we say over here.

So, Violet, how long have you been … do you wanna introduce yourself, Violet, just tell everybody who you are? Well, it’s pretty obvious who you are.

Violet Brill:
Okay, so I’m Violet Brill and I also help to teach people foraging about edible and wild plants and how to use them in cooking, or for medicine, for medicinal purposes. And I help people find the plants, and when we go on our tours, I help them do … I do half the plants, we each do half of them. And it’s very fun.

Steve Brill:
It’s fun for her but not for me. She finds all the plants faster than I do and she steals all my jokes.

Robin Harford:
So are you a good cook, Violet?

Violet Brill:
Yeah I help him a lot with recipes that we make. We make like, there’s this plant called Black Birch, and it tastes like … and when you chew on the twig it tastes like wintergreen. And we use that to make this tapioca pudding, which is really good.

Steve Brill:
Yeah we call it stick pudding.

Robin Harford:
Right.

Steve Brill:
Right. I don’t know if you have any birches with a strong wintergreen flavour where you are, but the black birch, which is native to the northeast, it contains methyl salicylate.

Violet Brill:
And so it’s a low dose aspirin, and you can make tea with it. And Indians actually used it also, as medicine.

Steve Brill:
Yeah so I gave Violet the twigs to chew on when she was teething and it always worked. Methyl salicylate also is a low dose aspirin, so it reduces the risk of heart disease. And the latest research I’ve seen with natural salicylate is, at least in lab dishes, they stopped the growth of prostate cancer cells and of breast cancer cells.

Robin Harford:
Really? Okay.

Steve Brill:
So when people have this tea regularly, it could reduce the risk of prostate cancer or breast cancer.

Robin Harford:
What’s in New York at the moment? What are you both gathering? Are you eating every day wild food, or … ?

Steve Brill:
Oh yeah, the snow just melted.

Violet Brill:
Yeah.

Steve Brill:
We have a really good chickweed dip that Violet came up with. Let me see if I can pull up the recipe here.

Violet Brill:
And we’re also cold. There’s a lot of shoots and greens that are just coming up, like field garlic and garlic mustard and we’re actually getting, what are they called?

Steve Brill:
Yeah cat tails. You pull them.

Robin Harford:
Pre-natal bulrush.

Steve Brill:
Bulrush! Yeah you pull them bulrush.

Violet Brill:
Yeah we just got the first shoots that were coming up, and they’re really good.

Steve Brill:
Yeah. I saw your video on that. The one thing that I would add to it, because the green immature flower head is a little bit gritty, I find it as incredibly delicious cooked with a sauce.

Robin Harford:
I find that actually I like to skim it. I mean the video you’re referring to is Marcus Harrison’s Wild Food Man

Steve Brill:
Right.

Robin Harford:
And I really like just steaming them, and nibbling on them as though they’re like a corn.

Steve Brill:
Yeah, that’s what I do, but I’ll put on a vegan Hollandaise sauce on top of them. Then the moistness contrasts the dryness, and they’re even better. So here’s the chickweed dip that Violet made. I presume you have plenty of chickweed where you are.

Robin Harford:
Oh yeah. [crosstalk 00:08:00]

Steve Brill:
So she just chopped up garlic and a little bit of a red onion in a food processor. The onion had been soaked in water for a while to make it milder, and then was dried. Eight cloves of garlic, a quarter cup of the red onion. I can send you this recipe to put on your website, if you want.

Robin Harford:
That’d be great.

Steve Brill:
Four cups of chickweed, four cups of yellow corn chips. The whole corn ones you buy in the store. Quarter cup of white miso for some saltiness and creaminess. Two tablespoons of vegan butter substitute or olive oil, two teaspoons of coarse Celtic salt, that gives it a crunchiness that the fine salt doesn’t. A teaspoon of dried carrot seeds. I presume you have Queen Anne’s Lace where you are.

Robin Harford:
Yeah.

Steve Brill:
It would have been named after Queen Anne. A teaspoon of paprika and a half teaspoon of nutmeg. And you just grind that in a food processor and it makes an incredible dip and spread.

Robin Harford:
Wonderful. Well done, Violet. Sounds cool.

Violet Brill:
Yeah.

Robin Harford:
So Violet have you created any of the recipes that are in your dad’s, the big, thick vegetarian cookbook? Is that still available, Steve?

Steve Brill:
Oh, yeah.

Violet Brill:
Yeah, it’s still available. People are buying it, but I didn’t create any of those recipes because it came out in like 2001 and I wasn’t born yet, then.

Robin Harford:
Okay.

Violet Brill:
I’ve made a lot of them. I made most of them that are in there and yeah.

Steve Brill:
Also, we are working on another cookbook and videos that have her-

Violet Brill:
Oh yeah we’re making videos. Like a video cookbook where we’re videotaping the recipes and then we’re going to bake them so I can eat something.

Steve Brill:
And we also have an app with tonnes of recipes and plants, and if you ever have the opportunity and want to contribute plants from the British Isles to the app, then it’ll start to go international.

Robin Harford:
Sure. Well that’s something we can discuss at a later time.

Steve Brill:
Yes. Yes.

Robin Harford:
So where do you see foraging going at the moment? I mean, how is it in America? Is it just beginning to really take off with all the kind of high-end chefs? Has it gone mainstream or is it still quite on the fringes?

Steve Brill:
It’s not completely on the fringes. I mean, they did have a foraging writer in the New York Times for a few years. And she started with me as a schoolkid coming on a class trip. And there are chefs that will use some wild foods. Basically ramps, which is a really delicious native member of the allium, the onion and garlic family. Morels and ostrich fern fiddleheads. I worked with chefs maybe once or twice a year, so some of them are getting into wild foods. The fact that these things are vegan is a turnoff for some of the chefs. They just love the animal products, white flour and sugar, which is not the kind of cuisine that I do. So it’s definitely growing. We had one tour with 100 people.

Violet Brill:
Yeah, I think that it is definitely growing, because we started off with one person on our first tour-

Steve Brill:
It wasn’t my … no, my first tour I had 14 people, but that year, I did have one person on one of my tours.

Violet Brill:
And now we would cancel the tour if only one person signed up, and we normally have from like 15, to once we had 100 people, which was the most we ever had. So I think it’s definitely growing a lot more, and that people are finding out about us, I mean you found out about us, right.

Steve Brill:
Yeah.

Robin Harford:
Well, you wouldn’t know, your dad’s name. I’ve known about your dad … I think we communicated off and on, over ten years, actually, Steve.

Steve Brill:
Yeah, yeah, I think you’re [crosstalk 00:12:27]

Robin Harford:
Because I bought your thick vegan cookbook, and that was, that … because you signed it, I got it from you. That’s got to be nearly ten years ago. Would you say ten years ago?

Steve Brill:
Yeah, yeah. I’m glad you like it. I have four other books and a fifth one coming out on April Fool’s Day. I don’t know why my publisher decided to do that, but that’s what-

Violet Brill:
But it’s definitely coming out on April Fool’s Day. Not kidding.

Robin Harford:
Okay.

Steve Brill:
That tour with 100 people was quite an event. It was at a seashore park called Sunken Meadow Park on Long Island, New York. And it was the only time I ever turned people away. And the tour met near the park administration office, so I told every single person who signed up, please don’t go into the park administration office and announce that we’re doing the foraging tour, because the officials, of course, do have these job boards that will sometimes harass me. So sure enough, someone goes into the administration office and announces, “I’m going on a foraging tour. It’s happening in five minutes right outside.” So, I have 100 people in front of me, I open my mouth and before a word comes out, this big, burly park ranger comes stalking out, plants himself right in front of my face and announces, “I want to buy one of your books.” So I had a book sale, but it took ten years off my life.

Robin Harford:
Excellent. So Violet, what do your friends think? Do they go out foraging with you? Have you managed to encourage them to do that?

Violet Brill:
Well, yeah a lot of my friends do foraging with me. Especially because I’m in seventh grade now, but when I was in elementary school, we did tours for my class every year and everyone loved it and now a lot of my friends also like doing the foraging. We go on tours, especially, with my friend Kaitlin, we go on tours and it’s fun.

Robin Harford:
Excellent. So you’re kind of like a youth ambassador for young foragers.

Violet Brill:
Yep.

Steve Brill:
Yeah, a lot of young people are into the environment.

Robin Harford:
Yeah, so Steve, what’s this book that you’re telling us is going to be coming out, apparently on April Fool’s day.

Steve Brill:
Yeah, that’s called “Foraging in New York,” it’s in the Falcon Guy series of Low Key Quad press, and it’s basically very concise, as the other books in their series. Very precise guide to common, local foods.

Robin Harford:
So what would be, you say, the top ten foods that someone visiting New York is likely to find?

Steve Brill:
There’s probably more than a top ten. The chickweed, the cattail, the fat hen, or lamb’s quarters, field garlic, allium vineale. It’s not a native plant, so it may be in your area, otherwise we certainly have other alliums.

Robin Harford:
Yeah.

Steve Brill:
And burdock, which is from your part of the world. The latest thing I did with burdock was turn it into vegan beef jerky. I steam it for about 20 minutes to soften it a little bit.

Robin Harford:
What are you pulling, the root hair, or the leaves, or the stem?

Steve Brill:
The root. The root. The stem I parboil and peel and prepare like artichoke hearts. Those are quite delicious. And with the root, I slice it thinly, and then I steam it for 20 minutes over vegetable stock. And then I put it in the kind of marinade that is used for beef jerky. So it’s apple cider vinegar, tamari soy sauce, fresh apple juice, cloves … what else goes in there? Garlic that is peeled, but not cut, which makes it much more mild than the cut garlic. And then I bake it and it gets drier and chewier. And when it’s about the level of beef jerky, I stop, and it’s really delicious.

Robin Harford:
That sounds amazing.

Steve Brill:
I serve some of these things on my tours. I also, the way I make chips with the rockweed. Oh, and I never finished telling you, after I make the chips with the rockweed, one of the things I do is mix it with raisins, cashews, and carob chips and it makes a wonderful trail mix. Although, once I took the trail mix with me in the summer and it melted into a goopy mess. So you couldn’t really eat it without getting the melted carob all over everything. So I just left it there, took it home, put it back in the refrigerator, and it solidified, and then I chopped it into pieces and it made rock candy.

Robin Harford:
So, when you go foraging in New York, I’m sure the question gets asked you, is, what about clean plants? Do you have specific guidelines for telling people in urban spaces where they’re likely to find clean-ish plants? As opposed to [crosstalk 00:18:27].

Steve Brill:
Yeah, basically the same thing you tell people, don’t pick near heavy traffic, if the plants all look wilted, they’re spraying stuff there. Stay away from agricultural fields that are sprayed. You know, we have poisonous plants around, too, so that’s another thing. I do warn people about the poisonous one. We have one in Central Park that comes from your part of the world, called poison hemlock, and that one stops your brain from communicating with your heart and lungs.

Robin Harford:
Yeah, it’s an interesting one.

Steve Brill:
Yeah, there’s only one person in America who’s immune to it. [inaudible 00:19:10] thank the sky. Donald Trump. He has no brain and no heart.

Robin Harford:
Right, so what is the future of foraging, do you think, Steve?

Steve Brill:
It’s going to keep getting bigger. What do you think, Violet?

Violet Brill:
I think more people are finding out about it and it’s going to get more popular and more people are going to start foraging and come on our tours to learn about it. And they’ll have lots of ways to learn how to forage.

Steve Brill:
Then I have some questions for you, because we have some of the same plants that you have, that seem to have different properties. It might be from you that I learned that lesser celandine is edible. And I tried it here, and it was acrid. And it’s in the buttercup family, which has plants with acrid poisons in them.

Violet Brill:
But what we do with it, is we put it in with bitter foods. You put the [inaudible 00:20:13] in with bitter foods, and it’ll take away the bitterness.

Steve Brill:
Okay, so when you-

Robin Harford:
Okay, so have you eaten it raw, or are you eating it cooked?

Steve Brill:
No, I-

Violet Brill:
We don’t eat it raw because it kind of has an acrid poison, so we cook it with other bitter greens, and it takes away the bitterness.

Steve Brill:
First I parboil it in lightly salted water for two minutes. The bitterness is totally gone, and then it’s completely bland. So for years, I thought, well this is a survival food, but not something that’s really going to taste good. And then I finally realised, why don’t I try it, to tone down bitter things, like if you cook down garlic mustard, it shrinks and the bitterness concentrates. So I did that, I mixed in the lesser celandine, and it totally took away the bitterness.

Robin Harford:
Okay, because I don’t find it bitter at all, actually. We pick it pre-flower.

Steve Brill:
Yeah, so do we. I think that there’s something called a Founder Effect where when a species comes to another country, all of the plants in that country take on the characteristics of the first individual that made it across the ocean. So it might have been one particularly acrid individual of the lesser celandine that made it here.

Robin Harford:
Wow, are you being serious, the Founder Effect?

Steve Brill:
Yeah, that’s a well-known biological concept for a species that go into new places, they take on the characteristics of that first individual species, rather than the whole population.

Robin Harford:
Wow.

Steve Brill:
And another one, you eat henbit dead nettle, came over here and that is so foul smelling and foul tasting and awful. I tried all kinds of things with it-

Robin Harford:
Yeah, don’t worry, it’s the same over here.

Steve Brill:
Oh, okay.

Robin Harford:
There are some plants that are just like, yeah, okay that is definitely not in the gourmet category. It’s kind of like if you had to. But the thing that I like about priorities, is that we have such a diversity of plants to choose from, but it’s just like, well okay, that one really doesn’t rock my boat, so I’ll just go next, find something else.

Steve Brill:
Do you have any American plants that came over that you like? No pokeweed.

Robin Harford:
No pokeweed. Well, I’ve got a friend in London who grows pokeweed, but it doesn’t grow wild, as far as I know, so I’ve certainly never heard anyone that’s seen it around.

Steve Brill:
That’s an interesting one. It has saved lives, and killed people. It’s a large, weedy plant. It contains phytolaccan, which is a gastric irritant. So, if you just take it and stick it in your mouth, you get severe vomiting and diarrhoea and you die of dehydration.

Robin Harford:
Nice.

Steve Brill:
The poison is water soluble. So, you have two pots of boiling water: a large one and a medium one. You get the shoots. Make sure there’s no root attached, because the root has too much of the poison. And get it in the spring time, and chop up the roots, and boil it for one minute. Throw out the water, pour in more boiling water. Maybe one boiling is enough, but I’m not going to take a chance. Boil it another minute, throw out the water. Put it in a third water and boil it until it’s been boiled for about 15 minutes.

In the deep south, they cook this with fatback, which is pig fat, which is a good idea from a culinary standpoint. You get fat, which greatly enhances the delicious flavour of pokeweed, you get salt, and you get the umami, or savoury flavouring. So, I do an analogue, where, while the pokeweed is boiling, I lightly saute garlic and olive oil. As soon as the garlic starts to turn brown, I remove it from the flame and pour on some tamari soy sauce to stop the garlic from cooking, so it doesn’t burn and get bitter. And then I mix that in with the drained pokeweed, when it’s done, so you have the savoury, the umami, plus the salt and the fat from the olive oil. It is incredibly delicious.

Pokeweed has actually saved people’s lives, because in the 19th century, farmers had no fresh produce, especially out in the frontier, and had no fresh produce all winter, and by springtime when they had to start planting the fields, which wouldn’t produce until summer, they were dying of vitamin A deficiency. So the Native Americans showed them pokeweed and it saved their lives. Same thing with black people who were enslaved in the deep south, given really bad food and would also be deficient in vitamin A. And vitamin A is fat soluble, not water soluble, so it’s not destroyed by boiling.

Robin Harford:
My only question with that one, is if you’re triple boiling it, how much nutrition is actually remains, or are we just going for the flavour and the bit of.

Steve Brill:
No, the vitamin A. The vitamin A, which is the main thing that saved people’s lives. That’s fat soluble, so the boiling doesn’t affect … Yeah, I usually don’t boil plants. I don’t like parboiling. Sometimes it’s necessary, like with a lesser celandine that we have here, and pokeweed. But vitamin A remains if there’s any vitamin K, or other fat soluble vitamins, they will be there. And that is an incredibly wonderful vegetable.

Robin Harford:
So do you dehydrate your foods much?

Steve Brill:
I do have a food dehydrator so I-

Violet Brill:
Yeah, we have … we collect oyster mushrooms, also. And we dehydrate it. We cook some of them, and then we dehydrate the rest of them. And then we can use them again. And we also dehydrate things like the black birch wood and [inaudible 00:26:41]. And it still has its flavour.

Steve Brill:
Yeah, with the black birch, the pudding we make is tapioca pudding with soymilk and to complement the wintergreen flavour of the black birch, we put in freshly grated lemon rind and fresh vanilla bean and raisins. So we simmer that, and then we remove the twigs at the end, and it’s called stick pudding.

Robin Harford:
So Violet, what’s your favourite wild edible?

Violet Brill:
Well, of course there’s the Violet. There’s also wisteria and I like … there’s a plant called wood sorrel. I always like the common plants like black birch, wood sorrel. Wood sorrel, it tastes like lemonade.

Steve Brill:
And shamrock.

Violet Brill:
And I also like plants … just like the common ones. We make chocolate truffles out of the … we put Kentucky coffee seeds in chocolate truffles, so I like the Kentucky Coffee tree. And I like the common ones that you just find everywhere. They’re not extremely important … I mean, they are really important, but they’re not like a big find, like you just found something that you wouldn’t normally find, but they are like little trail nibbles that you can snack on. And-

Steve Brill:
Well, you like the berries.

Violet Brill:
Oh, the berries, things like that. Berries like June berries. They’re so good.

Steve Brill:
Also called service berries.

Violet Brill:
And the, nuts like the black walnut. We store them. We have them in jars in our cabinets and they’re dried and you crack them open with a rock, you eat them and they’re also really good. So, I like those common plants that you find.

Steve Brill:
Yeah, here we have black walnuts, we have butternuts-

Violet Brill:
Hickory nuts.

Steve Brill:
Which are also native in the … both in the [gublance 00:28:44] genus, same as the English walnut.

Violet Brill:
Hickory nuts.

Steve Brill:
Yeah, we have hickory nuts, several species. Once in a while, we get a few beechnuts, but the squirrels get them first.

Violet Brill:
Oh, I found the beechnuts, remember that?

Steve Brill:
Yes, yes. Do you have any success with beechnuts where you are, or do the wildlife get them first?

Robin Harford:
No, the beechnuts are the … easy enough to gather. It’s the hazelnuts that are a problem, or the pubnuts. With beech mast, it’s, yeah … the secret is finding the ones that has the mast within. So again, that goes down to knowing how to gather your beechnuts first. But, actually we had a Victorian gentlemen, years ago, well obviously in Victorian times, who basically put forward that we could pay off the national debt of Britain-

Steve Brill:
I read that.

Robin Harford:
Yeah, that was, again that was a tip from Marcus when he did some research in the British Library, that this guy basically approached the Treasury, and said, look, we got enough beechnuts around that we can harvest them, press the oil and sell the oil, and that will pay off the national debt. Unfortunately, he was of a slightly Jewish disposition, and in Victorian days, bigotry was even more hardcore than it is today, and no one bothered listening to him, which was a bit stupid. [crosstalk 00:30:15]

Steve Brill:
I know there was another Englishman, who tried bringing Black Locust trees over to England, because wood is rot resistant. So, after a few generations of living in the same house, you wouldn’t have the house falling on people’s heads. Are you familiar with that, and did that have any success, and do you use the flowers of the black locust tree?

Robin Harford:
Yeah, I haven’t seen black locust where I am. I’ve seen it in London.

Steve Brill:
Yeah, if ever get a chance, you should definitely get your hands on some of the flowers. I made wine with them, which is delicious and I make all kinds of puddings with them. I bake those into breads. They’re very large, sweet blossoms with a flavour similar to vanilla. One thing I’ve learned is don’t use vanilla in the same recipe, or it becomes overpowering.

Robin Harford:
Yeah, right. Does that actually … if you dry them, does the vanilla, is that going to be coumarins in it?

Steve Brill:
Yeah, it loses a lot when you dehydrate it, so what I tend to do is freeze them on a cookie sheet, and then put them in an airtight container in the freezer. And that works quite well, and I don’t know if you can hear, Violet’s parakeet Wisteria, but the Wisteria vine also has delicious flowers. That was brought over from East Asia to America by a man by the name of Wister, and therefore it’s called Wisteria. Those are purple blossoms that taste sweet and perfumed. They were grown as an ornamental and they spread. They have this really big, thick woody vine that can get like a foot or two across. Do you have that where you are?

Robin Harford:
Yeah, no, wisteria is one of my favourite edible flowers and I absolutely love it. I make a wisteria flower vinegar, which is just heaven.

Steve Brill:
What do you do? Just soak the vinegar with the wisteria blossoms?

Robin Harford:
I get Japanese rice wine vinegar, but the clear one. And I just literally, will get a load of the blossoms, and pop them in a jar, and pour the rice wine vinegar over it and just let it sit. And the colour that comes out … I mean within 24 hours, it’s gone this beautiful hot pink colour, and the smell’s extraordinary. So it’s definitely one worth trying. And I love … I really like simple foods, so I might just steam some vegetables and just drizzle some of that over with some oil. It’s just extraordinary.

Steve Brill:
I will definitely do that and I will put that in my app, and of course I’ll give you credit for that one. Never thought of that, and Violet’s parakeet, Violet’s budgie, Wisteria, can supervise me while I’m doing a recipe.

Robin Harford:
Yeah, well anything that you would like to say before we part company on this digital airwaves?

Steve Brill:
Oh, I guess I want people to go out and forage responsibly and safely and bring kids with them. We both do a lot of work with kids of all ages, and if we’re going to have a planet that we can live on in the future, we need a lot more environmental awareness. That is disappearing from schools around here, where standardised tests are the goal of education. There’s very, very little outdoor education. Violet could do tours for the teachers of her school and teach them about the local nature preserve right next to the school that’s totally ignored, but they’re too busy with testing. That’s why Violet’s here. We opted out of the awful standardised state test, and she doesn’t have to go to school until, for another hour and 15 minutes.

Violet Brill:
And I think that people should just … and we want people to know to take care of the environment around them, and we’re like people be aware of this and by letting people be aware of this, they’re helping even more and especially now, I think that the environment really needs help and that people should just be aware of it so they can take care of the environment. And also, Earth Day is coming up and we’re doing an event for Earth Day, as well.

Steve Brill:
Okay, and the last thing we have to say is-

Violet Brill:
Things we have to say-

Steve Brill:
This is our instrument called the brill-o-phone that I inherited from my dad, and it is …
That’s all folks.

Violet Brill:
That’s all folks.

Steve Brill:
Thank you very much. This is a great pleasure. I’ve been looking forward to this for a really long time. I’m very happy we got to do this.

Robin Harford:
Yeah, great. Thank you very much Violet and Steve, and Steve and Violet. And any of Steve’s resources can be found underneath this podcast on the eatweeds.co.uk website.

Steve Brill:
Okay, guys.

Violet Brill:
Okay, thank you.

Robin Harford:
Thank you very much.

EP16: Herbalists without borders choose love over fear

I was delighted to finally get Becs Griffiths and Annwen Jones. Two members of the collective who organised the Radical Herbalism Gathering, to agree to an interview.

This time however I was interested in their new venture called Herbalists Without Borders (Bristol).

A cracking example of grassroots herbal medicine which provides free herbal healthcare to people fleeing conflict, persecution, and intolerable living conditions.

Show Notes

About Becs & Anwen

Becs Griffiths and Annwen Jones both trained as herbalists at University of East London and both gained first class honours degrees.

In her first year of practise as a herbalist, Becs worked at Common Ground Health Clinic in New Orleans alongside other medical staff to provide free primary healthcare in the aftermath of hurricane Katrina. This was a unique opportunity, and she gained valuable experience supporting people with chronic health problems.

Annwen started her herbal journey working in London as part of the Herbal Barge project alongside herbalist Melissa Ronaldson, taking herbal medicine to different parts of the city via the waterways, giving health advice to the public, making medicinal herbal products and harvesting herbs.

Then, in late 2010, Becs Griffiths established Rhizome Community Herbal Clinic in Bristol and in 2012 Annwen Jones joined her and they went on to build a very successful herbal clinic, helping many people one to one with their health. They also teach a number of short and longer courses in herbal medicine.

“We are passionate about teaching self-care herbal medicine, and through a series of short and longer courses we hope to pass that enthusiasm on to many more people. We feel it’s important for everyone to have basic knowledge of their bodies and the skills for preparing herbal treatments in the home for family and friends.”

Together they established the Bristol Herbalists without Borders project which is now a vibrant project with many volunteers, and are part of a collective who organise the Radical Herbalism gathering each year which attracts three hundred people.

EP15: The handmade apothecary

In this episode I talk with two amazing herbalists about why we need to build ‘health resilience’ using herbal medicine, in an age of NHS cuts and a national health crisis.

When is the best time to self-medicate, and when should you visit the doctor? Why modern medicine isn’t always evil, and what our grandparents could have taught us about how plants, herbs and other foods can empower us.

There is a transcript of this episode underneath the show notes for those with hearing difficulties.

Show Notes

About Vicky & Kim

Kim Walker & Vicky Chown from The Handmade Apothecary

Kim Walker & Vicky Chown met whilst studying Herbal Medicine at the University of Westminster, became friends and set up Handmade Apothecary as a way to share herbal medicine with local communities.

They now live on a narrowboat, with Marley the dog, travelling across London and beyond using the plants they find along the way.

Transcript

Robin Harford:
This is Robin Harford from eatweeds.co.uk and foragingcourses.com. I am here today with two characters. Do you want to introduce yourself, what your names are?

Vicky Chown:
I’m Vicky Chown

Kim Walker:
And I’m Kim Walker.

Robin Harford:
You are both the authors of a brand new herbal book called?

Kim Walker:
The Handmade Apothecary.

Robin Harford:
So what’s your story? Tell us a little bit about you, what’s your background? Are you just folk herbalists? Are you qualified herbalists?

Vicky Chown:
We are both qualified medical herbalists. We both studied at the University of Westminster, which is actually where we met but we’ve got quite different backgrounds in terms of how we interacted with herbs as children and our journey with herbs. Kim, tell yours.

Kim Walker:
I was brought up in Scotland, in the middle of nowhere in an ancient piece of woodland that used to stretch all the way across Europe. It was a really ancient, lichen dripping, beautiful tree based cottage and I guess that’s where I found my love for plants. But when I was 18, I moved all the way up to London and went around the city working for the London Stock Exchange and having a crazy 20s. At some point during my late 20s, I thought I really need to start healing myself, I’ve been a bit wild and so I enrolled onto herbal medicine and I’ve been with plants ever since.

Vicky Chown:
[two_third_last]Yeah. Kim had a really nice, pretty kind of countryside. You didn’t mention but your grandmother also practised quite a bit of folk medicine using herbs. I grew up in a really run down part of North London surrounded by concrete and I don’t understand where I got my love of herbs from. I just know that ever since I was a very small child, I loved being outside and I loved being in green spaces and picking dandelion heads and making potions from them. I loved all of the folklore behind plants, which kind of led me down my own healing path and led me to enrol at the University of Westminster as well.

Kim Walker:
[two_third_last]I guess that shows the two sides of the way people can come towards plants. One is being part of it from a young age and never wanting to let it go and the other one is a reaction to living in a concrete juggle.

Vicky Chown:
Or just an innate need for it, you know? Humans, as part of nature, is just I needed it. Even now I need country fixes. I know people who live in the country say they need a city fix, I need a country fix. I need to get out in the green even if it’s a green space within London.

Kim Walker:
I think that’s true. When I worked as a temp in the London Stock Exchange … I think this is a really significant moment … you can imagine it was manic. It was getting up at 5:00 in the morning to get there and after six weeks … I was temping … and they offered me a full-time job.I just went, “No. No, way.” I walked straight out there and signed up for college instead at Capel Manor, which is a lovely horticultural college and stayed with the plants.

Robin Harford:
How did the idea for the book come about? The title of it again being?

Vicky Chown:
The name of our business, which is The Handmade Apothecary. Well, me and Kim started working together after we finished university. I think I was still in my last year and Kim had finished. We started doing something that we didn’t get at university, which was more of the practical forging side of things. We did a lot of clinical training, a lot of science training and research-based stuff, but we didn’t get the hands-on herbalism that we really want, that we thought we’d get so we started going out.

Kim’s really interested in botany, we’re both very interested in plants and just forging for ourselves and then decided to teach others how to do the same. That’s how our company, The Handmade Apothecary, started. And just so happened that along the way we got invited to be the Evening Standard newspaper as a feature and the Ham & High because a lot of our walks are in the North London area.

Kim Walker:
Which is a newspaper.

Vicky Chown:
Yeah, the Ham & High newspaper. And we were spotted by a publisher called Kyle Books, who asked us to write them a book. That was always on the cards. We always said we wanted to write a book but we thought it would be 20 years down the line when we were old ladies and we were old hands at it. So it was a bit of a shock but we grabbed it with both hands.

Kim Walker:
It’s something you can’t really turn down. We sat down and went, “Okay, let’s write a book then.”

Robin Harford:
There are differences of herbalism. There are so many books out there that they just glance over things. They’re really just eye candy when it comes to herbal medicine and you kind of get dribs and drabs. I suppose the word is superficial, they’re pretty superficial. But it sounds like, from previous discussions with you, that this is a book that basically you wished you’d had when you first started out.

Vicky Chown:
[two_third_last]We often found that we’d have to buy five books to learn the basics of herbal medicine. So what we wanted to write is a book that encompassed all the things were looking for when we first started our herbal journey. It gives a bit about forging, it tells about how to make your own remedies. The holistic sense of it, in terms of how the body works as well, is really important but it doesn’t just touch on it, we do go quite in depth. It’s a 60,000-word book but it’s also very pretty. We’re quite proud of the balance there. A lot of people say it’s a really beautiful … It could be a coffee table book but it’s got the information in there too. Don’t be fooled by the pretty pictures, it does have a hell of a lot of meaty, meaty stuff in there.

Kim Walker:
We had a fantastic photographer who was just totally on point about everything. Every time we turned up with plants, she’d put them on the table, we’d work with it and it would just work out really well.

Vicky Chown:
Her name is Sarah Cuttle. We also had an amazing editor who managed to, somehow, put everything we wrote in those 60,000 words, in a pretty order and fit with a picture. That’s a really hard thing to do. Yeah, very lucky for that.

Robin Harford:
How many plants do you cover in the book?

Vicky Chown:
I think it’s 80-something.

Robin Harford:
Oh, really? Wow.

Kim Walker:
At least that.

Robin Harford:
Wow.

Vicky Chown:
We should know the answer to that. But we’ve got culinary herbs as well and then also there are herbs that have popped into recipes but don’t necessarily have a full monologue on them. Monograph, sorry, not a monologue.

Kim Walker:
[two_third_last]We probably counted at the beginning but since then we took out and put in. We haven’t actually sat down and counted but it must be 80 to 100.

Vicky Chown:
It’s a hell of it. Lots of wild plants that you can find in your local environment and also ones you can grow at home.

Kim Walker:
Including urban environment as well, which is quite important.

Vicky Chown:
And ones that you can find in the supermarket, funny enough because what we wanted to do was make sure it’s accessible. All of the plants that we covered, even things like garlic and ginger, okay, you’re probably not going to grow that at home, maybe garlic, not so much ginger, but you can use them from the supermarket to help a cold or a bacterial infection for instance.

Robin Harford:
They’re readily available to gather.

Vicky Chown:
Exactly.

Robin Harford:
Some of the ones that you go out and forage for, are they harder? You can’t just pop into a herbal depository and pick them up, they are ones that you’d exactly have to go out and gather?

Kim Walker:
No, not at all. I think we’ve mainly chosen ones that … We’re writing it to make it accessible to all sorts. Even if you don’t have time to forage very often, if you did want some herb you should be able to get them from a local herbalist as well or from a herb shop but they also available for foraging.

Vicky Chown:
[two_third_last]Another thing that we did was emphasise how to store and prepare your herbs so that you can go and do one day of forging and collect maybe five plants and store them in such a way that you can use them throughout the year. For instance, elderberry cordial, you can make that into a mixture with sugar, which preserves it and you can keep that for easily a year in the cupboard. It can be used for any kind of immune problems, so when you have a cough or a cold or if you’re immune system is feeling a bit low. It can be used for so many things. Yeah.

Robin Harford:
A lot of herbal books are, I’ve got a sniffle and a snot cold so I can go and take, I don’t know, something like, I don’t know, yarrow or something.

Vicky Chown:
You could use yarrow.

Robin Harford:
But you seem to be approaching it … I mean this word holistic. What does that mean? Because a lot of people with a perception of herbal medicine, one, they can often confuse it with homoeopathy and also they see medicinal plants as a pharmaceutical drug. I’ve got a headache so I’m going to take an aspirin. But medicinal plants don’t … they kind of can work in a symptomatic way, kind of what I call crash medicine.

Kim Walker:
Which is fine for acute things like if you’ve got a sore throat, why not?

Robin Harford:
Fine or an immediate situation but it’s a little bit more rounded than that it seems.

Vicky Chown:
We give a background on the body systems. For instance, I think we mention … we should go into it. One of my favourite examples is headache. A lot of people say, “I suffer from headaches, what can I take?” I say, “Well, if you want to take something now, have a painkiller,” and that’s what a doctor would give you. But actually, as a holistic therapist, if we sit down … a first consultation would be an hour, even up to two … we sit down and we go through everything. We look at your lifestyle, your family history, all of your body systems.

It could be due to the fact that you have too much stress at work, you’re sitting in a funny posture, you’ve got neck tension, you’ve got high blood pressure, it could be digestive issues. There are so many things that could contribute to you having a headache. Taking a painkiller will take away the pain but it won’t necessarily heal a long-term problem of headaches. Maybe you have inflammatory bowel disease and it’s affecting your headaches, maybe that’s what we need to fix first. That’s the idea of holism in herbal medicine.

Kim Walker:
In the book, it’s saying to people to … it’s looking at the beginnings of when you first start looking at body systems and you’re starting to understand what might be causing things. Having a little sit and think about yourself as well before you just treat symptomatically.

Vicky Chown:
But we were also realistic. We wanted to say to people you can treat yourself to a certain degree but eventually, it needs to be a degree for you to treat yourself. Sometimes we say if it’s this problem you should go and see a herbalist to get to the bottom of it because they are experts in their field just like a doctor would be. Just like if someone had cancer we wouldn’t say, “Hey, eat this leaf. Go and see a doctor.” There’s definitely a practical element to it too and we try to give that advice as much as we can.

Robin Harford:
I think that’s important because I often get back people who come on my walks and I talk about nettle roots and prostate health. I have a number of people who email me, guys obviously, email me and they say, “I’ve just been diagnosed with prostate cancer at this stage, is there any plants?” My immediate response is well, first off, I’m not a medical herbalist. Second is, it’s not something you would self-medicate over, you need to go and see a professional. There is a place for the home herbalist who treats their kids and some of their friends and neighbours and whatever but then there are the more chronic conditions, which do need an expert. Let’s face it.

Kim Walker:
The key for that is, if you do have something like a serious condition, it is all about educating yourself. You can find out what could help you support other treatments but it’s about education as well.

Vicky Chown:
Knowing your body. Knowing what’s normal for you and what’s normal for us as human race is really important and is something that we’re quite passionate about. We feel it should be taught more in schools. A lot of people don’t know when it’s time to see a doctor and when it’s not. That can be a really tricky thing for a lot of people. Some people are over sensitive and go to the doctors for everything and some people hold back for very important things.

Kim Walker:
With an overstretched NHS as well. It’s a really problematic future of serious antibiotic resistance. If people are going to the doctor and demanding antibiotics for a virus, which doesn’t treat a virus, you’ve got a big problem though. If people are a bit more empowered about their own health and they know what simple home remedies they can use in what appropriate situation, then that’s going to help everybody all round.

Robin Harford:
Yeah. I work with a herbalist, who shall not be named, who works with the House of Commons and the House of Lords and the government in all that whole regulatory side. One of the problems with the National Health, with their not being money, he told me that the statistics were, that 50% of people that go into an NHS doctor’s surgery are there purely for social contact, so they’re isolated. The next 25% are there for a sniffle and snot cold, that your work and herbalist like yourself could teach everyday people to self-manage their own healthcare. The final 25% are actually the people who need to be in the doctor’s surgery. You’ve got 75% of people in a doctor’s surgery who don’t need to be there.

Vicky Chown:
So sad.

Kim Walker:
It’s interesting, isn’t it?

Robin Harford:
I mean one of the things when you start talking body systems, it’s kind of like, oh my god, bodily systems. I’m immediately seeing, generally, men in white coats, skeletons, and pictures of internal organs. It’s like, whoa, I’m immediately freaked out.

Vicky Chown:
That’s how we were trained. We were trained as clinical herbalists and we do have a really good understanding of how the body works.

Robin Harford:
How have you translated that academic, tyranny of the cranium, as I love to call it, into something that everyday people relate to?

Kim Walker:
That’s one of the problems, is you’ve got that division between the experts that you go to for your health and a lot of people don’t have any real knowledge of that their bodies are saying to them.

Robin Harford:
Don’t even know where their spleen is.

Vicky Chown:
No.

Kim Walker:
No.

Robin Harford:
Where’s your liver? “Um.”

Kim Walker:
That’s not your fault. It’s something that needs to maybe be addressed in education, for people to just really understand their health, whether it’s at primary school, high school. That’s what we’re doing in the book is trying to get people to be a bit more empowered about themselves. Of course, if they were, then there wouldn’t be that problem, would there, about 75% and an overstretched NHS. Because the NHS is a fantastic service, of free medical care and really amazing discoveries in medicine have really changed humankind, infant mortality and life expectancy has really expanded, but people do need to be a little bit less handheld.

I think that’s one thing I notice between Britain particularly, when we have people from Europe, all over, whether it’s Poland, or France, or Sweden who come on our walks. They actually go, “Oh, yeah, I recognise this tree. We use this a lot. Everybody goes out and picks it in the summer and we use it for this.” They don’t even realise they’re doing that as a herbal medicine self-care thing. They seem to have really maintained this oral tradition of going out and getting plants, which is really closely linked with food and health, which we seem to have really lost over here. If it’s to do with us being an island and different politics, I don’t know what it is but we need to take some lessons on from Europe.

Robin Harford:
Because I travel a lot … when I’m in Europe, I feel there’s more connection when I’m in villages or I watch the old people going out and I’m seeing them gathering plants. It’s just a second nature, it’s just part of the culture of what is done. Even just in somewhere like Italy or Spain, when I visit it’s like wow, we really don’t have that actually in the British Isles.

Vicky Chown:
Not at all.

Robin Harford:
I’m sure it’s got something to do with us being an island state. Then when I go into say, Southeast Asia, where they’re more out. They have to do it out of necessity still, whereas, in Europe, it’s just more a cultural thing. It’s not a necessity, per se, it’s just what people choose to do, but in Asia and Africa, they have to do it. It’s like every time I come back to Britain, I’m quite down about just how disconnected we are to such commonplace practises that we used to be very connected to.

Kim Walker:
I guess it’s to do with our complex history. Just to think all this knowledge that people hold in Europe, we had to go to university for. It’s crazy, isn’t it?

Robin Harford:
I know. Your grandmother didn’t teach you or your mother didn’t teach you.

Kim Walker:
Yeah, we’ve got a complex history of witch burning, I guess, and being scared of wise women and regulation medicine, which in some cases is handy because of safety and really understanding herbs to get new medicines. But people should be more in touch, to be able to go out and say I’ve got a headache or sore throat or I can’t sleep. Oh, there’s a tree over there I can pick it from. Instead of having to wait six weeks for a doctor’s appointment and then maybe getting some help or not.

Especially with chronic conditions. There’s not a great deal of success that people find for things like PMS and period pains over time, except maybe a painkiller or other things like autoimmune diseases. I mean there are great treatments but sometimes the best experts on this are the patients themselves and herbal medicine really works very well the kind of [crosstalk 00:18:04].

Vicky Chown:
There are some real areas where herbal medicine really excels. The immune system, as you said, lots of hormonal issues. Herbs have this amazing way, not all herbs, but a lot of herbs have this amazing way of being synergistic in the body and they just go in and do their thing. The mechanisms sometimes aren’t even fully understand by science, even though they’ve been well studied, they go in and balance. For instance, hawthorn, which is a flower that’s out now, we use it for blood pleasure. I was going to say high blood pressure but it’s actually regulatory. It goes in if you’ve got high blood pressure it can lower it and if you’ve got low blood pressure it can raise it.

Robin Harford:
A bit like ginseng in that sense, isn’t it?

Vicky Chown:

It’s amazing. It’s an adaptogen. We call it an adaptogen. It adapts the body state to what … it modulates. It’s just unbelievable how that works. And stuff that’s very sensitive, like the immune system and like the hormonal system. Say you had polycystic ovary’s syndrome, the doctor would probably put you on a pill that suppressed all of your natural hormones and gave you some extras, which can cause havoc.

It can help a lot of women’s symptoms but as soon as you come off the pill, you’re back to square one. Especially if you want to conceive, you’re back to square one and you can have lots of problems. But there are herbs that can really, really balance that out for you and actually work to getting your body into a much better state of being. That’s something that is very difficult to learn. I don’t know about you Kim, but it took me years of university to realise that that was how herbs worked and just to sit back and relax and trust them a bit. Yeah.

But in the book, we basically, in short of your question, we tried to make it as easy to understand for people as possible. We tested it out on family members and friends and said, “We’ve written about the reproductive system. It’s quite a complicated system, do you understand this?” And we got lots of feedback because being a bit more of an expert in your field, it’s very easy to over complicate things.

Robin Harford:
Yeah, to see the wood for the trees.

Vicky Chown:
Exactly, so we made it as simple as possible without dumbing it down.

Robin Harford:
Yeah. I was quite amazed because obviously, we’re in London as listeners can hear by the traffic and aeroplanes  that are going on.

Vicky Chown:
And birds. A mixture of [crosstalk 00:20:18].

Robin Harford:
Yeah, the rest of the [inaudible 00:20:21] world. I was teaching yesterday with a medical herbalist, doing a wild food, wild medicine day and we had two GPs on it. One of these GPs, who we ended up just going out and having a drink with, was extraordinary. It seems that there’s a bred of younger, really bright young things, like you guys, coming in. Although she’s a traditional GP, she’s also incredibly open to nutrition, predominately nutrition.

One of her biggest frustrations with patients when they’re coming into the surgery is they just want to be given something. They’ll come in and go, “Just give me antibiotics for my cold.” She’s going, “Actually, I’m not going to give you antibiotics.” Now, for a doctor to say, “No, I’m not just going to give you antibiotics, actually. We’re going to start looking at you a little bit differently.” That gives hope that actually there is possibly some shifting going on.

I think, predominately because the NHS is so overtaxed, that the more wise, new, young doctors coming through now, are recognising the power of nutrition, the power of plant medicines and trying to educate the general public that this is how we have to go. It doesn’t matter how angry we get that the NHS is failing people and is basically going bankrupt, the reality is what the reality is. We can either sit and be a victim and whine about the state’s not providing for my healthcare anymore, or we can take control of our own healthcare and start learning about plants as medicine and plants as food. Often, that boundary of that plant is medicinal and that plant is for food is very blurred, you know?

Kim Walker:
That’s a two-way street. If people start to help themselves and they are helping the NHS by not going for minor complaints. That would be the ideal situation, I guess. I think there’s been a lot of research in recent years about this kind of qualitative … like not just does this drug help people but also looking at people’s lifestyles and the things that people can help themselves. Doctors are looking into that more and saying, “Okay, I’m not going to give the antibiotic.” I think as more and more research grows, that will be more accepted and it is happening.

Vicky Chown:
But it’s the attitudes of people as well. As a practising  herbalist, you get some patients who are not willing to make any challenges, dietary, they won’t stop smoking.

Kim Walker:
… and they say, “Give me something.” You go, “Well, I can give you something but it’s not going to change the fact that you’re allergic to gluten. If you keep eating gluten there’s nothing I can do for you. I can help you as much as I can but I can’t stop your allergy in total.” Yeah. It’s about your social ideas and the fact that people need to take control of their own health as well.

Robin Harford:
To wrap and pack the interview. How do people get in touch with you? One of the reasons I’m interviewing you folks is because I get really good feedback and hear about you through other people. About one, your knowledge base, two, your ability to make complexity really simple to teach people about plant medicines. Have you got a website that people can find you on?

Kim Walker:
Yeah. It’s www.handmadeapothecary.co.uk.

Robin Harford:
Okay, and the name of the book is Handmade Apothecary.

Kim Walker:
Yeah. The book’s called The Handmade Apothecary but our website’s handmadeapothecary.co.uk. We have Instagram and Facebook and Twitter as well, so people can find us on there as Handmade Apothecary.

Robin Harford:
Okay. That’s really cool. All right. Thank you, folks.

Vicky Chown:
Thank you for having us.

Kim Walker:
Thank you.

Vicky Chown:
It’s lovely talking to you.

Kim Walker:
Yeah, a pleasure.

EP14: Why the balsam bashers might be wrong

Home > Plants > Himalayan balsam


The transportation of seeds or whole plants is an offence under the Invasive Alien Species (Enforcement and Permitting) Order 2019 in England and Wales and Section 14AA of the Wildlife and Countryside Act in Scotland. This means that no seeds or plants should be removed from the site where they currently grow, and sowing seeds or planting elsewhere either deliberately or accidentally would be a particularly serious offence. – Curtis Wright (phone: 07920 516559. email: curtis.wright@apha.gov.uk)



In this episode I discuss with Pete Yeo from Future Flora why invasive plants may actually be good for the environment. Does the science stack up in favour of balsam bashing?

As Pete says “What reductionist science would call an opportunist or invader, a more holistic worldview might call a Gaian first responder. Put another way, one person’s weed is another’s wisdom.”

There is a transcript of this episode underneath the show notes for those with hearing difficulties.

Show Notes

About Pete Yeo

Himalayan Balsam Bashing

Pete is, amongst other things, a naturalist and plantsman, having been fascinated by plants, especially their patterns and relationships, for over 35 years. Whilst he has studied horticulture and ecology formally, plants themselves have been his most meaningful teachers.

You can visit Pete’s page Future Flora on Facebook for an open conversation about the changing nature of Britain’s wild and cultivated flora, also exploring alternative narratives on the plant realm.

 

Transcript

Robin Harford:
Welcome to another episode of the Plants and People Podcast. This is Robin Harford from EatWeeds.co.uk, and I’m here with Pete Yeo, who is the man behind Future Flora. And I first met Pete last year, so a year ago, because I heard that he was doing a talk in North Devon on invasive species, and an alternative model to them; “Are they a friend, or are they a foe, or are they somewhere in between?”

So, recently there was an article in the Telegraph really going on about, “We need to start balsam bashing, and getting rid of this bloody immigrant.” And so, I thought, “Well, Pete; he’s the man to talk to.” His talks are really, really inspiring and good, and he’s got the science, and he’s just got some interesting takes on the whole invasive species discussion. It’s not cut and dry. For years, I’ve always been promoting that, actually, invasive species are here to teach us something; that, if we can learn nature’s ways, being a very young species ourselves, maybe we can learn a thing or two. So, Pete, welcome to the show.

Pete Yeo:
Thank you very much, Robin, and hello everyone.

Robin Harford:
So, just give a little bit of background. You’re a plantsman. How did invasives come into your kind of thinking and why invasives? What grabs them for you?

Pete Yeo:
Well, I won’t give you the whole story, but the last three or four years, I’ve been really kind of indulging my interest and passion for plants and the relationships between plants. And it was some years ago now before, that I kind of realised that, as I was getting to know plants better from a kind of horticultural garden point of view, it was quite clear that some of the plants that we grow in our gardens are actively naturalising across our British landscape. And I was kind of really struck by how that might play out, and with environmental kind of sensibilities as well. I was obviously aware of climate change, and the potential impacts on our flora; of that. Yeah, just started to kind of speculate about how things might pan out, and generally kind of look at immigrant plants; and there’s a whole ‘nother conversation we could have about how we project onto immigrant plants as we do with people.

Robin Harford:
Sure.

Pete Yeo:
But, when you look at immigrant plants, the kind of stand-out group are the invasive plants. And, the more I kind of looked at them, the more I kind of stumbled upon references to an alternative way of looking at invasive plants, and that they weren’t always bad. And, in fact, even when they were held to be bad, that the evidence for that didn’t really stack up. And certain books, as is often the way, came in front of me, and I kind of hungrily read them, and started to kind of have a very different perception of invasive plants, and perhaps of invasive species more generally. And it’s that that I’ve been starting to look at more closely the last few years. And have quite a different perspective than many people, and particularly classic conservationists, for example. Yeah.

Robin Harford:
Yeah. Okay. So, the particular immigrant that I wanted to … The reason I called you up and said, “Look, come on, chum. Let’s get you down on record.” Is really to discuss Himalayan balsam. I know, obviously, there’s Japanese knotweed, there’s rhododendrons, tonnes of other so-called invasive species. But, it’s Himalayan balsam bashing season at the moment.

Pete Yeo:
Mm-hmm (affirmative).

Robin Harford:
So, what’s your take on the usual argument that Himalayan balsam, it comes in, it crowds out our native species, it’s a thug, it just disrupts our waterways, and is unsightly, stinks, and we should be doing everything in our power to be basically committing genocide against it? Not to be too emotional.

Pete Yeo:
Of course not. I mean, obviously, I’m familiar with the plant and where it grows, how it grows. It’s a very pretty plant, generally. I mean, that’s why I think it was introduced to this country in the first place. I mean, I’ve got my own views on the plant and its behaviour. But, there’s a couple of books in particular that I’ve been quite influenced by. They’ve resonated very strongly with me, what they’ve had to say about Himalayan balsam. One is “Where Do Camels Belong?” by British author Ken Thompson, and “The New Wild” by Fred Pearce, another British author.

Robin Harford:
Yeah. Fantastic books.

Pete Yeo:
Both wonderful books openly questioning and challenging the standard view on invasive species, both flora and fauna. And both of them clearly point out that much of the evidence that should be there to support the impacts of Himalayan balsam on biodiversity … Because it’s an annual, it dies away at the end of the growing season, and then leaves the soil bare, which is then open to winter rains, and the high river volumes for erosion, and things like that, and the river banks get eroded. The negative effects on pollinators, and so forth. A lot of the research just doesn’t stack up.

And, even if you go on to the CABI.org, which is a centre … If I can remember it properly. A Centre for Agricultural Biosciences International. Basically, it’s a kind of national body, in this country, to look into … Well, a big part of what they do is looking at invasive species and from an anti-point of view. But, even on their website, when you look at their data sheet on Himalayan balsam, they’re quite honest in saying that a lot of these … I can’t think of the word. Accusations aimed at Himalayan balsam, even they say the science is very, very fuzzy. There’s not really any good evidence to support the biodiversity impacts, and so on. And we can kind of drill that into it.

Just from my own point of view, the accusation in terms of once the annual plant has died back at the end of the growing season, it’s leaving the riverbanks open to winter erosion from high river volumes because the plant has smothered out everything else, and there’s nothing there stabilising the bank. That just doesn’t feel right, to me.

You know, I could be wrong. I mean, I haven’t actually gone out into the field on my hands and knees and really kind of explored this. But, it just doesn’t feel right. I mean, you taken some annual bedding that you’ve had in pots or containers the following spring, after they died back the autumn before; my experience is that those clods of soil are very, very firm, and the root balls are still very much intact, even though the actual plant has died.

And, of course, there’s plenty of other perennial species that are growing along with balsam, as Thompson and Pearce point out. The native species that Himalayan balsam is supposed to be out-competing, or competing with, are common ruderal species … So, that’s species that grow in disturbed, in this instance, typically moist habitats like stinging nettle, bindweed, docks, cleavers, and the like. They’re quite bold plants in their own right, but they can kind of cope with that competition, to an extent. So, it’s not as if they’ve been completely rubbed out of the area; they’ll still be there.

And there’s evidence to suggest, as Ken Thompson lists, that, whilst Himalayan balsam is competing, if you can accept that perception of how plants interrelate with each other; they’re competing with common ruderal species, natives, but actively suppress other non-natives. So, when you remove Himalayan balsam where it’s invaded, a lot of other non-natives come in, and it’s just hamster wheel time, as it so often is in these scenarios.

Robin Harford:
Well, let’s say who they are. The conservationists. They’re the old guard, archaic, dinosaur conservationists who, unfortunately, control the whole of this bloody country and all the regulations. Now, I know you’re far more gentle than I am there. But, you know, it’s time to call them on it, because they haven’t got the science. Whereas, if you look at Pearce and the other chap, they have the science. It’s listed there. And I’d just like to point out that Fred Pearce was massively was massively anti-invasives, until the data started questioning his model. Yeah? And now he has come out with his new book, “The New World”, on the side of invasives.

So, for those conservationists who are twitching and wetting their knickers at this point, I really do strongly suggest that you go and check out his book, and check out the science, and stop giving immigrants, as we do with human immigrants, a bad rap, just because they are other, and you personally don’t understand them.

Pete Yeo:
Yeah. I commend everyone to read “The New Wild”, it’s a wonderful book, and there is plenty of evidence that the science in favour of the anti position doesn’t hold water very much, if at all, and there’s evidence to suggest the opposite … In terms of the negative pollinator effect with Himalayan balsam, there is evidence to suggest the opposite, that there is what they call an adjacent benefit, so that other native riparian riverside species that are flowering at the same time receive more visits rather than less when they’re kind of in the same area as Himalayan balsam, Himalayan being super popular with honeybees and other pollinator insects, which is a common trait of many … Well, invasive plants generally, they tend to have very broad bandwidth appeal to pollinators. Which is not really a surprise, when you consider the kind of circumstances they tend to be arriving in where there’s vegetation has been, to varying extents, removed from an area. So, the local pollinators and other insects have a lot less to forage from.

Robin Harford:
And who’s been doing that removing?

Pete Yeo:
Quite often, good old human beings.

Robin Harford:
Humans.

Pete Yeo:
Of course. And, as Thompson says, so often we kill the messenger. We get the plants, an or animals, whether you call them invasive or not, or pioneer opportunist species, that kind of come in and thrive, or perhaps are a response to disturbance. You know, you get the plants and animals that we deserve, the same way as we get the governments we deserve, God bless them. And, yeah. It seems to be a lot of evidence support this alternative, much more kind of positive, outlook on invasives. I mean, it’s quite a broad topic.

The way I am now starting to look at invasive plants is to try and get a much bigger picture, and I’ll bring this back to Himalayan balsam in a second. The bigger picture view of what they might be doing, what their ecological role might be. And I’ve been very influenced by an American author called Stephen Buhner, who’s written about plant intelligence, generally, and invasive plants; particularly Japanese knotweed, which he works with over in America as a herbalist, amongst other things. But, he makes the point that every living being, every living thing that’s expressed into physical form, has an ecological function.

The challenge to anyone who wants to have a kind of say in the matter is to find out what that function is. And there’s another American author and permaculturist called Tao Orion, who’s written another wonderful book called “Beyond the War on Invasive Species”, and she takes that further. It’s like, yeah, you need to find out what that plant is doing. It will have a role in the ecosystem, in the habitat. What is it? Take the time, and even if you come around to the fact that you still don’t want it, you want to kind of stand behind cosmic will expressed through you versus cosmic will expressed through the larger system, and you still want to go head-to-head with that; then, try to do it in a way that’s following the grain of nature rather than butting against it with chemicals, et cetera.

So, back to balsam … And I’m kind of skipping around a little bit. But, there’s a project in Germany. A place called Weisbaden, which … And as many people will know, many of the parts of Himalayan balsam are edible; the young shoots, the seed pods, the flowers.

Robin Harford:
Possibly. Yeah, okay.

Pete Yeo:
As I understand it.

Okay. So, in respective, there’s edible parts of the plants, but there’s this project that are making food products-from the plant in order to finance the eradication of the plant.

Robin Harford:
Peter Becker, yeah.

Pete Yeo:
Yeah. Which, is kind of amusing, really. And, interestingly, the Himalayan balsam … And I was kind of surprised to find this out, but it’s a Bach flower remedy, but also one of the five ingredients of the Bach’s Rescue Remedy. And its key word associated with it is “impatience”. Which, you can feel the impatience of a lot of people, and conservationists, particularly, with the plant. And so, you kind of wonder what might be going on at a deeper level.

But, just going back to how I look at invasives now, and looking at the ecological function … Though, I take it a little bit further, and imagine, if you like, that the planet, Mother Earth, Gaia, however you want to describe it, has the equivalent of green skin. So, in the same way that when we graze, cut, or otherwise damage our skin, there is an immune response that is engaged to heal that. And, the more I consider, it seems quite plausible that invasive plants are that immune response of that kind of macro green skin vegetal system. That are drawn in to an area, depending on the degree of disturbance, and the more powerful kind of invasive plants tend to correspond with the greater waste that an area’s suffered.

Robin Harford:
I think Pearce mentions that, doesn’t he?

He mentions about how they tend to hang out where humans have basically messed up their local ecosystem and land base.

And so, the whole concept of balsam bashing, and pointing the finger at the invasive, forgetting that there’s three fingers pointing back at ourselves; it’s not really dealing with the causes. For me, I mean, that thing where Buhner says, “Everything has an ecological function,” for years, I’ve taught that plants have … If we’re patient enough, and get out of our human arrogance thinking we know it all, and actually observe, like the ancient Taoists did 3,000 years ago in China, there are … Nature tells us something. Nature is always giving us guidance, that’s why she is seen as a teacher. And that the invaders, so called, are, like you say, like Pearce says, like loads of other people are beginning to come to a realisation.

We’ve got to be looking at our habitat loss. We’ve got to be looking at our industrial agricultural practises. You know, if you don’t want the Himalayan balsam here, or the Japanese knotweed here, ask yourself, “What is the human doing that is causing this,” like you say, “This healing to take place?” Because, finally, in the last two years there’s all these books with the science referenced in the back of them, pointing to the fact that, actually, the human is the cause of this. And we are the problem. They’re not the problem. They’re trying to fix the problem.

But, one of the reasons I really was inspired, and loved your talk last year was … Because I’ve always had this thing like these invasives, whether it’s a plant, or it’s something like Muntjac; they’re second guessing climate change. And one of the things that you brought out last year was that, a lot of these so called invasive species come from climates that the climate of the British Isles is expected to be similar within the next 20 years. Is that correct?

Pete Yeo:
In certain instances, yes. I mean, some of the invasive species that are actively naturalising in the landscape now, holm oak, for example, the evergreen oak; they’re kind of, perhaps, placing our wooded landscape, putting it in a more resilient stance. But, I think with Himalayan balsam, I haven’t noted with that one … I think it’s the case that the … And I can’t remember the timings of introduction off the top of my head. But, I think it’s probably the case that the climate here was already quite conducive.

Robin Harford:
It was 1830’s I think it came in. It was brought in.

Pete Yeo:
And, what you’d have to kind of look at then, is when was it first recorded in the wild? And, amazingly, they have this information for many of these plants. And there are these standard lag periods between introduction and a plant, if it’s going to kind of become naturalised, or even so called invasive; there were these lag periods. It’s 170 years for trees, about 130 years for shrubs, and decades or less with herbaceous plants or annuals like Himalayan balsam. So, what you need to look at is, “Okay. When was it first introduced? When was it first recorded in the wild?” If it was just a period of decades, then it could be that the climate was already conducive.

If, like bay laurel, for example, which was introduced, perhaps, by the Romans … And then, you add on 130, 150 years. And then, okay, when was it first recorded wild? 1924.

Robin Harford:
Oh, right. Wow.

Pete Yeo:
Way beyond the lag period.

Now, to my mind, my inexperienced, non-scientific mind, maybe that’s a good thing. That strongly suggests that climate change is at play. The climate is sufficiently warm and compatible with what bay laurel is used to, particularly in terms of seed regeneration, that it’s like, “This is okay for me now. I’m liking this,” because of the warming that’s come since the Industrial Revolution.

Robin Harford:
Mm-hmm (affirmative).

Pete Yeo:
Because of that huge period between introduction and running wild. Off the top of my head, I can’t remember the kind of details for Himalayan balsam, but what we do know … And this is kind of cutting back to what its ecological function might be … Is that it’s one of these plants, like ivy and like cherry laurel … Ivy is regarded as a native … Which, that language has become increasingly uncomfortable for me.

Kind of meaningless. And cherry laurel is an introduced, and regarded as an invasive. But, they all, Himalayan balsam as well, are known to thrive on high levels of CO2. I’m guessing we’re likely to see more of those kinds of plant, or those kinds of plants proliferating, become more successful, because there’s more CO2 in the air.

Now, from a holistic macro system point of view, is that response kind of inevitable? Is it a part of the rebalancing process that would need to be underway? That Gaia will try and kind of redress the imbalance that we’ve wrought? But, what else might Himalayan balsam be doing? We know it thrives on high nutrient load. It seems to have a very high mineral content, which suggests it could be one of these plants. And this is where more research needs to be done with a neutral mindset at least, rather than kind of set up to look for problems, like if you’re funded by a body that wants to kind of prove that, perhaps.

But, could it be that Himalayan balsam is the kind of plant that acts as a moderator, kind of a plant sink for surplus carbon in the atmosphere, or surplus minerals, perhaps nitrogen in the soil. And, of course, where you see it is in river systems, alongside rivers. And, more often than not, there’s going to be relatively intensive agriculture, perhaps with surplus nitrogen runoff. Is it playing some kind of role in that whole game?

Now, from a holistic point of view, you’d think, “Okay. Well, let’s assume it is. We’d need those minerals, that surplus of whatever it is to either be locked down as carbon, or as minerals, to be put back on the land, and maybe upstream again, if the system’s purpose is to kind of hold the vitality of the soil. So, how might that work?” And this is all pure speculation.

Robin Harford:
Sure. Of course. But, the questions need asking.

Pete Yeo:
And might be completely baloney, but we can be honest about that.

But, given that livestock tend to love eating Himalayan balsam, that represents a possible return path for those minerals. Because, they’re going to take it further up field, perhaps further up the valley, and drop it back on the fields, or whatever. I don’t know. But, it’s an interesting thing. And is anyone looking at that? I don’t know.

Robin Harford:
Right. Yeah. Well, if anyone’s listening to this who is looking at exactly that … I mean, Pete is completely up front. This is purely speculation. I say all my courses, I don’t do woo-woo. But, I have to say, at this point, the questions that I think are fascinating, that there possibly is some semblance of a clearer perception of how invasives are functioning within our ecosystems that currently we’re not entertaining.

So, I really like the idea that … I spoke to a chap who use to cull Muntjac, and deer in general for the lords and ladies in Scotland. And I asked him, I said, “Muntjac is an invasive species,” and, “What’s your take? You’re someone very close to the land, you’re embedded with the landscape, you’re observing and paying attention to the shifts and moves of this progression and impact that climate change is having. What do you say?” And he came and said, “Second guessing climate change.” I mean, it was just straight off his head. And I do think that when you were talking that … And I’ve heard it from two other people, so this is three people completely unconnected all coming to a similar consensus about how the ecosystem is shifting.

Old guard conservationists are fortress conservationists. Humans should be removed from the landscape, blah, blah, blah. We see this all over the world, and it’s causing chaos. What the balsam bashing community don’t seem to be getting is that we are moving, and climate change is happening, whether you like it or not. The evidence is absolutely there. And people close to that … And especially plant people see it happening in development through the years. And it’s a question of, “When are you going to wake up and realise that the Earth, Gaia, is trying to tell the dumb ass humans something and we need to be paying attention?”

Pete Yeo:
I mean, whilst I’ve studied horticulture and ecology formally, I’ve kind of … Most of what I’ve learned of value has been from plants themselves. As you do, and other people we know … Just getting out and direct experiential activity with the plants, and within context. Context is one of the most important things I’ve ever learned. And part of context is that it’s always changing.

And back to the ideas that are still prevalent within the conservation fields of … There’s equivalent with the political landscape at the moment wanting to make America or Britain great again, getting back to the good old days.

You can sympathise with that to an extent because of so many things that are happening in the world, but, of course, you’ve got to keep moving forward. I mean, climate change, no matter how effective we might be at reducing our carbon output in the next five, 10, 15 years, or whatever; there’s an awful lot of carbon coming through the system yet. So, we’re kind of locked in to a degree of climate change. Slowly, more and more people are starting to kind of realise that they’re having to … We’re going to have to embrace at least some of the introduced plants that are actively naturalising, some say invasively so, in this country because … And Fred Pearce points this out very effectively. We might be really, really glad of those plants. Particularly, if we get accelerated climate change to the extent that some of our key, anchor native species literally can’t keep up.

For years now, I’ve been saying we’re a nation of gardeners, great. I mean, maybe that in itself … We’ve got one of the most smallest native floras in the world, and yet, one of the largest cultivated floras in the world, with the Edwardians, Victorians, and Georgians bringing in plants from all over the world, from our empire. And we’ve grown them in our gardens. Many have leapt the fence. Although, Williamson’s law … Which you may know about, and some of your listeners may know about. For every 100 plants that are introduced, 10% go on to naturalise in our landscape. 10% of those become invasive. You’re talking about 1% that become invasive. And, if you listen to someone like Ken Thompson, he’ll say there’s evidence suggesting that, even with those species, between a period of 50 to 200 years … Which, bear in mind, is beyond the typical human timeframe, which is why we’re missing it.

Even those species blend into the background. I mean, its native range … Himalayan balsam is not invasive. Japanese knotweed is a pioneer on lava. It’s one of the first plants, if not the first plant, that can get onto volcanic lava and start the process of turning it into soil and hastening the arrival of forest.

So, rather than the old kind of way of looking at ecological succession as kind of the initial pioneer plants coming in and then, progressively, they’re out-competed by wave after wave of more suited, fit plants, until you’ve got forest or woodland back in that location; the pioneer plants, like knotweed and Himalayan balsam, are kind of preparing the way for those aspects of themself as one macro vegetal system that can come, arrive, and fully manifest all that vegetation can be in that location. And that’s not to kind of discount humans. We know humans are having … They’re very much a part of nature, and we can work with nature rather than against it, but we have to be cognizant of those larger processes that are happening. Pristine wilderness, along with many of these terms like “native” and “invasive”, they’re becoming kind of mythical, and myths that perhaps aren’t serving us anymore.

Robin Harford:
We were talking just earlier, weren’t we, about “re-wilding”, the word “re-wilding”, and that I’ve always felt quite uncomfortable with it. I mean, I understand that people who talk about it, where they’re coming from, but re-wilding is almost this romantic vision of going backwards to this time of pristine environments; of how it should be, without humans. Well, the term “future wilding” would be far more appropriate, for me, because that is taking in all these models that we’ve been discussing.

Pete Yeo:
Yeah. You’re making me feel good about the use of “future flora” for my Facebook page now, bless you. But, no. I mean, I was quite excited by this idea of re-wilding. I mean, on so many levels, it feels like a really good idea. But, I happened to drop an organisation who are involved with this … A new organisation, I believe. They’ll remain nameless for the sake of this interview.

To be nice about it. But, I was quite shocked, actually, by the response I had. I kind of sent them a wee note saying, “Just out of interest, what’s your position re: so called invasive species? Are you accounting for the use of some of the naturalised, and perhaps in certain instances, invasive species within your kind of re-wilding programme; particularly with a future proofing perspective, with climate change and all the rest of it.” And they kind of knocked that one back to me.

Robin Harford:
That was really surprising, actually.

Pete Yeo:
They said, “We’re a conservation organisation, and,” ..

Robin Harford:
No, you’re not.

Pete Yeo:
And they really are, by the sound of it. In the sense of, they’re conserving what there is.

Robin Harford:
Wilderness as museum.

Pete Yeo:
Yeah. And it’s like, you don’t need to consider that for very long to see the flaws. To my mind.

Let alone what my heart feels about it. But, it doesn’t make sense. We’ve got a host now of introduced species that are out about in the landscape. And I was just reading, actually, there’s a new report out by the RHS, the Royal Horticultural Society, looking at the implications of climate change on horticulture, gardening, and gardeners. And it’s a very interesting read, love the science on climates in there. And they’re quite even-handed. I mean, there’s a lot of standard jargon and narrative around invasives being bad and negative, and invasive species, flora and fauna, held to be one of the key threats with climate change … As is becoming obvious in this interview, neither of us necessarily buy into that narrative.

But, they were talking about holm oak, for example, Quercus ilex, which we mentioned a bit earlier. And they were actually acknowledging that that actually could be a beneficial species, in terms of our flora in this country, as a new … I mean, if you look at the bigger picture, it’s just a different form of oak, ultimately. I mean, we call things, “This is a species of oak. This is another species of oak. This is a species of thistle. This is another species of thistle,” whatever it may be. If you zoom out, it’s just one continuous flow of DNA.

So, the holm oak … Even the turkey oak as well, which is a deciduous oak, but from more southernly regions that is also actively naturalising in this country. They’re more suitable, resilient forms of oak for the climate that is coming to our landscape soon.

In geological timeframe. And it just seems sensible to kind of go with that. And, interestingly, there was an article in a little kind of freebie-type newspaper put out by Common Ground and the Woodland Trust recently, and there was an article in there, I think it was two ecologists and an environmental campaigner, speaking up for the likes of sycamore and holm oak, turkey oak, horse chestnut, and trees like that, and saying, “We should accommodate these species more in our planting, in our tree planting across the landscape. We need to give them a chance, because they’re going to serve us well.”

So, slowly people are starting to think ahead. And the Forestry Commission have been talking about this for some time as well. It’s official policy that people who are planting woodlands, whatever, they need to plant between provenance of particular species, between two and five degrees south … Two degrees is Brittany, five degrees is kind of over the Pyrenees area. So, that’s growing seed from native species, let’s say. But, seed that’s come from a field maple, or an oak, or whatever from the south of France, because it will be that little bit more suited to the warmer temperatures that are coming our way. And, again, that makes sense.

But, even the Forestry Commission have been making comments in the direction of, “We need to be a little bit more creative, and imaginative, and use a larger palette of tree species in our woodlands in this country.” And that’s just woodlands. So, there’s many angles we could take that conversation, I know.

Robin Harford:
There is. I mean, the whole invasive species discussion slash debate is obviously going to be hotting up as climate change develops; definitely a pun intended there. And we just have to watch this space, and see what science is coming out, and just hope that conservation organisations actually start putting the evidence on the table. Because, at the moment, my feelings about many of them is that it’s a bit like the old witch trials, the Inquisition. “We’re going to burn someone on a feeling,” you know? “Well, where’s the evidence they’re a witch?” “No, no, no. I just know they are.” And I think it’s time that we really get the evidence out and down, however that can happen. Because we all know that scientific research has vested interest that pay for it to push certain agendas. But, there are these kind of outsiders and iconoclasts who are putting their neck on the line; like Fred Pearce. Complete about turn. Which, fair play to the man, that’s pretty ballsy when you’ve got a reputation that is potentially going to be wrecked by doing so.

So, this is what Richard Mabey had to say about Himalayan, or as he calls it, “Indian” balsam back in 2011. He says, “I’d like to raise a personal cautionary note about the balsam bashing group’s activities. We very often forget that Indian balsam grows best on bare soil, where other plants aren’t growing at all. I’ve been watching the plant for most of my life, certainly the best part of 40 years, and I can’t say I have ever seen an instance where it has displaced native vegetation. And I wish, because it would greatly strengthen their case, if balsam bashers had some hard science about what happens to a patch of native riverside vegetation when Himalayan balsam moves in.

As for the future, I think we have to accept that Himalayan balsam is here to stay. The more that machinery churns out the area around ditches, the more the muddy corners of fields are disturbed. The more we dump the dredgings from rivers onto riverside banks, the more we actually create the open, muddy situations that the fruits of Himalayan balsam just adore. And, maybe, we should also remember that cautionary note from poet Anne Stevenson, “Plant extinctions are happening all over the globe as a result of climate change, pollution, habitat loss.” I think we really need to think seriously before we choose to eliminate newcomers to the ecosystems of any country, however aggressive and invasive they might be. In 50 years time, they might be just what we need.”

So, thank you, Pete, for the discussion.

Pete Yeo:
Yeah. It’s just that, I mean, I fully concur with what Richard was saying there. In my experience, speaking with ordinary people when I do my walks, and talks, and presentations; when they hear what I have to say, this information around a completely alternative narrative on immigrant, invasive, whatever descriptor you want to use, plants, the overwhelming response is a kind of like, “Yeah, no. That actually kind of makes sense.” And that’s really interesting. The very least why I do what I do, is to kind of just balance up the debate.

Because it’s been imbalanced for so long.

And the imbalanced side, the more I look at it, just does not stack up. It doesn’t make sense. And so, I feel we need to kind of just openly, honestly look at this other side. Like you say, it may be that there is good, hard evidence for some of these species, perhaps. Again, that may be only a short-term effect.

But, let’s have an open, full debate on this. And I think we’ll all be the richer for that.

Robin Harford:
Thank you very much.

EP13: Absinthe alchemy

I’d like introduce you to one of the world’s foremost absinthe experts, and the first person who was able to authentically reproduce the premium quality absinthes from the 19th century.

In this latest Eatweeds podcast, T.A. Breaux aka Ted B, takes you on an amazing journey in search of the obscure, the overlooked and forgotten history and stories of this outcast spirit… the episode could well have been called  “Absinthe Debunked”, as Ted dispels many of the myths surrounding the notorious absinthe. Enjoy!

Thank to Jenny Gardener (one of my course attendees) who is also a specialist in handcrafted, artisanal spirits for getting Ted and me together.

It’s taken two years for our diaries to synch… and was well worth the wait. This is an amazing man with an equally amazing story that needs telling… Enjoy!

Show Notes

About T.A. Breaux

TA Breaux Jade Liquers Absinthe Historian

T. A. Breaux is a native New Orleanian and research scientist who has dedicated over 20 years of research toward resolving the mysteries and myths associated with absinthe.

His mission to painstakingly reconstruct historically accurate examples of the controversial spirit gave rise to Jade Liqueurs.

Breaux co-directed the effort to lift the USA’s 95-year ban on absinthe, which came to fruition on March 5th, 2007 with the launch of Lucid Absinthe Supérieure.

The following year, Breaux was similarly engaged in reversing the last vestiges of the original French ban, which allowed absinthe to be formally recognised in that country.

His work has been lauded throughout the press and media in the USA, Europe, and Australia since 2000, including numerous national television appearances (The History Channel, Discovery Channel, CBS, MSNBC, Travel Channel, PBS, etc.).

Breaux has co-authored published scientific studies on vintage absinthe in peer-reviewed journals (Journal of Agricultural and Food Science), and coauthored the book, Absinthe: The Exquisite Elixir.

Breaux’s reputation for being a staunch promoter of truth and accuracy of information and education in all matters absinthe is surpassed only by his limitless passion for recreating history through the fine art of absinthe crafting.

EP12: Passion potions

Many moons ago I met two awesome ‘herbalistas’ called Karen and Fiona at the first Radical Herbalism Gathering (RHG).

RHG is definitely a weekend I recommend you get to, if you like earthy herbalists who talk about real issues rather than just how to make your face look pretty with plants!

Back then Karen and Fiona where known as the Witch Doctors, but recently they have been joined by the wonderful Belle and re-invented themselves as The Seed SistAs.

Collectively they run Sensory Solutions Herbal Evolution which is an arts and health-education community interest company.

These plant funksters promote empowerment, autonomy, freedom, health and diversity through teaching plant medicine.

Personally I like rooty, earthy, practical and radical plant folk.

I suppose it’s because “punk rock” still sings in my heart, even if these days the fury, rage and self-destruction has been tempered and replaced with kindness, compassion, equanimity and appreciation.

Punk was always about taking back our own power from the usurpers and cultural manipulators.

To “be your own authority” was a clarion call to freedom at a time when the government was mouthing hot air, making promises to get your vote, and delivering nothing once in power.

That was back in the 1970s and 1980s (before some of you reading this where even born!)… and oh my… not a lot seems to have changed. If anything its got worse!

Fear not however… for hope has a funny way to overcome despair, and the Seed SistAs are at hand to help put a little spring in your step, and lightness back in your heart.

It’s always a blessing to hang out with them, and I was lucky enough to spend time one afternoon to get their puck-like, free-spirited approach to herbal medicine and plants recorded for posterity.

So without much ado, I’d like to introduce you to the wonderful Seed SistAs chin-wagging about Passion Potions and Wild Herbalism as well as all things plants.

About The Seeds Sistas

Seed Sistas Sensory Solutions

Sensory Solutions Herbal Evolution is an arts and health-education, Community Interest Company run by the Seed SistAs, Fiona, Karen and Belle. We promote empowerment, autonomy, freedom, health, and diversity through teaching about plant medicine. All our courses, publications, talks and tours promote the aims of the CIC: to educate about and promote the growing and use of herbal medicine. We combine medical training and years of clinical experience with our love of creativity and plants to put herbal medicine back where it belongs: in your hands.

Like so much in this fast paced materialistic society, it is easy to ignore the connections between a bottle on the shelf in a health food shop and a living, growing plant out in our local surroundings. Many of the herbs contained in bottles in shops come from other continents. We use local plants and aim to demystify complicated medical jargon with something accessible to all.

We believe that a positive shift occurs in each person that is educated about the harvesting and utilisation of herbal medicine. A reconnection with our beautiful plants and planet ensues. That’s how we will be able to build a whole new system of healing relevant to today. A system that takes the pressure off the NHS by empowering people to treat their minor ailments with abundantly growing herbs and a system that builds healthy communities by connecting people to their local plants, to each other, good health and our beautiful Earth.

EP11: Intuitive herbalism

Over the years I have bumped into master herbalist Nathaniel Hughes at various gatherings around the country. We never seemed to be able to spend much time together as our paths where literally criss-crossing.

That aside we both recognised that we were on a similar page when it came to meeting and working with plants. Nathaniel coming from a herbalist’s perspective, and myself coming from a forager’s perspective.

So finally, after what must be four years of missing each other, I finally caught up with Nathaniel at his beautiful apothecary at Ruskin Mill, just outside Stroud.

We chatted about all manner of things. Everything from…

  • What is intuitive herbalism?
  • Being with plants; objectivity versus subjectivity
  • Knowing plants beyond intellect
  • Meeting plants as acquaintances, friends and lovers
  • Moving beyond seeing plants medicines as drugs
  • Autonomous student led learning
  • The controversy of regulation, certification and plant medicines
  • Dreaming with plants to develop relationship

So quite a mix-match as you can see. I hope you enjoy this episode of the Plants and People Podcast.

Show Notes

About Nathaniel Hughes

Nathaniel Hughes Herbalist

Nathaniel started his exploration of plants whilst studying a Chemistry degree with a particular interest in pharmacology. He went on to study a second postgraduate degree in Medical Herbalism which involved four years of full time study.

Since finishing his training he has spent over ten years exploring the spiritual and shamanic aspects of healing. He has a robust way of working with herbs that has its foundations in the spiritual, not in the biomolecular. This is in no way to dismiss the biomolecular effects of herbs, but rather to seat them in a broader, spiritual context.

EP10: The wild & wonderful world of fungi

A walk in the woods fungi foraging with the wild and wonderful Craig Worrall from Edible Leeds.

I recently visited Craig at his home in Leeds, and he kindly took me out to one of his favourite fungi patches to talk all things fungi. In this walk in the wilds we discovered Penny Bun, The Miller, Amethyst Deceiver and Hedgehog Fungi.

EP09: Foraging with Europe’s grand master

Crawling at 5mph it took me ages to drive up the dusty, pot-holed road that led into the depths of wildness where foraging grand master Francois Couplan lives hidden in the depths of Provence, France.

If there is one person who I would dearly love to learn more about wild edible plants, then Francois is the man! I never in a gazillion years thought that I would find myself being invited for an evening meal, and spend time with one of my heroes… And trust me, I really don’t do heroes usually, but sometimes you hear about someone, and just know somewhere, sometime you need to meet them.

Francois Couplan

In this podcast interview, I sit as the sun goes down with a man who has been living with plants on a daily basis for over 50 years! Aside from the indigenous plant teachers I have met on my travels around the world, Francois has a knowledge that goes way beyond anyone living “in the West” that I know.

So it was a real pleasure to do this interview, even if I do sound excitable… that’s because… I was!

For a man who was there in Paris 68, its a fascinating record of someone’s life so completely dedicated to teaching and inspiring everyone about the importance of paying attention to plants, and the benefits that gives you. I hope you enjoy it.

Show Notes

Books By Francois Couplan

About Francois Couplan

Francois is a pioneer in the study of edible wild plants of Europe. Over 40 years he has conducted an exhaustive survey documenting and recording their use as food. After living in the United States where he learned the edible uses from various Indian tribes, he then travelled throughout five continents in search of the traditional cultures that have enriched our planet. For the last 35 years he has been teaching in France, Switzerland, Belgium, Japan and Tonga. Francois works with top chefs to rediscover the forgotten flavours we once knew.

EP08: First steps to seeing plants

In this interview Emma Kidd, author of First Steps To Seeing: A Path Towards Living Attentively discusses practical ways to deepen your relationship with plants, by enhancing your ability to ‘see’ plants more fully, in a way that no mainstream botany class will ever teach you.

As Emma says: “On our way to work we may pass trees or other plants but not notice them – the changes of the trees through the seasons? We miss so much, not only individually but as a society too, by simply not paying attention.

By using the analogy of ‘seeing’, Emma discusses how to really and actively see what is in front of us rather than merely accept the shortcuts that our brain gives us to categorise and rationalise what is passing us by.

When it comes to being able to ‘see’ plants, these exercises and methods allow us to enter into ‘deep intimacy’ with plants, and reveals some surprising discoveries, as well as revealing just how blind we actually are. As the philosopher GI Gurdjieff was fond of reminding us, “as humans we live our lives in a near permanent state of hypnotic sleep”.

About Emma Kidd

Podcast Interview With Emma Kidd author of First Steps To Seeing

Emma Kidd is an educator, writer, independent researcher and Attention Coach. Her practice is centred around leading living inquiries into how we can co-create a happy, healthy, and peaceful world.

Emma leads practical, interactive workshops and private, one-to-one sessions, designed to cultivate awareness and an ability to locate our attention, so that we can concentrate on getting to know life as it is, rather than be constantly distracted by our brain’s automatic definitions, judgments and assumptions.

The overall aim is to develop the participant’s full attention so that they can experience and understand life – people and nature – in deeper, richer and more meaningful ways. Emma also works with educational charities, third sector organisations and businesses, and has a Masters degree from Schumacher College, UK, where she specialised in Phenomenology and the work of Henri Bortoft. Her book First Steps To Seeing, is published by Floris Books.

EP06: How to make nettle leaf protein

In Memory of Michael Cole. Michael had a short battle with cancer but in the end died peacefully with his family around him, at home in front of the fire on Wednesday, 3rd October 2018.

Discover how to make a 100% leaf protein from wild green plants, especially stinging nettle (Urtica dioica).

In this interview, I talk to Michael Cole who has been making Leafu (leaf protein) for many years on his animal-free, rewilded farm in Devon. Michael is considered to be the leading expert in the UK on making leaf protein.

As the dangers of food security and poverty increase, leaf protein could be one way to solve the problem of a growing human population, and the problems of how to feed us all.

When you consider that 1 hectare of land produces only around 80kgs of protein using traditional animal farming, compared to 1000kgs of protein from using the same land to grow leaves that get turned into leaf protein.

It makes sense that leaf protein could be a fantastic way to add nutrition into the human diet, without the problems that industrial farming usually create.

Show Notes

EP05: Remembering Frank Cook

Frank Cook was a herbalist, teacher, botanical explorer, activist and pollinator who turned people on to the abundance nature provides and the ability to self-actualise.

In this episode of the, friends of Frank Cook remember the man and his mission, and how he inspired thousands of people around the world to walk the Green Path.

Show Notes

EP04: Plant observation & Goethean science

In this interview Craig Holdrege director of The Nature Institute discusses how the methodology of Goethean

Science can enhance our ability to observe and experience plants and guide us into a whole different way of knowing and understanding the plant kingdom.

His passion is to develop what Goethe called “delicate empiricism” — an approach that learns from nature how to understand nature and is infused with a cautious and critical awareness of how intentions and habits of mind affect human understanding.

His research takes two directions. In the first, he carries out studies of animals and plants that tell the story of these organisms as dynamic and integrated beings within the larger web of life. He has written monographs and many articles, most of which can be viewed on this website.

Show Notes

EP03: Revisioning herbal medicine

An interview with Simon Mills, herbal practitioner and author of Principles & Practice of Phytotherapy, The Essential Guide to Herbal Safety, Dictionary of Modern Herbalism.

In this interview Simon’s talks about : Why plants are not pills. Taking back control of our health from experts, and much more.

Show Notes

EP02: Beyond botany & other ways of knowing plants

In Episode 2 of the Eatweeds Podcast Robin Harford interviews his Russian friend, plantwalker and herbalist Olya Maiboroda about how we can know plants beyond the usual botanical methods.

Something that pretty much all indigenous cultures have in common, is that we where foragers before botany was even dreamt up, and as a result how did humans discover the medicinal and edible uses for plants?

Trial and error is usually what people give as the answer, yet 50,000 heck even 5000 years ago there just were not enough people on the planet to make trial and error a viable option, so might there have been “other ways of knowing” that we have forgotten?

This podcast challenges the usual assumptions, and the rigid grip that the botanical elite still lay claim that their science is the only true way to know plants. Post your thoughts and comments on the podcast page.

For me personally and having just returned from Burma after spending some interesting time with members of the Karen Hill Tribe, I learnt the way they teach plant identification to future generations.

Time to step outside our cultural boxes, and blend the ancient ways of knowing with the new ways, because both compliment each other. No longer is it an either/or scenario but more a both/and.

EP01: Wild dolmades & other things

In this first episode of the Eatweeds Podcast wild food chef Paul Wedgwood from Edinburgh talks about making Garlic Mustard Dolmades (Alliaria petiolata).

Research herbalist Monica Wilde takes us through the latest scientific findings on whether comfrey is safe to eat, is it?

And finally Alex Laird from Living Medicine talks about the importance of using common plants found around you and in your kitchen for self care health care and to support your own path to wellbeing.

Show Notes